#31
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Makes one wonder where all the guitars from the "old days" are today? Are they all stashed away under beds and in closets or are most of them broken, worn out, cracked or been thrown away? You don't see many old guitars for sale yet there must have been millions of them made over many years.
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#32
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In winter here in NC, I use a humidifier and it works just fine.
I keep my main acoustic out on stand and when not home it's simply tucked safely in it's case. |
#33
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Hmmm... pre-war, pre-humidifier
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#34
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Now back to our regularly scheduled thread... Best, Jayne |
#35
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I think the same kind of thing is likely to have happened to all those guitars from "the old days."
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Epiphone Masterbilt Hummingbird Epiphone Masterbilt AJ-500RENS Teach us what ways have light, what gifts have worth. Edna St. Vincent Millay |
#36
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With arrival of a new kitten two years ago all my instruments went off the stands and back into cases. After one winter with a room humidifier (which was a pain to operate and left white residue all over) this also meant going back to seven (soon to be eight) soundhole humidifers. I usually refill the humidifiers on the weekends, and therefore have to open up each case and as it's open also give each instrument some play. Otherwise I maintain a rotation where those with the newest strings are in the living room for easiest access, and those with older strings in other rooms. Of course my dream is a bigger house with a dedicated music room that is off limits to kittens, is set to perfect humidity, and has all instruments and other tools and perfect seating. It would probably get more use than my living room ...
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#37
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If the OP is that concerned as to want to keep his guitars in their cases all winter, then the solution is simple. As one other poster mentioned earlier in this thread, get a decent carbon fiber guitar.
That is exactly what I did because I have similar concerns about humidity in the winter, having experience the occasional wood cracking. I have a McPherson Touring carbon fiber guitar, along with a couple of original CA Guitars Cargos. I much prefer small body/sort scale guitars, and find these the most comfortable to play. Carbon fiber guitars are maintenance free, other than the occasional string change, impervious to humidity changes, sound quite good, and are very comfortable to play. You really can't lose. Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#38
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One way to think about this is technological. From the point of controlling the humidity in the environment, there probably wasn’t any good way. In the warm months, windows were open. In the cold months, heat was generated by wood or coal-burning devices. Even when I was growing up, a “humidifier” meant putting a pan of water on the radiator, and very few people actually did that. It didn’t really work, anyway. Then, we can look at whatever surviving instrument cases there are. Did they have a place for a clay humidifier? I haven’t seen a ton of them, but those that I have seen didn’t have any provision for that. (Maybe somebody has different information...). Honestly, I’d never even heard of humidifying an instrument until the last 20 years or so. Before that, well ... you made it a point to not store your instruments too close to the radiator, but that was it. I live in New Jersey. With central air and heat, it’s pretty dry in my apartment in the hot weather and the cold weather, but the windows are open during most of the Spring and Fall, and the air/heat are off. So, for a good six months of the year, the humidity inside is pretty much the same as the humidity outside. I keep all my guitars and other plucked strings on stands. I keep my violins and viola in cases, but don’t use the humidifier. Never had a problem. |
#39
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May I ask why you don't simply humidify your whole house, or at least your guitar room? That's what I've done living in Arizona, because it is a pain having to keep guitars in their cases at all times. (Unrelated to the humidity issue, though, I still wouldn't leave mine out permanently because Tucson is a hotbed of burglaries.)
__________________
"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#40
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Kittens grow up eventually into less rambunctious creatures...
__________________
"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#41
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Well, I just put them in the closet until the mood strikes
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#42
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I will be doing a lot of traveling in the coming months, and will be heading to the west coast in February and then Germany and Poland in March. For some reason, I just don't have a lot of time to play guitar in the winter due to work and family obligations, so I just try to focus on other things while they soak up some H2O in their cases. |
#43
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Same here. And while it's nice to give some attention to our other hobbies from time to time, playing guitar is one of those things that I just do every day, no matter what.
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#44
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I have two guitar racks in my man gave with 10 guitars, two kittens and two humidifiers. All guitars are humidified, I have a “locking” bar on each rack so they are secure and ready to be played. With all of the money we pay for our guitars I can’t understand why people don’t just add humidifiers and move on. [emoji74]
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Taylor V-Class 814ce, 717e BE WHB, 520ce, 454ce, 420 Cedar\Maple, T5z Classic Martin D18E Retro Cordoba C10 Crossover Emerald X20 Rainsong H-OM1000N2 Voyage-Air VAD-04 Custom Les Paul Hot Rod Deville 410, Fishman Loudbox Performer |
#45
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I have solid body electrics. I keep some out all year, there are two of them and a electric bass hanging right next to my arm as I type this. The only issue any of my electrics get from the drier winter air is some fret-sprout (not common, but it has happened). And since that bass by my arm is a fretless with a composite fretboard--I got no worries there!
As a result, when I'm trying to write a new song, I'll grab one of those electrics and play it unplugged to get some idea of chords and voicings as I try things. I keep telling myself I should risk leaving one of acoustics out in the dry dry Minnesota winter hanging for a quick grab, because an unplugged solid body does not faithfully produce the same sound balance as the exact same same chord played on an acoustic. I'm just too risk adverse to do it--the thought of even risking harm to an acoustic instrument somehow seems wrong to me. I tell myself this is illogical (they're tools), just as I could tell myself (logically) to go where my acoustic guitars in cases are stored and get one the humidified acoustics out when I get an idea of something I need to compose or try. That would only take a few minutes to do, but sometimes the thing I want to try, or the question I want to ask, is answered with the guitar at hand in a few minutes as well. Some of us are better than others in overcoming these odd human sentiments and laziness I guess. I should either bite the bullet and say "this guitar may get damaged, but so what, that's just the cost of doing what I've set out to do" or get an affordable laminate or non-wood guitar.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |