#121
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The notion of a fanned scale between the two 'standards' of 25.5 and 24.9 is new to me - it's gentle and not so visually jarring as most other common options. It's tough to tell from the video (and maybe it's been mentioned earlier in the thread), but where's the parallel fret? Looks like around 10th? Great idea. I suspect that this is going to be a hard one for you to ship out
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#122
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The parallel fret is at the 14th fret, where it joins the body. That makes things nice and square at the joint.... Oh, yeah, it's often hard to say goodbye. But the good news is that I have the recipe. I'm even making one similar to Bucephalus for Dream Guitars right now... |
#123
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Yay for more Bucephalus guitars
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. Haha. CU Friday Paul
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4 John Kinnaird SS 12c CUSTOMS: Big Maple/WRC Dread(ish) Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC Big Tunnel 14 RW/Bubinga Dread(ish) R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#124
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#125
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Bucephalus has landed
Dale is very happy. That makes me very happy. This concludes this thread. Thank you everyone!
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brazilian rosewood, brazilian/adirondack, dreadnaught, wilborn guitars |
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