#16
|
|||
|
|||
Oh BTW, this video that I made in March last year, shortly before I started my throat cancer treatment , and ironically a few weeks before Blitzen, my beloved Burmese cat (who can be heard) developed kidney failure and had to be put down.
This shows a comparison between a Collings 0002h a Waterloo WL12, and a British built 0028 (deep body) The Collings is by far my favourite, the Waterloo still had to open up and so was tight and "brittle" sounding, and of course has a thin 1 & 3/4" nut, but the "Hockey" 0028 was bought for me by my lovely wife for my for my 50th birthday, and whilst it has a little more "hips" bodywise than either a Martin r a Collings, it does have the period correct 1 &7/8" nut width and a 2 & 3/8" string spacing.
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
|
||||
|
||||
Just curious here...
Gibsonesque L00 style guitars are typically far larger in their lower bouts than their Martinesque cousins (i.e. 14-3/4” vs. 14-1/8”) and are also deeper bodied. I own both style of guitars and like them both but I consider them to be a bit different. When I hear “00”, I think of Nazarethesque style, ~14”, 12-fret guitars. Am I the only one who thinks of L00 guitars as distinct from 00 guitars?
__________________
A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#18
|
|||
|
|||
Huss & Dalton 00-12 fret. Best balance of any 00 I have now or have had. Neck is more easily playable somehow. I am a fingerstyle guy and for that it is just the best I have found. It is a standard sitka and mahogany.
Jon |
#19
|
||||
|
||||
2017 Martin 00-18 Standard. Simple beauty. I love the sound of Spruce & Mahogany! She’s a whole lot better a guitar than I am a player.
|
#20
|
|||
|
|||
Quote:
__________________
Jim Dogs Welcome......People Tolerated! |
#21
|
||||
|
||||
I am very thrilled to own my SCGC Skye 00. It’s got me thinking about selling my Collings OM1A (Adi/hog) and replacing it with a Collings 001A.
__________________
Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#22
|
|||
|
|||
Being pretty fickle it is always hard for me to pick a favorite but at the moment it is this one - a 1957 Gibson CF-100E. What makes this little guitar stand out is that while it has everything you could ever want out of a good Gibson LG-2, this one has a bit more focused sound which I am guessing is the result of Gibson moving the soundhole south to make room for the P-90 putting the center of the X brace closer to the bridge and closer to the source of the vibration coming from the strings. Then again, it just may be that this is the sexiest Gibson flattop lever built.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#23
|
|||
|
|||
I long for a Martin 00-17 vintage 1931 I think that I had on loan from a friend for a couple of weeks earlier this year. All mahagony guitar with the sweetest tone and easy to play too. I’m trying to save up for one like that. I already have a 1947 Gibson Lg-2 which is basically a 00-size and has incredible tone with a little beefier neck. It’s got incredible tone and power for a smaller body guitar.
|
#24
|
||||
|
||||
I've owned 6 00 12 frets. Most were very good but three were standouts: a Santa Cruz 00 in sitka/EIR with the best neck I've ever played, a Santa Cruz 1929 00 that was an all-hog beauty with awesome tone and a Martin 00-18VS UMGF that was something special. That is one of only a few guitars I regret having sold. I've seen pop back up here twice now and almost bought it again twice!
|
#25
|
|||
|
|||
Northwood R80 and 0075 - S/R. But any of the ones already mentioned would be a joy to try.
|
#26
|
||||
|
||||
Quote:
Yes, I think of them as two separate categories. In the former group, my favorites are my Huss & Dalton 00 standard and my Martin 00-18V. For pure tone, the H&D wins by a nose but I really like the playability of the 14-fret neck on the Martin, so it gets played more. In the Gibsonesque family, my Huss & Dalton Crossroads is the one I most often reach for, although the Waterloo WL-14 L and WLS Deluxe are also little gems. The Martin-style guitars are really quite different from the Gibson-style guitars despite their sharing the "00" designation. Both varieties of 00 are among my favorites. Their size is comfortable and they can produce plenty of tone and volume. They seem to have a bit more character than OMs, which I also like a lot. OMs are more versatile but that comes with a little bit less personality, and it's not that often that I need the versatility of the OM design. I pretty much never flatpick or strum, for example. And most of the guitars I mentioned could actually handle either of those styles petty well if I did.
__________________
Bob DeVellis |
#27
|
|||
|
|||
Quote:
__________________
Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#28
|
|||
|
|||
Mine is a custom shop 12-fret slotted model in the Style 30 ornamentation: multi-color rope binding, pearl rosette, Foden fingerboard inlays, hide glue. The woods are Adirondack spruce top and scalloped bracing, Madigascar RW back and sides.
This little guy has major projection!
__________________
Tom Martin Custom Authentic 000-28 1937 Martin 1944 00-18 |
#29
|
||||
|
||||
I guess my favorites are the 00s i own, a well broken in Martin 00-15m custom and two Waterloos, WL-12 and WL-14.
Some might argue the Waterloos aren't true 00s, that's fine. Last edited by stephenT; 06-24-2018 at 12:30 PM. |
#30
|
|||
|
|||
Larrivee OO-05. Because it is.
|