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Greenfield G3 Build
Greetings!
As some of you may know, I'm a huge fan of Michael Greenfield's work, and have been for some years. I currently have a G2 fan fret as my main guitar, and am expecting one of Michael's new concert classical models later this year (barring another COVID apocalypse). I also have another build slot for the following year (ish), for which we'd pencilled in a G5 (his mini / soprano guitar). However, having spent some time recently playing smaller bodied guitars, I'd begun to yearn for something of that ilk. I love my G2, but to borrow a quote, sometimes you can be 'too close for missiles' and need to 'switch to guns'. In addition, last time Mike & I hung out together, we were joined by the immensely talented Pipo Romero. Pipo is one of Michael's artists & he plays a few G3 models. I tried one, and I loved it. So this weekend we chatted again & concluded, a special G3 would be nice. I have a penchant for rosewood (or rosewood-sounding) guitars, and Michael has a very special collection to choose from. We're pairing it with moon spruce, a DADGAD fan, a couple of bevels and a few bells & whistles. Full spec: Model G3 DADGAD fan Non-cutaway Moon spruce soundboard Brazilian rosewood Laskin inspired arm rest Palm-away bevel 113/16”” nut width 21/4” string spacing at bridge. “Standard” neck profile Hand carved heel “swoosh” To whet the appetite, he's sent through the below image. I am suddenly rather excited for this build :-D Joel |
#2
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Not surprising that you are excited. This looks like a special one. Big fan of Michael’s work. Lucky to have a G4.2 LT fan fret in ABW/Moon Spruce.
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#3
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This will be a fun one for sure--thanks for sharing it.
Beautiful set of BRW to start with!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#4
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Hi Joel,
A pal of mine had a G3 (or at least I think it was) in sapele or something similar. I was initially underwhelmed (especially given the cost) but the longer I played it, the more I realised it was a superbly balanced instrument, and very refined; it just didn't SHOUT about how great it was. Ultimately, I came to the conclusion that it was probably the best Greenfield I've played. Also, I've never been too much of a fan of small guitars - most sound "small" to me - but as I've aged, there's no doubting that it's far more comfortable to have a smaller instrument: Those Somogyi MDs are thunderous but what a handful! In recent years I've also played a few small guitars that I could definitely live with and not feel I'm losing out. I'm sure your G3 will fall into that camp, although you have a fair few years to go before shoulder pain will likely bother you! Lovely BRW BTW - the back looks pretty well quartered for a "new" set. Cheers, Steve |
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Hey Steve,
Hope you’re well. Funnily enough that was exactly my experience. I’ve leaned towards the industrial-sized grand piano models ever since Mr Watts led me down the rabbit hole. But now I fancy adding something different, and the smaller body guitars I’ve played lately (Pipo’s G3, my father-in-law’s Martin, and a very memorable Traugott 00) have made me happy enough to want one. Joel |
#6
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I owned a G3 for several months. As one of the posters in this thread stated accurately, it is balanced and refined. There is more volume and snap in the basses than you would expect from a guitar this size. I really enjoyed my time with it.
Cincy
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2018 Buscarino Italia |
#7
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I'm pretty sure I played that, although for not nearly long enough: A very, very sweet guitar indeed. IIRC, the price was far too sweet for me!
A Kostal 00, unbelievable Claxton Malabar, and a couple of Tom Sands 00 models (which later morphed into his S offering) are notable other "small" guitars I could live with very easily. A 1976 Fylde Goodfellow was my first decent acoustic, and that is a small guitar, but that was decades ago and my memory of it is surely unreliable. Cheers, Steve |
#8
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I vaguely recall trying a fantastic Kostal 00 when we first met. Was that yours?
The Traugott belongs to an overseas friend, sadly he wasn’t selling it. Lovely instrument. Joel |
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Quote:
The Kostal 00 and the Traugott 00 I played were both at TNAG. Cheers, Steve |
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Congrats on your upcoming build, Joel. Early pics look fantastic. I'll be sure to follow along as it gets underway!!
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify Mike McKee/Fred Bartlett Spotify playlist |
#11
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Quote:
Massive congratulations, the creation of a Greenfield guitar is a very special occasion and I can't wait to see this one developing! All the best, I'll be watching this one with interest! Michael
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |
#12
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Wow, we don't get to see enough of Michael's builds on here.
Still I've lost track of how many times I've watched this video.
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#13
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If thisthread means we get to hear another clip by Joel playing any music piece qth his greenfield, then i will definitely be tuning in as he is a great guitarist!
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#14
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Quote:
Cheers, Steve |
#15
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Absolutely - i think she is better than many professional singers such is her skill and voice.
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |