#16
|
|||
|
|||
I would categorize those in the primo class. Looks a lot like some of the stuff I have had the privilege of working with lately.
|
#17
|
||||
|
||||
My understanding is that--when not naturally occurring--such color variegation is typical of reclaimed BRW. It is a result of different parts of the wood oxidizing at different rates (e.g. the outside of an old beam was exposed to oxygen in a way the interior of that beam wasn't). But I'm ready to be corrected
|
#18
|
|||
|
|||
The guitar was actually in a bog for 5,000 years. Aged tone.
|
#19
|
||||
|
||||
Quote:
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#20
|
||||
|
||||
I was told similar info by a supplier most of us used several years ago whose family supplied us BRW for decades. He sold sets that he called “watermelon stripe” with lots of green coloration and he said it was from the logs being submerged for years and then salvaged.
|
#21
|
|||
|
|||
I have seen some of that BRW with the green coloration. I was told by the luthier who showed it to me that the green is from human-made chemicals in the water - something with copper, I suppose. The wood was beautiful but looked somewhat un-natural to me. As for my guitar, John Kinnaird (who made it) said the BRW came from a warehouse beam in a city in Brazil where it had been for many decades. He did not say anything about water, but maybe he will chime in here.
|
#22
|
|||
|
|||
This colour pattern of very dark streaks and orange red nd even some green colours seem to often arise in Brazilian rosewood sets that were harvested from beams of old houses. I suspect this is due to the old growth nature of these woods. I recall reading that they were described in Brazil as Imperial quality.
__________________
In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#23
|
||||
|
||||
I have been told, but do not "Know", that there are 5 classifications for BRW in Brazil, traditionally. Essentially, the wood grows in 5 different ecological environments, so the story goes, and takes on a consistent general appearance depending on which locale it hails. There is a financial incentive depending on the category. The nearly black wood is called "Imperial", and is said to be the most expensive.
I have made around 50 instruments from BRW, generally of high quality, and have not noticed any tonal deficit in any of it. My take of the five classifications is that it is marketing. Here is a classical I made from imperial, currently owned by Imagine Dragon's guitarist, Wayne Sermon: |
#24
|
|||
|
|||
The Brazilian on my 1998 Larrivee has quite a bit of variation in green, black brown and red. I have another one that is mostly red orange and black.
They sound spectacular.
__________________
1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#25
|
|||
|
|||
My isaac jang OM was also made from beam brazilian rosewood and it also is of the Imperial type.
https://www.acousticguitarforum.com/...ac+jang&page=5
__________________
In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#26
|
|||
|
|||
Quote:
__________________
Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |
#27
|
||||
|
||||
We received a very similar cut from Bourgeois, the year before the example that you mentioned.
__________________
________________________ Acoustic Music Works Guitars, Banjos, Mandolins & Good Company A top dealer for Collings, Huss & Dalton, Kevin Kopp, Baleno Instruments, Eastman, Pisgah Banjos, OME and ODE Banjos, Northfield Mandolins, and more! (412) 422-0710 www.acousticmusicworks.com Friend us on Facebook! Follow us on Twitter! Check out our YouTube channel! |
#28
|
|||
|
|||
That's cool I did not know that is what gives this wood such features. I love the dark chocolate BRW. Here's one I am finishing up that looks remarkably similar to the one's linked in this thread. With nice dark chocolate sides too, you can hardly even see the grain in it.
|
#29
|
||||
|
||||
Now THAT is a guitar I can get behind!
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#30
|
||||
|
||||
image0.jpgimage1.jpg
John Kinnaird just posted these pics of my new custom. Not finished yet. Just "Joy juice" This is very old, perfectly quartered reclaimed beam wood, I believe. As for being behind a guitar, these bevels and a Manzer Wedge make for a very comfortable playing experience!!! I too hope JK chimes in here. Cheers Paul
__________________
3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More Last edited by Guitars44me; 10-15-2020 at 09:51 AM. |