#31
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Ok, I'm interested to learn more about your guitar! Thanks for sharing - I'm off to do some reading... Sean Last edited by sunbgroove; 07-18-2016 at 07:44 PM. |
#32
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#33
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Quote:
You will enjoy your journey. Be sure to take lots of pictures.
__________________
Frances |
#34
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Progress!
Thought I'd check in to update on the progress of the parlor guitar.
The bracing top and bottom showed several cracks so we carefully removed them to make the repairs. Things are moving along nicely. The goal is to preserve the play wear and as much of the original finish as possible and to bring the guitar back to playing condition. The top was cracked in several places so additional bracing on each side of the sound hole was used to sure up this area. |
#35
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The guitar is nearly complete. It did receive a re-fret. It has been done at least once before. It plays beautifully! So happy with the way it has turned out. Thanks to all for your comments and advice.
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#36
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Quote:
Post a sound clip? |
#37
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Sunbgroove,
I can restore a GM muscle car, but there is no way I could do what you have done to that guitar. You definitely have some talent and are surely gifted with you hands. Thanks for updating this thread. One of the few that I've subscribed to. Regards |
#38
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Great restoration!!! Well worth your efforts.
__________________
Frances |
#39
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Thanks guys!
I can't take all the credit here. My friend is a retired Porsche race engine builder and Luthier. Much of the delicate work, including the refret and neck reset was the result of his expertise! I strive to be a useful assistant :-) As a side note, the two other guitars in the picture are builds from his shop. We just finished my build, serial #10 (on the left). Last edited by sunbgroove; 12-18-2016 at 11:38 AM. |
#40
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Quote:
Hey there, the bridge itself was in good condition. We had to make a new bridge plate and drilled out (half way) the string holes on the top. Spruce plugs were made to fill the holes and then re-drilled once the bridge was glued back in place. The original nut was removed and saved along with the old frets. The neck did look odd with shiny new brass frets, but they tarnished back to "normal" in a week! A neat thing we discovered about the nut is that it was not quite "square". It was designed with a slight wedge shape that matched the wedge slot on the neck. It pressed in, or out, from the side and creates an incredibly tight fit, without the need for glue. I am still experimenting with strings as I have found that it makes a huge difference in tone. Right now I have it strung with a mixture of low to medium tension strings from LaBella, and Savarez. I'm not done fiddling with that yet! I have played it at 440 tuning and 1/2 step down but have settled on a full step down... It sounds haunted at that tuning! |
#41
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Sound clip
Quote:
Last edited by sunbgroove; 12-18-2016 at 04:44 PM. |
#42
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Well done. Now I want to take out my old Martin.
__________________
Frances |
#43
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I would LOVE to hear it! Any chance you have sound clips of your Martin?
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#44
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Nothing to add other than I very much enjoyed this thread and that little parlor looks great!
__________________
National Resophonic NRP 12 Fret Loar LH-700-VS Archtop Eastman E8-OM Herrmann Weissenborn Recording King RP-10 Recording King RG-35-SN Lapsteel Maton 425 12-string ESP 400 series telecaster Eastman T485 Deering Americana Banjo My Youtube |
#45
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Awesome awesome awesome restoration!
Sent from my iPhone using Tapatalk |
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Tags |
antique, ashborn, civil war, martin, parlor guitar |
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