The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write

Reply
 
Thread Tools
  #1  
Old 06-23-2020, 08:01 AM
airborne1 airborne1 is offline
Registered User
 
Join Date: May 2017
Posts: 1,049
Default Full barre F major....

Chord is a pain!! I am just now starting to get some improvement on my barre chords but, that chord is really tough for me! Especially arpeggiating, and or, hitting the low bass note. As most of you know, using a capo at the first fret alleviates much of the problem and the notes ring clearer. I know things should get better with time and practice, but should I stop “cheating”, by using a capo on the first fret?

Last edited by Kerbie; 06-23-2020 at 08:43 AM. Reason: Please refrain from profanity
Reply With Quote
  #2  
Old 06-23-2020, 08:40 AM
David Eastwood's Avatar
David Eastwood David Eastwood is offline
Charter Member
 
Join Date: Apr 2007
Location: Minnesota
Posts: 7,532
Default

Quote:
Originally Posted by airborne1 View Post
Chord is a pain!! I am just now starting to get some improvement on my barre chords but, that chord is really tough for me! Especially arpeggiating, and or, hitting the low bass note. As most of you know, using a capo at the first fret alleviates much of the problem and the notes ring clearer. I know things should get better with time and practice, but should I stop “cheating”, by using a capo on the first fret?
If using a capo at the first fret makes it that much easier, it would suggest to me that your nut slots might be a bit high. A quick setup could easily fix that for you.
__________________
Martin 0-16NY
Emerald Amicus
Emerald X20
Cordoba Stage

Some of my tunes: https://youtube.com/user/eatswodo

Last edited by Kerbie; 06-23-2020 at 08:44 AM. Reason: Edited quote.
Reply With Quote
  #3  
Old 06-23-2020, 04:56 PM
JonPR JonPR is offline
Registered User
 
Join Date: Dec 2010
Posts: 6,476
Default

Quote:
Originally Posted by airborne1 View Post
As most of you know, using a capo at the first fret alleviates much of the problem and the notes ring clearer.
To confirm what eatswodo said: this means your nut is too high. Have a set-up done.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen.
Reply With Quote
  #4  
Old 06-23-2020, 05:12 PM
cliff_the_stiff's Avatar
cliff_the_stiff cliff_the_stiff is offline
Charter Member
 
Join Date: Feb 2019
Location: San Francisco
Posts: 1,830
Default

Wait one second- are you
A-Using a capo on 1 st fret and then playing the F shape Barre chord (F#)
or B-using a capo and playing an E maj shape to create the Fmag?
If it’s A, then probably have some nut work needed as others stated.
If it’s B, stop using the capo.
If you play a power chord F- Index on root, and r- on 5th m- on the octave-
Start with this shape and then flatten out the index after you arpeggio past the E.
I find playing an F min is an easier stepping stone towards Fmag.
Reply With Quote
  #5  
Old 06-23-2020, 11:46 PM
1neeto 1neeto is offline
Registered User
 
Join Date: Mar 2012
Posts: 3,414
Default

Beginners should stay away from a capo unless you’re setting up neck relief. Start with the Fm shape but on the fifth fret (Am), and then move towards the nut (Abm, Gm, Gbm, F). Keep doing this until you’re getting comfortable. Now add the middle finger on the third string and make the major shape and do the same. Eventually muscle memory will kick in, but it will take weeks, if not months. Barre chords is one of the hardest things to learn on guitar.
Reply With Quote
  #6  
Old 06-24-2020, 03:54 AM
JonPR JonPR is offline
Registered User
 
Join Date: Dec 2010
Posts: 6,476
Default

Quote:
Originally Posted by cliff_the_stiff View Post
Wait one second- are you
A-Using a capo on 1 st fret and then playing the F shape Barre chord (F#)
or B-using a capo and playing an E maj shape to create the Fmag?
If it’s A, then probably have some nut work needed as others stated.
If it’s B, stop using the capo.
Yes! crucial clarification!
Quote:
Originally Posted by cliff_the_stiff View Post
If you play a power chord F- Index on root, and r- on 5th m- on the octave-
Start with this shape and then flatten out the index after you arpeggio past the E.
I find playing an F min is an easier stepping stone towards Fmag.
Do you really mean middle finger on the octave F? Pinky surely?
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen.
Reply With Quote
  #7  
Old 06-24-2020, 09:02 AM
rllink's Avatar
rllink rllink is online now
Charter Member
 
Join Date: Feb 2020
Location: Midwest
Posts: 4,240
Default

The F is stubborn and hard to play. I took a unique approach to it. I got really mad at it. So I took every song that I like to play, transposed them into a key that had as many F chords in it as I could possibly get, then played them with gusto until I beat that F chord into submission. It was one stubborn chord. It took a month before it would even try to cooperate. But eventually it gave up and we are quite good friends now.

One thing I also did was work on just the bar first. I spent a couple days strumming just the bar until the strings rang out true, then added the rest one string at a time making sure I got that before adding the next.

By the way, the big F battle took place in February, I'm fairly new to this. But because February starts with an F I decided it would be my month to conquer it.

Last edited by rllink; 06-24-2020 at 09:19 AM.
Reply With Quote
  #8  
Old 06-24-2020, 11:30 AM
airborne1 airborne1 is offline
Registered User
 
Join Date: May 2017
Posts: 1,049
Default

Quote:
Originally Posted by rllink View Post
The F is stubborn and hard to play. I took a unique approach to it. I got really mad at it. So I took every song that I like to play, transposed them into a key that had as many F chords in it as I could possibly get, then played them with gusto until I beat that F chord into submission. It was one stubborn chord. It took a month before it would even try to cooperate. But eventually it gave up and we are quite good friends now.

One thing I also did was work on just the bar first. I spent a couple days strumming just the bar until the strings rang out true, then added the rest one string at a time making sure I got that before adding the next.

By the way, the big F battle took place in February, I'm fairly new to this. But because February starts with an F I decided it would be my month to conquer it.

In that case, I’ll begin in the month of Fuly!
Reply With Quote
  #9  
Old 06-24-2020, 12:08 PM
NormanKliman NormanKliman is offline
Registered User
 
Join Date: Dec 2019
Posts: 515
Default

Haha, excellent post, rllink. Kind of metaphysical, too.

Don’t know if it happens to others, but sometimes old strings make it harder for me to fret all the notes in that F chord clearly. I’ll think it’s me getting old, but it’s actually due to worn-out strings. Heh, gotta get old but not worn-out yet!

I always thought country blues in C (Broonzy, Hurt, etc.) provide an excellent workout for that F chord, especially the combination of the chord tones on the bass strings and non-chord tones on the trebles.
__________________
Resources for nylon-string guitarists. New soleá falseta collection: http://www.canteytoque.es/falsetacollectionNew_i.htm
Reply With Quote
  #10  
Old 06-24-2020, 12:26 PM
cliff_the_stiff's Avatar
cliff_the_stiff cliff_the_stiff is offline
Charter Member
 
Join Date: Feb 2019
Location: San Francisco
Posts: 1,830
Default

Quote:
Originally Posted by JonPR View Post
Yes! crucial clarification!
Do you really mean middle finger on the octave F? Pinky surely?
You’re right- pinky for sure.
Reply With Quote
  #11  
Old 06-25-2020, 04:33 PM
TBman's Avatar
TBman TBman is offline
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,972
Default

Using a capo to reduce the angle of the arm makes the F chord easier when learning. If that was what the OP was doing, its fine. If its because the guitar was too hard to play without the capo then its time for a setup as was pointed out.
__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #12  
Old 06-25-2020, 09:44 PM
M Hayden M Hayden is offline
Registered User
 
Join Date: Nov 2007
Location: The Glorious East SF Bay, CA
Posts: 1,064
Default

Practice practice practice.
I learned to play it at like 8 years old.
Be patient. You’ll get there.
And like eatswodo says, check your nut action! http://frets.com/FretsPages/Musician...nutaction.html
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write






All times are GMT -6. The time now is 09:39 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=