#31
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Originally the numbers in Martin’s model nomenclature referred to the list price.
May I interest you in a nice D-11,599?
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Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |
#32
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It's all good until the binding starts lifting...
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#33
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There are those of us that think the "bling" is worth the buck. And those
that dont. There was a post on page one about mandolins. I bought an ellis mandolin some years back. Most expensive instrument I own. There is a huge following of the f5 style of mandolin. "It's what Bill played." There is also An A5 model that for the most Part sounds identical to the f5 Given the same woods. The f5 generally has more purfling and This takes alot of labor. The horns on an f5 are solid and dont contribute to the tone. So is there twice the labor Involved between an a5 and an f5?? I wouldn't think so. Yet the f5 is twice the price. Tom Ellis makes beautiful mandolins. As does collings. My a5 special was 6k. But his f5 is 14k. But it's what bill played.. here is 2 vids of these mandolins A5 and f5 specials. There is no significant tonal differences. Last edited by varmonter; 12-28-2020 at 08:13 AM. |
#34
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Quote:
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#35
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And folks buy Rolexes when a cheaper watch might keep better time. If you want to impress people it's what you do.Cars and guitars: it's all the same no matter what people say.More status than functionality.If you've got it- spend it!
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#36
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It used to be you were not only paying for flash, you were paying for a very high level of craftsmanship and materials. Nowadays, you really are getting a Martin that is minimally more complex to assemble than lower standard model and without the level of craftsmanship it once was. It’s fine that people have different preferences and tastes, but this guitar now really is nothing more than a flashier looking HD28. |
#37
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And a Corolla will last longer than a jaguar..ha..
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#38
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Abalam comes in 5" x 9" sheets before cutting into strips. It is rigid and is placed in a channel formed by a plastic spacer strip that is removed after the plastic binding/purfling is installed. It's requires the same labor as solid abalone. |
#39
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For me, owning it has nothing to do with status. No one ever sees it but me, my wife (occasionally), and my dog and cat (frequently). I know some owners for whom it represents the "Rolex" of guitars. This alone caused me to never consider buying one. But I got over it and gave it a shot. I do happen to like the pearly magnificence of it. And the tone is magical.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) Last edited by hamburg325; 12-28-2020 at 12:44 PM. |
#40
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The big difference between these two guitars is great marketing.
There are a lot of people that are willing to pay the price for a D-45 and know that they have the cream of the crop. Yes the D-45 takes a lot more time to build but they could still be sold for a lower price if needed.
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Happiness Is A New Set Of Strings L-20A |
#41
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I stumbled across this video yesterday, and you may find it informative...
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Taylor 214ce-DLX |
#42
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Just about every manufacturer of something has a "top of the line" or flagship model. It adds value(real or perceived) to the entire product line.
When I was in the auto manufacturing business, you had your basic,or economy model, then mid-range, and finally the top of the line. You had something for everyone and every budget. The top of the line had extra features of course, but it also had a huge number of cross model parts and components. I suspect the same goes for guitar building. The basic building blocks might be the same or close to the same, but the top of the line gets the best of the best. Each buyer then has to decide if that represents enough true value to warrant the upcharges.
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It won’t always be like this. |
#43
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#44
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FYI. The “Reimagined” versions of both are different than the ones compared here.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#45
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I own a D-41 and love it. I never played a D-45 because I can't rationalize the expense, but I'm not going to knock it. I will confirm that the 41 sounds better than all the other Martin Standards I've owned and played.
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