#16
|
||||
|
||||
Quote:
I’ve never understood why people file down their thumbpick blades - it brings the ‘loop-end’ of the band closer to the strings, and increases the chances of getting ‘hooked-up’ with the string. I just use standard, unaltered thumbpicks - it keeps my thumb in the best position, and takes only a few minutes to get used to a new type of pick. The usual disclaimers apply......IMHO, YMMV etc.
__________________
John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#17
|
||||
|
||||
Quote:
I've done pick and pickless, and prefer pickless. I never use the thumbpick as a substitute pick, even when strumming, and like the less articulate thumb's edge to a pointed pick. Even when I used picks, I bought mediums and trimmed them to length to blunt them and lessen the amount of articulation…like this (this is a picture of how I ground them down on my bench-grinder and smoothed them with sandpaper). I still have some, and occasionally I need to do some more muted strumming for a song so I'll pull one out, and they still work really well. There are obviously many ways to moderate or accent thumb picks. Fred Kelly were always to flimsy and plinky for my taste. |
#18
|
|||
|
|||
I don't know how you could balance the sound of a thumb pick unless you were using fingerpicks of one kind or another. I use metal fingerpicks and a National thumb pick, but metal picks are a sound not everyone likes. And there are many different kinds of finger picks. I have a whole drawer full of failed fingerpicks.
__________________
2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#19
|
|||
|
|||
I use a thumb pick and metal fingerpicks when I'm Travis picking. (Herco lights or Dunlop smalls using a light palm mute to stop the bass notes from ringing out). However if I decide to fingerpick using a more classical style approach then I don't use a thumb pick.
|
#20
|
|||
|
|||
Artificial nails are a good way to balance things out. Any way to power up your fingers is needed for most. I don't know how TE manages it with bare fingers, with that bright articulation as well.
|
#21
|
|||
|
|||
Thanks again all!
After practicing today, I found that the Fred Kelly seemed to work for me the best. I like to anchor the heel of my hand on the bridge while playing, so I messed around with muting the bass notes some. Definitely a feel thing, and it’s getting better. I actually kinda like the thumping bass effect sometimes. No finger picks for me. I’ve been in construction/manufacturing all my working life, so my hands are tough. I’m growing/shaping my nails just more or less as backing as my finger tip type is such that the flesh sticks out farther than the nail ends. I’d have to have claws sticking out to actually make contact with them lol. Which is fine, as I seem to be fine with the finger pads.
__________________
Carl ____________ Gibson Songwriter Deluxe Larivee OM-40 Guild D-125 12 NAT Yamaha CSF3M TBS USA Stratocaster Gibson les Paul Junior Custom built Thinline Tele |
#22
|
|||
|
|||
I’ve had the same problem, I’m all nails and flesh, but if tried with a thumb pick and I had to practice for about 2 months before it felt natural, and it’s hard to switch back and forth.
|
#23
|
|||
|
|||
But even switching back and forth becomes natural eventually.
|
#24
|
|||
|
|||
Quote:
True, I haven’t committed! I’m pretty happy with a bare thumb |