#31
|
|||
|
|||
By Jove, I Got It!
__________________
Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#32
|
|||
|
|||
Darn. If we 'd didn't win, do we get "I Participated" t-shirts?
|
#33
|
|||
|
|||
Yes!
I gotta admit, I was hoping I was right, because the tone of your Larrivee felt like home to me. That’s real similar to mine in tone (though your playing is light years beyond me!). The extreme clarity and power of #2 made me think Avalon...it felt like it was perfect for Celtic. I had no clue on the guild, but process of elimination made it numero tres. This was fun Barry!
__________________
Treenewt |
#34
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#35
|
|||
|
|||
Late to the party but I guessed right. I was surprised at the richness of the Larrivee, thinking it was the Avalon until the second guitar followed, showing even more vibrant colour; the all mahogany was easy to identify at the end following on the first two for its more spartan overtone content.
Thanks Barry! |
#36
|
|||
|
|||
That's what I thought they were, but was waiting for confirmation before posting any guesses.
__________________
(insert famous quote here) |
#37
|
|||
|
|||
It was actually pretty easy. The recordings typified the types of builds each of these guitars had. It's all in the overtones and harmonics. I think I liked the Larrivee the best in this comparison. I thought the Avalon had too much sustain in the harmonics. Which bridge pins do you have in it?
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#38
|
||||
|
||||
Quote:
Playing without a capo on the Guild is more manageable for me than the Avalon due to the quicker decay the Guild has. The Larrivee has a great feel to it, but it can have a certain "sour" twang to it at times. I haven't quite figured out why and lately it hasn't been an issue. I'm fortunate to have these three guitars. The Guild I picked up used for just $450 and the Larrivee was also purchased used for about $1,000 when it was only a couple of years old. Because of the way I play (softly), the Guild sounds like it competes well with the Avalon, but in the hands of a more polished and robust player the Avalon would leave the other two in the dust. Think of the Avalon as a Maserati that I'm driving 40mph in a 100mph speed zone, Thanks for taking part in this thread. I enjoy these discussions.
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#39
|
|||
|
|||
Well, I got the Guild and Larrivee wrong (couldn't believe the Larrivee sounded that tinny), but no mistaking the way you play the Avalon.
|
#40
|
|||
|
|||
More than "a few members" placed the guitars in their correct order of audio appearance in the clip.
Precisely half--nine out of 18--of the responding individuals identified the right instrument sequence. Let's dig a little deeper into the statistics. Since there are six possible combinations one can derive from the three guitars original poster used, one can predict that from a sampling of 18 pure guesses there would be on average three correct answers. And further--If you guess correctly the first guitar in the sequence (a one in three shot, of course)--in this example the Larrivee, you then have a 50-50 chance to get the remaining two guitars in the right order. Think of it this way: If all 18 participants in original poster's experiment had randomly picked Larrivee as the first instrument used (admittedly as astronomically against the odds as that would have been), then we'd expect to see on average 9 correct answers. But what we see in the statistics here is that of the ten folks who put Larrivee first, only one person went on to miss the correct order; thus, nine of the ten participants who correctly put Larrivee first got the rest of the order right. Bottom line: On average, if pure guesswork was on display here, five of those ten folks who put Larrivee first should have missed the correct guitar sequence. All of which argues in favor of the observation that if we choose to eliminate from the equation the idea that not a few participants decided to "hop on the same bus," so to speak--that is to say, follow suite, agree sans personal calculation of the problem with previous posters who eventually turned out to be correct--a hypothesis given at least a modicum of credence when one considers that seven of the nine incorrect answers all appear on the first page (after that, all but two who respond indeed get it right, quite provocatively indicating a mysterious mass concurrence phenomenon in action), numerous AGF members here are indeed blessed with a sophisticated audio "palate," as it were, a refined sensitivity that helps successfully identify subtle tonal propagation differences from various combinations of woods used to construct guitars.
__________________
The Acoustic Guitar of Inyo: 30 solo acoustic covers on a 1976 Martin D-35 33 solo acoustic 6-string guitar covers 35 solo acoustic 12-string covers 32 original acoustic compositions on 6 and 12-string guitars 66 acoustic tunes on 6 and 12-string guitars 33 solo alternate takes of my covers Inyo and Folks--159 songs Last edited by Inyo; 08-18-2019 at 10:08 AM. |
#41
|
|||
|
|||
Got it right too : interesting test (I only say that when I get things right ...)
|