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#31
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I played a Bourgeois OM a couple of weeks ago that just sang. Super easy to get around on. Sounded great.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS ![]() |
#32
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That about sumes it up. I play 99% with my fingers and I love a deep low end. If a guitar was not right for that I would not have bought it in the first place.
Though lately i have been wanting to transition to OMs for comfort
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#33
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My Collings 000 12 fret, 1 13/16 neck is head and shoulder above most any guitar I've played finger style. I originally played a Collings 00 I was really intrigued with, but it just sounded a bit small to me. When I found this 000, I knew it was just right. I've played other 000's Ive loved, and they are too close to my Collings to consider getting another, but I think I'll always have a 000 guitar style. The larger 1 13/16 neck makes a huge difference to me, I've played many 1 3/4 I could live with, but the larger neck makes the stuff I do so much easier. Mine is a regular scale, don't have experience withs short scale, and 12 fret, which I love despite limitations. This guitar is rosewood, though I'm drawn to mahogany guitars. If anything, the Collings is a bit too pretty for dusty type blues, but I have a '46 Gibson to reach for at that point
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'19 Waterloo WL-14X '46 Gibson LG2 '59 Gibson ES125T '95 Collings 0002H '80s Martin M36 |
#34
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I've been playing primarily finger style since the 1960's and love the balance and clarity of parlor-size guitars (big surprise).
The two best I've found so far are my Froggy Bottom L in Koa and my Larson Stahl. Both are magnificent instruments for finger picking.
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Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |
#35
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My Guild D-55 is my favorite for all styles of playing, including relaxing on the couch.
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#36
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My favorite for my style of playing country rag blues is my Waterloo WL-S Deluxe. I use finger picks mostly. It fits the bill for me and my ear. And I have had numerous guitars mentioned by some other posters. Everyone is different and this is what works for me. What they have works for them. I like my Waterloo WL-12 for flat picking.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#37
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My favorite is my Huss & Dalton 00 12 fret, with 1 7/8" nut (1 3/4" actual string spacing, center to center 6th to 1st string) and 2 5/16" saddle string spacing. The scale is 24.9".
However, due to sheer convenience (no concerns for humidity, etc.) and comfort, my McPherson Touring gets the most play and I am getting used to the narrower 1 3/4" nut. The scale is 22.75". Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#38
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My Collings OM1 PH cutaway is my favorite for fingerstyle. I had a '73 Guild F50R that I really liked, but as I aged up the 1 11/16 fingerboard was just a bit too narrow. I prefer my Martin dred for flatpicking and strumming.
Here is a review: (Guitar playing starts 40 seconds in) CK
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----------------------------- Jim Adams Collings OM Guild 12 String Mark V Classical Martin Dreadnaught Weber Mandolin |
#39
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I cannot say which is best as each delivers its own sounds...
I prefer shorter scale and 1 3/4 in. nut width, with cutaway : Seagull Performer CW Burnt Umber QIT Eastman AC122ce Taylor 412ce (2007) I have some other I would like as much though...
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#40
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As far as I'm concerned, it's 000 12-fret long-scale, slightly wider neck, spruce/rosewood, built light and resonant. That's the recipe I'd ask the chef to cook up for me.
Last edited by joeld; 08-16-2019 at 03:16 PM. |
#41
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I favor the sound of cedar top Irish guitars for finger style . I've owned Lowden, McIlroy and Avalon....all equally great playing and sounding. My current go-to is a cedar/rosewood Avalon
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#42
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Gotta love it!!!
For classical pieces my Kohno (German Spruce over BRW), for steel string finger style my PRS Private Stock Angelus (Adirondack over Cocobolo). The latter could change with the addition of a custom G.W. Barry (OOO+ Italian Alpine Spruce over Royal Macassar Ebony) scheduled for completion in the spring of 2020. I've recently been rediscovering my 1975 Dieter Hopf Gran Concierto (Canadian Cedar over EIR). |
#43
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Collings • Paragon • Martin |
#44
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Although I play fingerstyle on my D-18 & 28 as well, the 414ce may be my fav with it's smaller body,& ease of play.
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Acoustics: '89 Martin D-3532 '15 Taylor 414ce '17 Martin D-28 '18 Martin D-18 '21 Yamaha FS830 |
#45
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Huss & Dalton MJ Custom.
Not for it's nut width or scale or string spacing. For it's responsiveness, balance and volume.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |