#61
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Fretboard
Thank-you everybody for your heel cap input. I think the general consensus leans slightly more to the Ebony heel cap and I think I'm most comfortable with that as well.
On to the fretboard-- In this picture I've rough cut the outline of the fretboard to best show the grain and I am now cutting the fret slots with a Japanese pull saw. This picture I've already bound the fretboard and am radiusing the top of the fretboard. I use a 16" radius unlesss asked to do otherwise. Here we are back at the granite plate to flatten the bottom of the fretboard. The more accurate the surfaces of the neck and fretboard the less adjustment will be required in leveling the frets. Thanks for viewing!
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher Last edited by Mark Hatcher; 10-01-2011 at 03:11 PM. |
#62
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Hi,
Here are some more pictures of my progress. This first picture is gluing the fretboard down on the neck. Test fit. On to the headstock-- The headstock I do is unique, it's sculpted. Haven't quite figuered out what to call it. I keep saying pillow top. I'm open to suggestions. Thanks for viewing!
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#63
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One of my Favorite headstocks
Almost snake like.(Diamondback) Great looking guitar. Solo
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Thanks for sharing, Mike Solo |
#64
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Here is a better picture of what I'm going for. This is a Brazillian Rosewood headstock. With BRW tuner buttons. I have a new technique for getting a closer fit for the tension rod cover that I tried on the new Cocobolo headstock. Thanks!
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#65
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simply put Mark, it's beautiful. All of it! The guitar, the workmanship, the photos, your unique touches. all of it!! thank you for posting. joe
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I'm into acoustic guitars, MM & PRS, my kids, Technics decks, Titleist, Reggae music, KY Bourbon, fine rum and chrome pans from Trini. |
#66
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The exit of the string from the nut to the tuners looks close on the D & G I'm sure they clear the truss rod cover, but I bet it's something you had to think about on design so there's no buzz. Again, very cool looking Mark!
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Rod True, aspiring luthier My current project A guitar I built for my Father in Law The Celtic Beauty - The Epic Journey True SJ - #9 |
#67
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How 'bout awesome?
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#68
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Thank-you very much Joe and Brian!
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I've redesigned this new one to give more room and tighten up the fit. Thanks for your comments!
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher Last edited by Mark Hatcher; 10-03-2011 at 06:39 PM. Reason: Correction |
#69
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I'm glad you posted these pics!
After seeing your branded label, I'll never be satisfied with a paper label again! And that cocobolo fretboard is just wonderful.
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Sachi Kolaya Carmen, Trek parlor (by Harv L), Martin 000-28EC, Taylor GC-5 and 355. |
#70
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Hi Mark,
really awesome work, I love your pillow peghead BTW, which glue do you use for assembling cocobolo? I have heard that cocobolo is one of the most difficult woods to glue because it is oily. Regards, q. |
#71
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I've heard that Cocobolo is hard to glue also. I haven't seen it though. I have used all the usual suspects when it comes to glue and have never had a failure. In fact, I have done a number of Cocobolo bridges and am not seeing issues. I would imagine the bridge is the most challenging glue joint on a guitar as far as stress goes. I am, however, mindful on any glue joint, with any wood, to have a good fit with clean surfaces and the right amount of clamp preasure. Thanks
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher Last edited by Mark Hatcher; 10-05-2011 at 11:05 AM. Reason: spelling |
#72
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Thank you Mark,
Before reading your answer today, I remember having talked to a luthier here in France about gluing cocobolo, and his method was to use alcohol on the wood, then using a flame to make a quick flaming and heating the wood surface, giving an oil free gluing surface. Ever heard of this? |
#73
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I've heard suggestions of wiping the wood down with acetone or naptha. Then I've also heard that in the drying process doing that may actually be drawing more oil up to the surface! I do think that flaming the wood, while dramatic and maybe dangerous in a wood shop, does have a great potential to draw up oil from the heat you're exposing it too. I'm skeptical on that one.
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#74
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This is one elegent Guitar.
Finish looks beautiful. Thanks for sharing this build. Solo
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Thanks for sharing, Mike Solo |
#75
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The finish is french polish. I french polish the necks and soundboards on all of my guitars. I'll try to get some new pics up tonight. Thanks Again
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |