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  #31  
Old 04-30-2022, 04:11 PM
jaymarsch jaymarsch is offline
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I prefer natural wood tops but like a burst if it is done right. Prefer an edge burst or shadow burst and a lighter ambertone or honey burst rather than a dark one. I’m not crazy about black tops or dog hair finishes.
Best,
Jayne
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  #32  
Old 04-30-2022, 04:14 PM
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ssstewart ssstewart is offline
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Natural, colonial maple color or light pecan are my preferences.
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  #33  
Old 04-30-2022, 05:11 PM
Mandobart Mandobart is offline
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I'm an unevolved caveman with very simple tastes. I like coffee flavored coffee, black. I like beer flavored beer - no fruits or adjuncts.

And I like wood colored wood. Natural. No paint, no stain. Any blackface or white face or painted top is out - I won't even pick it up to strum. It may sound heavenly but its a deal breaker (for me). Same with any hint of red in a sunburst. And I do not like the looks of a sunburst that starts with a solar eclipse blackout on the edge fading to a small circle of yellow around the soundhole. BTW I find excessive blingy inlay a deal breaker too. In general I prefer no burst at all, but I've ended up with 4 tobacco sunbursts somehow:

My ovation 12 string that I bought in a Florida pawnshop in 1982. I still really like that guitar.

My made-in-Indonesia Epiphone solid body Mandobird VIII that I upgraded the bridge and pickup on. Its a lot of fun, affordable and that was the only color scheme offered at the time.

My 1934 (or possibly earlier) Regal resonator mandolin, given to me by a friend, which I rebuilt and just love. Sounds like a bell ringing.

My recently bought Gold Tone Paul Beard round neck resonator guitar. It also only comes with a tasteful tobacco burst, and it matches my Regal resonator mandolin which makes it fun to bring them both to a gig or jam.

Someone else may love a guitar that shallow me wouldn't buy just on looks alone, and that's fine. You may think most of my plain instruments are ugly, I don't mind. I never let an instrument's look keep me from listening to and enjoying a performance.
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  #34  
Old 04-30-2022, 05:37 PM
Tnfiddler Tnfiddler is offline
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I’m a big fan of the baked Adi top on my Bourgeois too!
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  #35  
Old 04-30-2022, 07:16 PM
Troubador Troubador is offline
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Lots of beautiful guitars that you all have got!
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  #36  
Old 04-30-2022, 07:31 PM
The Bard Rocks The Bard Rocks is offline
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Quote:
Originally Posted by Troubador View Post
What is your favorite style/color for a guitar top? Do you favor the natural wood color, whether spruce, mahogany, cedar, etc.? What about sunburst? Have you seen the style Martin calls Ambertone? If so, what do you think of it?
I almost never like a 'burst. I like an aging toner - at first. As it ages, I begin to like it less and less. Best is good ole natural, lets the real wood shine through!
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  #37  
Old 04-30-2022, 07:41 PM
Wade Hampton Wade Hampton is offline
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Both of my Martin guitars have Ambertone tops.


whm
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  #38  
Old 04-30-2022, 07:49 PM
biotechmgr biotechmgr is offline
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Natural ... but I suppose this must include VTS treated spruce on my D28 MD.
I have not looked that closely at all my spruce tops together, but now I might.
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  #39  
Old 05-01-2022, 02:50 PM
Troubador Troubador is offline
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Quote:
Originally Posted by Wade Hampton View Post
Both of my Martin guitars have Ambertone tops.


whm
What two Martins do you have?
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  #40  
Old 05-01-2022, 03:01 PM
jaymarsch jaymarsch is offline
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Speaking of aged toners, I had a Martin M-38 that looked like a pumpkin after 10+ years. The natural German spruce top of my Wingert E, on the other hand, has aged to a nice honey color after 18 years.
Best,
Jayne
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  #41  
Old 05-01-2022, 03:02 PM
Chickee Chickee is offline
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I used this photo the other day in a different thread, but I thought it was a good representation for this conversation of color tops. As I looked at my photographic handiwork I realized the following:
Three Manufacturers
Three Body Sizes
Three Neck Widths
Three Removed Pick Guards to enjoy the beauty of these guitars in full
And
Each one was exactly double the cost of the guitar it was preceded by. I couldn’t even had planned that!
I like the aged top. I like the natural top. But I just love that smokey dark edge burst.
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Last edited by Chickee; 05-01-2022 at 03:12 PM.
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  #42  
Old 05-01-2022, 03:11 PM
Troubador Troubador is offline
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Quote:
Originally Posted by jaymarsch View Post
Speaking of aged toners, I had a Martin M-38 that looked like a pumpkin after 10+ years. The natural German spruce top of my Wingert E, on the other hand, has aged to a nice honey color after 18 years.
Best,
Jayne
Yes, that's why I'm hesitant to get a reimagined Martin, unless it's the ambertone.
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  #43  
Old 05-01-2022, 03:39 PM
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Jim Owen Jim Owen is offline
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Quote:
Originally Posted by Troubador View Post
So, let me ask this additionally: Would you pay several hundred more for a burst or ambertone top?
No. I wouldn’t. It doesn’t affect a guitar’s tone. I’ve never “heard” a sunburst.
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  #44  
Old 05-01-2022, 03:40 PM
rollypolly rollypolly is offline
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My 2004 D-18 has a nice dark natural color to it. It’s not yellow at all, more orange or torréfiéd looking. Not sure what Martin was doing to the tops in 2004 but that’s my preference. My 2016 00-18 is pretty yellow. Not a deal breaker though.
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  #45  
Old 05-01-2022, 03:42 PM
Troubador Troubador is offline
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Quote:
Originally Posted by Jim Owen View Post
No. I wouldn’t. It doesn’t affect a guitar’s tone. I’ve never “heard” a sunburst.
............................
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