#16
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You're right about that. I go to this very small group of people who share their original works with the group as well as some spectators and it's an incredible place to play. Very much a listening room type environment.
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#17
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I've heard that the definition of a professional is that you "are paid for what you do". If you do the work well you earn the money and, hopefully, are able to do this work again for your satisfied clients and possibly new clients.
Freelance work, and I consider playing gigs for money as freelance work, is a very challenging way to make a living but the reward and satisfaction of being paid for your talents and having the freedom to choose your work should add to one's enjoyment in life. I have been playing guitar since the 60's and I made my living as a freelance film, video producer. I enjoyed the film work and did well at it but if I wasn't being paid I really didn't have the time to invest in it. I'm retired now and have been asked if I was considering working on any video or photography projects "for the fun of it". I can only smile and shake my head. I've had enough of that kind of fun. I don't play guitar well enough to be paid for it. Of course that's not why I play. I radically enjoy playing and I'm hopefully getting better at it. I figure I've got a few more years before the aching hands make me step away. Maybe I'll pick up another instrument that will give the fingers a break. I do enjoy making music. My son plays guitar and sings for a living. It is tough and because he is a one-man band the work is challenging because the job isn't just playing. The job is hustling for the work, establishing the fee, dealing with the venue, setting up, dealing with the audience, tearing down, collecting the fee, booking again(?) and on and on. He told me once that when enthusiastic audience members come up and want to set up a time to jam with him he really doesn't know what to say. He knows hundreds of covers but has no desire to "jam" with someone. Playing music is a job and he doesn't have the time or energy to engage in it any other way. If he wants to enjoy himself he goes fishing. He is also very good at that but doesn't want to become a paid fishing guide because fishing is his hobby. |
#18
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BTW - you guys know the definition of a musician, right?
Somebody who drives a $500 car filled with $5000 worth of gear 50 miles to play for $50. |
#19
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While I did get paid once, well twice, but the second was in beer..., but I have played at my church, leading one choir, for 20+ years. I've never been paid for playing at church and really don't think I would want to.
A good friend of mine plays piano at our church at a different Mass and gets paid. I remember feeling a bit odd when I found out he was gettin paid but as a true professional musician, I think paying him is the right thing to do. For me, I play there for personal reasons (don't worry Mods, I'm not going into any religious conversation...) As I practice during the week, I think about how certain songs will fit into a certain places in the Mass and it feels good. However, when I think about getting paid, a certain strange feeling starts growing in my stomach. I'm not a shy person. Singing and playing my guitar in front of people doesn't phase me at all until I start thinking about the church paying me for it. Maybe its because I remember the time when I did get paid (sometime in the 70s) and the weeks of rehearsals only to be paid in cash and told not to come back. It turned out it wasn't what I really wanted to do and actually found it relieving when I finished and walked out. I was a full time commercial photographer and enjoyed running my own studio for over 10 years. Towards the end however, it really started feeling like a "job" which, of course it was, but maybe it is also that memory of turning a hobby into a profession that is also holding me back from pursuing playing my guitar for money. Man, I think too much... PJ
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A Gibson A couple Martins |
#20
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No one has said it yet, so ….
I started playing guitar to get girls! Well, really to overcome by inborn shyness, to be 'accepted' (and get a girlfriend). Never made much money in high school/college (too busy partying to be a serious player. But my first band after college earned me more money that I had ever spent on gear up to that point. Then came a long 'time off' period, writing songs, playing at home for the sheer pleasure. Now, it's writing/recording songs because it's part of a'calling'. I play paying gigs, run open mics (for pay) but also play for free - open mics, benefits, etc for the enjoyment.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#21
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I had a friend that played in a traveling religious band. They would go to huge churches and put on shows. He would personally make over 1k for a 45 min performance. He didn't sing, just played bass. There's definitely money to be made in the church circuit. |
#22
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The answer is different for everybody. You asked about musicians not performers. I make music to experience the music that exhilarates me. Music that I don't hear anyone else make. If I do it's fleeting and sporadic. I find joy in it and an escape from the world into flights of tonal and melodic fantasy.
I think the large majority of pedestrian performers are following an image and others are looking for positive attention. There's nothing wrong in that. I don't think they like to look at it that way though. Performing and entertaining is a job to be done well to have the maximum impact. Nobody wants to see a performer have an emotional orgasm on stage. But they do like the reenactment of it.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#23
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It has been a 50 plus year play field. I miss the garageband days. The days of impromptu acoustic jams after work on the porch. The earliest teenage gigs were exciting. The monthly blue grass circles in the park. But I was not the kind who could go solo entertainer. (Although I have done 100 solo song circles and some 15 minute original music slots). Which is OK because I think another incredible human trait is finding and fostering hobbies. There's a balance of keeping both the guitar spark alive from the 60's and actually playing a full piece, in time, Travis solid, incase you get the call or want a decent recording. So I guess I fall in between having also gigged my share after work. I salute you for sharing your truth, Skip. I would love to hear you. Good music delivered professionally. |
#24
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I will admit that a driving force for me is to get gratification and a sense of belonging, from playing music.
There is a primal need to be loved and accepted. There are many ways that people go about getting this desire fed. Some through athletics, some acting, some politics and some of us through sharing our music with others. Getting paid is nice but not a mandate for me. One other thing is the friendships that develops from being band mates.
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Happiness Is A New Set Of Strings L-20A |
#25
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Most play as a hobby, or hope of being better at some point. Either way, I prefer playing for personal enjoyment not profit. If you can profit from it that is wonderful. I just prefer the gratification of personal accomplishment. To each His/Her own. Play. Ed
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"Quote The Raven, NEVERMORE !" |
#26
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To me, his reasoning seems cold and emotionless and robotic.That's certainly his prerogative and a way to approach it, but for my part, if I didn't get something out of it emotionally, I wouldn't do it. The money is meaningless to me. I'll take it, but I don't need it. I love having the opportunity to reach other human beings with music and interact with them. It's what motivates me to perform. We are all different that's for sure.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#27
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I enjoy performing, but I'm increasingly picky about the conditions under which I'll do it, which means I don't do it much anymore.
And honestly, maintaining a social media presence, hustling gigs, negotiating time slots, hauling gear, setting up, hawking merch, and splitting tips just takes more energy than I'm willing to expend at this point. So I write and record, play the occasional house concert or open mic, and let the younger and hungrier guys pursue the fame and riches. And lest this sounds like a case of musical burnout, I'm glad to report that I've never been more enthused about songwriting and playing than I am at this moment. Stepping away from the gig life has been enormously satisfying. |
#28
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Quote:
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2022 Brook Lyn Custom, 2014 Martin 000-18, 2022 Ibanez GB10, several homebrew Teles, Evans RE200 amp, Quilter 101R and various speaker cabinets, Very understanding wife of 48 years |
#29
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With band management pushing for one thing and the musos I play with pushing for another I've given this topic a lot of thought recently. As we and what we want to play both get older, staying employed is not as easy as it once was.
I know the joy of having a venue full of fabulous people loving what I contribute to is one of the richest experiences in my life but I also know it's gotta be in response to music I like playing. I believe I'd rather go play blues at my local club for beer than get well paid to prance around in a costume playing music I'd rather not hear. I'd still like the audiences if they like me but I need the other too .. but if I needed the money I'd prance around in a costume and consider myself lucky - there's much morse jobs out there. |
#30
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I am passionate about the music that I like and hope to excite others about it as well - so whatever i can do that spreads the good word, I do - jams, song circles, open mics - and performance on stage.
I find extra enjoyment in the bands as I get to arrange the music, set up song sheets, do the patter - and our rehearsals are focused on a specific end. To practice without others is still good, just different.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |