#46
|
|||
|
|||
prices
When I first decided to purchase a custom built guitar, I discussed the build with my chosen luthier and what I desired in the guitar. He inquired what my budget was and then informed me he couldn't do it for that price. He then offered suggestions as to what could be done to get to my price point along with suggestions as to what would suit me best based on my playing skills and expectations. We went ahead with the guitar and what I got from him was so far above my expectations I was blown away. Some of the things I had desired but told weren't possible, appeared in the build, gratis. And of course the sound and appearance were fantastic. A year or two later, with more self knowledge both about my playing skills and desired characteristics in a guitar, I commissioned another build with the same luthier. I left a lot of decisions, other than items I specified, in his hands and only had a general idea of the final price. In the end, I feel I received a guitar with upgrades and finish beyond my expectations at a price well within what I expected to pay. I'm not sure every luthier on this forum would do the same, but I expect they would.
Fast Jimmy |
#47
|
|||
|
|||
I guess I wouldn't. Instead I'd find a luthier that offered something in my price range. If I asked for a discount, I'd have a concern that I might not get the builder's best effort. In the case of a factory guitar from a store, I might ask for a better deal to motivate my purchase, unless I already thought the deal was good.
Anyways, if you find the right instrument, its original price makes little difference after a few decades of enjoyment! |
#48
|
|||
|
|||
Quote:
Although I share the same basic views of most everyone here, I’d also like to express sympathy to you. It’s very clear that this is new business for you. Whoever’s commissioned a guitar understands that the process is not an acquisition, but a creation. You go to a luthier because you have a more or less clear idea of what you want, and you’re investing in something that doesn’t yet exist. I can assure you that putting a discrete to considerable amount of money in the hands of a luthier by commissioning a new guitar entails a proportional act of good faith. You can’t evaluate the object beforehand, and you want the person undertaking the commission to deliver at the best of his/her capabilities. So the point is not “how much is that going to cost me”, but “will this person deliver to my expectations?” You will need the luthier to understand exactly your expectations and guide you through the specification, then make all of it happen. In my humble experience, that’s a completely different kind of transaction. As for the price, if you’re going to a certain luthier, you’ve probably already decided that you can afford the price tag. As you’ll have grasped at this point, haggling is not generally welcome, but gracious concessions sometimes happen. |
#49
|
|||
|
|||
Quote:
David |
#50
|
|||
|
|||
Quote:
And while I have not had the privilege of working with Steve (though I am happy his Fedex saga came to an incredible storybook ending), this was exactly my experience with Michael Bashkin, who went to great lengths to work with me on my first commission, linked in the signature below. Like Steve does for his clients, Michael went above and beyond to build a guitar that made me incredibly happy, and I don't think he would mind me saying that he seems to have enjoyed the process as well. To have that wonderful collaboration and connection to the artist, the price list is secondary to me, and I was treated more than fairly on anything Michael and I agreed on that was not part of the standard base price. I realize not everyone who orders a commission has a stable of Ferraris and multiple vacation homes (I do not either), and for some the commission is a very expensive gift from a loved one or a retirement present to self after many years of hard work. That money is hard earned and carefully spent. My advice is shop within your budget - there are many incredible luthiers out there at several price points - but find someone you can work with and will enjoy the process of working with. For me the build is as much fun as playing the instrument, and the interactive process is what makes it custom, and what makes it yours. The money, once you have decided to spend it, becomes "just money". You are putting food on the table of the person who has devoted years to craftsmanship that will deliver years of happiness to you, even if that happiness sometimes takes months to retrieve from the cobwebs in the back of a dusty Fedex warehouse.
__________________
Bashkin 00-12 Adi/Hog Bashkin 0M-MS Swiss Moon/PRW(build thread) Bashkin GC-12 Sitka/Koa Carter-Poulsen J-Model German Select Spruce/MacEb Fender MIJ Strat ('90) and 50s RW Tele ('19) Martin 00-28c Spruce/BRW('67) Martin M-36 (R) Sitka/EIR Michaud O-R Cedar/Koa - New Build Michaud J-R Sitka/MBW K. Yairi RF-120 Spruce/EIR KoAloha KTM-25 Koa/Koa Yamaha G-231 Cedar/Hog ('71) |
#51
|
|||
|
|||
As a lifelong Fresno resident, I feel comfortable saying you can't.
Last edited by JamesO; 04-30-2020 at 04:23 PM. |
#52
|
|||
|
|||
Admittedly Ive not lived in Fresno for a long time but you can in the cities around Fresno still. You miss the point, there are many, most of the US where 2K is enough. Further, Im acknowledging that most builders dont make much from the craft.
|
#53
|
||||
|
||||
My tuppence...
Should you negotiate with a luthier? That, as the buyer, is up to you.
Should the luthier accept the offer? That is, of course, up to them. I have bought many guitars and have commissioned a few, generally I don’t negotiate but there are a few business decisions to be made when conducting any transaction: i) everything has a consequence. If you ask for a discount, the luthier quite rightly may decide that the fancy rosette or binding that they were going to do for free…they now won’t. Equally though, if you’re going to commission an instrument, splash it all over the AGF and tell all your friends about it is doing something positive for the luthier. There's balance to be had. ii) If you commission 2 or 3 instruments that is again, potentially a very different conversation to commissioning just one instrument. iii) what is the cost of ownership going to be? If you are buying an instrument and the luthier’s prices are rising quickly, then probably if/when you sell it you will break even or make a profit. Is that important to you? Some of my friends see the loss they make on each purchase and sales as a “tax” on suffering with GAS, some make a profit and see this as fair for "taking a risk" and supporting luthiers in the early days or simply "buying smart". If the luthier’s prices are constant, as a buyer you face much higher cost of ownership of the instrument. SteveH sold me my first really good guitar, a Sobell Model 0, when I bought it for him I said two very stupid things. 1) I will never sell this, and 2) I don’t need another guitar now. He laughed at me and said “we’ll see”! I think though that the important thing to remember is that a luthier is doing what they love and if they’re good there will always be more customers. And as a buyer, that luthier is not the only person making guitars and most guitar buyers irrespective of how well paid or rich they are are having to make decision about what they spend their money on a guitar, a holiday, remodelling on their home...there's not an endless supply of it and choices need to be made. The one time I did try to “strike a deal” (many years ago now) as I was offering to buy three instruments from a luthier and thought I made a fair offer…the luthier told me to p*&^ off! Either way, nobody is forcing the luthier to sell to me and nobody is forcing me to buy, so there’s a middle ground where both parties should be happy.
__________________
Current: Tom Sands OMc Sobell New World Martin OM-28 Authentic '31 Mear & Gray OM18 Martin 0-28vs Stephen Eden Crossover Hahn 228 Telecaster National Delphi Resonator YouTube Past guitars from: Mear & Gray, Tom Sands, Stefan Sobell, Dana Bourgeois, Marc Beneteau, Nigel Forster, Peter Abnett, Avalon, Lowden, Martin (vintage & modern), Gibson, Taylor, Yamaha, Fender and more... |