#1
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Original piece in a Renaissance style
An original composition called "Time Forgotten," a bit of a cross between Renaissance and jazz, a combination I've explored in other compositions before. Hope you enjoy this one! |
#2
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I really enjoyed that performance.
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1966 Fender Mustang 2005 Takamine TF341DLX 2006 Hamer Artist Korina P90 2008 Taylor 814CE 2020 Emerald X-30 |
#3
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Wow. Beautiful composition. And the flawless playing was astounding. Such speed and precision, but not showy, just masterful. So much fun to watch a virtuoso performance. Well done and thanks for sharing.
Cheers, Dave |
#4
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I could not have said it better and I’ll second the thanks for sharing this performance with us.
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#5
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I don’t like the title because listening to that is anything but time forgotten. Seriously now, that is how to play the guitar. Excellent as always, Daniel!
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Resources for nylon-string guitarists. New soleá falseta collection: http://www.canteytoque.es/falsetacollectionNew_i.htm |
#6
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Beautiful job and amazing composition! It's almost like several movements within this piece with different textures and character. Your playing is beyond superb, Daniel! Bravo!
Best, wishes, Fred
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#7
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Thank you!
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Thank you, Fred, that's how I thought about it when composing! The intro going into the main theme, then a sort of variation on the theme in a tarantella-like style, the slower interlude followed by the more pensive waltz, and a brief, dramatic call-back to the original material. Glad you enjoyed it! |
#8
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Good one - playing, recording, composition. Sort of a jazz classical combo of influences. Not sure where Renaissance comes in.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#9
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Thank you! It's a pretty non-specific descriptor here, but some of the things I think of are a more contrapuntal texture, chord progressions that change the tonal center such that sometimes I make the (minor) tonic a major 7th chord (dominant) and carry along from there, etc. The jazz influences come more from specific harmonies and also shine through in the middle waltz section.
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#10
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Great job, I really liked that.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#11
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Great composition, very lyrical and evocotive I thought.
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#12
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Thank you both!
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#13
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Chega de Saudade
Sorry, double post!
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#14
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Absolutely wonderful. You have an excellent right hand technique. 👏👏
I watched those right fingers carefully. And that composition had me captivated till the end. A lot don't. |