#1
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DTar Mama Bear, K&K Mini, question
I have a Mama Bear preamp, not purchased specifically for use with the K&K mini but for use with a DTar Wavelength p/u. My question is has anyone tried Mama Bear with the K&K and what settings did you use. I'm not really sure what "type" of classification to apply to the K&K it seems to be a non typical p/u. Thanks Jim <><
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Carvin Electric Kit Build...Walnut body 2011 Taylor GS Mini w K&K mini DY-18 Alvarez Yairi - all solid wood DY-38 Alvarez Yairi DY-45 Alvarez Yairi DY-52 Alvarez Yairi DY-59 Alvarez Yairi DY-77N Alvarez Yairi Dy-84C Alvarez Yairi Takamine Beater Martin 000-18 retro |
#2
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Hi Jim,
Mama Bear wasn't designed for use with SBTs, but using Mama Bear with the Pure Western-mini has worked for me, especially for recording. (I prefer USTs or dual source rigs for live sound, as the mini-Pure tends to get boomy and problematic {for me} at higher volumes.) To my way of thinking, Mama Bear gives the mini-Pure sound more of an outside-the-guitar perspective. All three of my recordings in the "SoloAmp Test Recording" thread were made with this signal chain: mini-Pure> Fishman Platinum Pro EQ preamp (EQ set flat)> PreSonus EQ3B (for parametric EQ)> Mama Bear> Zoom H4 recorder Normally, I'd preamp the mini-Pure with a high-headroom PUTW "Line Driver" preamp which I velcro to the guitar. The Line Driver is being repaired, however, so I preamped with the Platinum. If I had wanted to put Mama Bear before the EQ, I could have simplified the signal chain a bit and preamped with Mama Bear. (The PreSonus EQ3B's input impedance is way too low to properly impedance buffer the passive mini-Pure signal.) I should mention that the guitar signal chain also went thru my HarmonyG pedal, but I don't think the pedal processed the signal in any appreciable way. As for the Mama Bear particulars, I'm using the "neutral" input (#16) with the slope-shoulder dread target guitar (#7) at an effect level of about 45% (12:30 o'clock on the level dial). Hope that helps. Gary |
#3
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These two products do not go well together. the Mama bear needs an undersaddle pickup.
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#4
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check out the D-Tar Website forum...
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#5
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Here you go, Jim. I made a comparison recording for you of the Mi-Si UST in my spruce/mahogany OM vs the mini-Pure SBT in the same guitar.
Mi-Si UST vs K&K mini-Pure I ran both of them thru the same signal chain, which included Mama Bear. pickup> Fishman Platinum Pro EQ preamp> Presonus EQ3B (parametric EQ)> Mama Bear> Zoom H4 recorder The Mi-Si system has its own onboard preamp, but I still ran it thru the Platinum preamp because I think the Platinum's "smooth effect" helps a bit with quack. I doubt that I have to tell you which pickup is which. The mini-Pure has a rounder, more pleasing sound, which is why I prefer to record off of it. As I mentioned before, I prefer the UST for live sound because the mini-Pure tends to get boomy and/or feedback at higher volumes. Regarding the Mi-Si UST, its probably the least quacky of all the single-source USTs that I've tried. I don't feel its as dynamically responsive as the Wavelength, however. If this guitar had a Tusq saddle (rather than bone), I'd probably prefer to have a Wavelength system in it. I have a killer setup in my cedar/mahogany Samick OM - a Wavelength UST under the Tusq saddle and a tiny Shadow Nano-Mag pickup at the end of the fretboard for when I really need a high level of feedback-free gain. (The Wavelength UST senses multi-directionally and does pick up a lot of body vibration. Its going to be a little more feedback prone than a unidirectionally string-sensing UST like the Takamine Palathetic system which is mechanically designed to avoid body vibrations.) Gary Last edited by guitaniac; 12-27-2008 at 12:59 PM. |
#6
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I know this post was from late last year, but just wanted to say 'thanks' to guitaniac. It was very helpful.
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If the King loves music, it is well with the land. ~Mencius bourgeois omc euro ca cargo, gxi doolin om gibson custom j45 vine larrivee sd50, cust.walnut parlor martin d40, d18ge, ltd.000 hippie takamine ef341sc, ltd98 taylor 555-12, T5-C, 516ce FLTD electrics: suhr-s, taylor T3-B, gibson lp std, guild '63 starfire III & '80 IV; amer.dlx & '57 AVRI strats; 52RI & J Burton teles |
#7
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pdks,
What setup did you end up going with, and for what application (stage or recording)? Gary |