#16
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@ Joseph
Joseph, thanks for your input.
I bought the MXL mic for personal use at a radio station. My BR-8 is an "older" one that uses zip disks, obviously it's digital. It has 1/4 inputs for mic's and guitars and RCA "line in" inputs. I have a mic cable that goes from "3 pin" to 1/4" and the mic doesn't work straight into the BR-8 that way (no phantom power). I realized I needed phantom power, so I ran to GC and bought that mixer so I could use the mic. Sounds like my whole setup is off kilter : / Perhaps there's a better mic I could be using straight into the BR-8 . . . The only other mic I have is a Shure SM57 and I know that's not the answer. I am more than willing to buy the right mic that would skip the mixer/aggravation and give me that deep rich "stand out" presence.
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SteveH Taylor 414CE Ltd Redwood Sinker Martin 00-15M Seagull Performer CW MJ Flame Maple Seagull S6+CW Folk GT 05 Limited Edition Burgundy Seagull S6+CW Folk GT 05 Limited Edition Blue Oscar Schmidt Sovereign Mahogany a 1932 Model #5077 Campbell American Transitone (electric) Ibanez SR650 Bass, natural finish ash Yamaha SC400 natural finish ash |
#17
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First, changes in volume translate through our hearing system as changes in tone, presence, weight, dynamics, intensity, etc. etc. So listening to the same track at different levels gives different impressions. Second, our reference tracks are almost certainly commercially mastered, which today means they've been heavily post-processed to raise the average output level. Squashed, in other words. Even non-squashed stuff will have a significant bump beyond normal tracking level. So when listening to a reference track, we need to turn our material up or the reference down so they're playing at the same level. Missing this issue can lead to a lot of headaches. One important idea to get from this - if you want to hear a track louder, turn up the playback volume rather than trying to capture a hotter track. Fran
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E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog |
#18
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__________________________________________________ _____________________ 2012 Daniel Hoban Custom K5 "Otway Mill" (Australian Blackwood & European Spruce) 2016 Maton 808C 70th Anniversary Edition (Australian Blackwood and Sitka Spruce) 1969 Maton FG100 (Mahogany & Sitka Spruce) |
#19
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I have a zoom H4N. I'm just a home hacker. This little machine is awesome. More than youll need. The onboard mics are pretty impressive for the price. plus its comes bundled with software good luckd Last edited by flier; 01-30-2013 at 09:02 AM. |