#1
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Fishman loudbox performer 180w
Anyone using this for gigging? I'd like a high quality acoustic amp that I can plug a mic into.
Thoughts? I'd be plugging into it my various Collings acoustics with the lrbaggs anthem installed. |
#2
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Have it and love it. I also have an AER 60/3 which is incredible for acoustic and vocals. I can tell you that the LB Performer at 2/3 the price and ostensibly three times the wattage, is really an excellent choice. I use my LB Performer in a lot of duo settings where I need a little more bottom end. The Loudbox series are excellent choices.
davidc |
#3
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I've had one a couple years now. I love the tones and power this unit has.
It's more than I need, but it's better to have more and not need it, than not enough. |
#4
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Been giggin' with 'em as well close to 200 shows a year...love 'em.
I sometimes use two Performers in tandem for bigger stages, one for smaller. I also have the Artist for even smaller café style, as well as a Mini for rehearsal, pickup testing, and recording. (also works great as monitor or for a very intimate venue). Rugged build with the exception of thin tolex cover. I have Tuki Custom covers for mine since I play outside a lot. Great customer service from Frank at Fishman...blew out a woofer at a bigger show; he had me a replacement at n/c within 3 days, I installed it myself & back on same stage the following weekend! I plug straight in, with either an M80 on my Goodall & D18 or the CT4BII on my Takamine. 30lbs, great layout on panel, I use ch1 for vox #2 for gtr & aux for MP3 that plays while I'm on break...sounds great imo! There some good choices out there & the Loudbox are among the better ones imho...best wishes in your search!
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#5
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Thanks everyone!
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#6
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Yes! I gig with the Fishman Loudbox Performer ALL the time! Incredibly versatile and has more volume and headroom than I need for most of my shows. If I need more coverage, I use the Post EQ DI Mix output to drive a powered QSC K10. But that is not usually needed. Just nice to have sound on both sides of me.
Here is a photo of my set up. and a live sound clip/dark video of the Fishman LB Performer *Solo.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#7
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Very cool performance!
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#8
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Here is a quick little demo I made at home today. I was testing out my new Collings OM1A that just has a Baggs Anthem installed.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#9
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Nice set up.
Now for an off topic question...apologies in advance - where are you playing there? I know I've been there, but can't place it. Ventana Canyon area? And do you do your own booking or have management? Thanks.
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Martin M-36, Taylor 522ce Ltd Edition, Taylor NS32ce, Taylor 562ce, Taylor 612ce |
#10
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That was in the Core restaurant at Ritz Carlton-Dove Mountain. I do both my own booking and also work for an agent who manages most of the live music for the local Ritz Carlton.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#11
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I've seen your posts on TGP. Very helpful when I got my Swart AST. Best of luck to you.
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Martin M-36, Taylor 522ce Ltd Edition, Taylor NS32ce, Taylor 562ce, Taylor 612ce |
#12
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I just picked up an original (pre-Fender) SWR California Blonde, for about half of what a new Loudbox Performer cost after tax. I've owned a Loudbox Performer, Loudbox Artist, and a Marshall ASD50 and of all three, and all three ended up getting returned. The Marshall sounded the most 'natural' out of the three, and I've always felt like the Fishman amps always color the sound in a very artificial, processed way that I didn't like. I also tried some Roland amps, but not very inspiring either, and I didn't want to spend over a grand on am amp. That's why I ended up with the SWR California Blonde. It's not as 'flexible' or loaded with effects like the Fishman's, but I'd never use that stuff anyway because they don't sound very good IMO. The California Blond is a beast, super loud, lots of low end and punch if you want it, (which was what all the previously mentioned amps lacked) and so far I'm happy with the vocals I've put through it just messing around at home. Only drawback is it's a HEAVY amp, but I guess that's the price you pay for a nice sound. I figure if it's good enough for Jackson Browne and Linsdey Buckingham, I can make it work for what I plan on using it for!
With all that I just said, I have to say that the previous poster's Collings sounds really nice through that Fishman! |
#13
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The Fishman Performer Preamp section was SO VERY close to the sound of the Allen & Heath mic preamp (ZED10FX mixer) If it was a blind test, I heard 5-10% difference if that. I would not have been able to identify which was which in a blind test. Best guess. Then I played through the Fishman Loudbox Performer alone ...and the main difference was perhaps attributed to the speaker size. But it was VERY close, very credible and not unnatural (to my ears). But ultimately, I do prefer the richer sound coming from the QSC K10. So I concluded the mic preamp section of the Fishman LB Performer is really VERY good. I attribute the main differences to speaker and cabinet. Just thought that might be a constructive point of reference.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#14
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EDIT: watched the video again, and forgot it's a Collings, not a Taylor. Maybe thats why is sounded so good! |
#15
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Here is a live performance recording of my Taylor through the Fishman LB Performer at a live gig I did.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |