#31
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We all know that people take the saddle all the way down before resorting to a neck reset.
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 06-16-2019 at 11:37 AM. |
#32
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The 5 years in engineering school were spent at Michigan tech. One summer day some freinds and i camped at the very tip of the keewanaw. However i never studied and was not good in math. I left as a senior because i still had to take a controls course and maxwells equations scared me. Unfortunately ive never been to elderly and theres no excuse as i live 45 min away. |
#33
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But no doubt Scott Baxendale knows what he’s talking about. |
#34
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Thanks. The seller included a fresh pack of elixer 12s as he said the ones on it were pretty dead. I don't know where these stand in the acoustic world and figured it was as good a place to start as any until i figure out what i like. I use 9s on fender electrics and 10s on Gibson electrics but right now im not soloing nearly as much on acoustic as i do on electric. |
#35
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taylor's neck
I think non-Taylor adjustment techniques, save string height at the nut, need to be forgotten when adjusting Taylor guitars. Just ain't the same. I think Taylor sets the string height above the soundboard with bridge and saddle and then relies on the right shim set to adjust neck angle. Shim sets are so straightforward for a trained technician to swap out as to obviate artistic fussing with saddle height. Not 'traditional' and not appropriate on a Taylor.
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#36
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#37
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I work on a lot of Taylors, and about half of them that have high action don't actually need the shims changed, they just need the bolts tightened and it pulls the action right into where it should be. So you might want to check that first. |
#38
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what is the single black bolt for in the first pic ?
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#39
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The lone black bolt secures the fret board extension into the neck pocket through the shim labeled as "-10". The other two bolts secure the neck into the head block . There are shims for each spot allowing very subtle changes in the neck angle. Last edited by Earl49; 06-16-2019 at 12:50 PM. |
#40
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It's a rotational adjustment. The saddle's in the right place all the time, everytime, never gets adjusted. I'm sure you do great setups on traditional guitars. But Taylors aren't traditional guitars. I knew that much, but didn't know exactly why they weren't traditional, which started me searching. Sounds like you should search too. Last edited by Tycobb73; 06-16-2019 at 02:14 PM. |
#41
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__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#42
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Yes, as Tycobb73 said, that way the saddle is always the optimum height. If you have the right shims, the operation of swapping them doesn't take much more time than shaving the saddle.
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#43
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In that same video Mr. Taylor said it should take 4 or 5 minutes.
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#44
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About 12 years ago I brought my 814 to my tech for a setup. The action was a bit high for my liking. He looked down the neck towards the nut, loosened the strings, unbolted the neck, swapped the shim, rebolted the neck, tuned the guitar and handed it to me. The action was perfect. It may have taken 5 minutes at the most.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube Last edited by jim1960; 06-16-2019 at 04:25 PM. |
#45
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__________________
Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |