#16
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I can PM you with my phone number... As an aside, I have been in Paisley Park on a couple of occasions. Prince would sell off cool midi stuff there from time to time back in the 80s. Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#17
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#18
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And Dubh1805 - incredible instruments! Hope they find their new home soon. |
#19
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------------------------------- Emerald Green Wing, Multi Scale Length X10 Emerald Ruby Cross, Multi Scale Length X30 Breedlove Blond Jumbo Yamaha Silent Steel String |
#20
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A beautiful set of instruments, my favorite is the three-headed one. I was able to interview Alistair, Chris (its owner) and Franck (who painted it) and the story behind it is amazing.
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Taylor Custom Grand Concert Master Grade koa, Taylor K22ce 12-fret AA koa, Emerald X7 "Kauai" (custom painted artwork), Grimes Hapa nylon, Benedetto Andy, Kanile'a GL6 Guitalele, Moore Bettah and KoAloha custom ukuleles, Rob Allen Mouse koa bass Last edited by wickedwahine; 12-12-2018 at 11:03 PM. |
#21
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Also, I cannot wait for my two new beauties to arrive. I am about 80% through recording my first all-acoustic instrument album and have several tracks I want to include these two instruments on for release in February. I am Super stoked! Chris |
#22
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I hope you can mention somewhere in these pages when your album is ready Dubh. I’m sure I’m not the only one curious about the music these extremely interesting instruments will produce!
Would you mind sharing a bit about the concept and design process of the triple neck? Thx. |
#23
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I will definitely post an update and information regarding the album. I am hoping to have the instruments this weekend or early next week to record the tracks they are slated for and complete overdubs, mixing, and mastering by the New Year. I will also provide a separate post once they arrive and provide some background on the Trinity Guitar (the triple neck) and how that all came together. I ordered the guitars for using and recording - and the Celtic artwork was an awesome bonus to the entire evolution of the triple neck. I will create a new thread (NGD) with pics and background. Now...off to the studio to continue pounding out this project! Chris |
#24
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Chris;
Are you doing videos with your work? |
#25
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This is gonna be great to read the story and hear the music!! Yay
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#26
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#27
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As incredible (artistically) as the triple neck is, I am actually more looking forward to hearing the Bouzouki Chimaera.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#28
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Thanks for the response Chris. I am taken by the beauty and unique character of these instruments! I anticipate the release of your new music with true interest, and even hope for inspiration.
Best wishes to you, Mark. |
#29
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Hey Evan! Wow! You are asking the million dollar question I have been asking myself since beginning the album/project this fall and visiting the Emerald Guitar workshop last month. While visiting the factory I met Alan, who does all of Emerald's photography, videography, website work, etc. design and he suggested I should create a video about the project. I have never done anything like this before so I am trying to figure out how to do so ASAP. I shared how I was going about the recording process with Alistair and Alan, which I believe is and will be extremely unique for an acoustic guitar album and unlike any other acoustic guitar album project.
I have assembled quite an array of different types of guitars (scale lengths, number of strings, fretted, fretless, etc.) and it would be great to review via video and post not only for all of us with GAS (or in this forum, Carbon GAS! Ha!)but for anyone interested in guitar and the process of writing and recording music to see. I want to use the times between now and mid January to try and do this, as my release date is slated for February 6. If anyone has ideas or suggestions of what to include or go about this, please let me know! |
#30
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Thanks Mark! I have 13 acoustically diverse tracks I wrote and are recording that I am excited about completing.
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