#301
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I got the strings on the Woodsman. I selected out some mammoth tusk to make the nut and saddle. It seemed appropriate with with 5000+yr old Bog Oak I used for the trim, fretboard and bridge. Here it is with strings: Well I guess this puts me at the 300 mark for posts so I will be starting a Studio #2 thread shortly. Thanks everyone for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#302
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#303
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The thing I like about digging into all of this is there seems to be a more accurate approach to managing sound than there is here in the wild, wild, West of steel string guitars. There are more standard accepted and used terms. A lot of this has application in my building and voicing. It’s always good to look at my building from different perspectives. Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#304
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Wonderful Hatcher thread once again with beautiful work, but Mark will need to start a new one as we have reached the 300 post limit that our software can handle without a fight.
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PS. I love guitars! |