#46
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OP here...
I didn't say I am disappointed in the brightness of the OM, just that it's different. I did get the 12 fret neck which is supposedly warmer than the 14, it will take some getting used to the difference, something to look forward to. Size and convenience relating to accessibility were the driving factors of my choice, they're all convenient in terms temp/humidity care so that leaving it out to play is the prime benefit. I did compare sizes before I bought and the WS is almost exactly the same size as a Dread, 0.5" shorter body length (19.5 vs 20), 0.2" smaller lower bout (15.8 vs 16.0) and same 5" body depth. The OM is .9" less depth and .5" smaller lower bout than the WS, more the size I wanted. Even though I have this lovely D-35 form 1971, I also don't like the body size much and don't play it much. I played the Laravee OM most of all followed by the O-18. Heck, it's all a new adventure...it's great not having to worry about cracking, warping, or.....
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"Contrariwise", continued Tweedledee, "If it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic." - Lewis Carroll |
#47
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Quote:
The WS is pretty deep though. Any I am always surprised by how heavy mine is. My WS is 5" deep at the "tailblock". My D-35 is actually thinner at 4-7/8"
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#48
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OP back again and I have really enjoyed the last 2 weeks getting to know my new Rainsong. Such a relief not to worry about the relative humidity, now down to 19%!
One comment, and it has nothing to do with the instrument...the first time I have ever played Elixirs, the came on the OM. Just too **** slippery. I'm no accomplished player but I am really noticing my fingers slipping off strings on tough chords. I need more "purchase" for my playing so will be trying some Martin Retros or some Pearse 80/20's. I picked up my Larivee which has Pearse 80/20's on it. They are overdue for a change but the difference is night and day. I imagine it must be my technique, because Elixirs are popular strings, but I don't see it. Anyone else ever have problems with them? thanks, Rob
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"Contrariwise", continued Tweedledee, "If it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic." - Lewis Carroll Last edited by Recoil Rob; 02-01-2021 at 04:25 PM. |
#49
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Hi Rob- Retros are great! Just give them some time because at first they are a bit weird on the ear but they balance the RainSong tone very nicely for almost every style of play I've thrown at it. And that before you consider playability and longevity.
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#50
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I actually prefer Elixirs mostly, but my Rainsongs both did really well with the Martin monels so +1 on put them on and play them in.
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Dave McPherson Sable, Blackbird Lucky 13, Rainsong OM1000. Various wood, mostly Taylors |
#51
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Quote:
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1950 Martin 00-18 RainSong Concert Hybrid Orchestra Model 12 Fret Eastman E20OOSS. Strandberg Boden Original 6 Eastman T185MX G&L ASAT Classic USA Butterscotch Blonde Rickenbacher Lap Steel Voyage-Air VAD-2 Martin SW00-DB Machiche 1968 Guild F-112 Taylor 322e 12 Fret V Class Last edited by seannx; 02-02-2021 at 09:05 AM. |
#52
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I have shorty. Basically
The ch-om1000ns or something like that. It's a cf top(all one direction) hybrid back/ sides. It looked to have come with ej17s I put on a set of retro monel 10's and love what it did to the guitar. |
#53
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OP here, I just did the same, Retro 11's (custom light's) very pleasant tone, not as "jangly", thanks for the suggestion.
Got a set of 10's also to try on my 1951 O-18.
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"Contrariwise", continued Tweedledee, "If it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic." - Lewis Carroll |