#16
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That's easy, a 000-18.
scott |
#17
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Quote:
Does it have to be a Martin?
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#18
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My Collings 000-2H is very warm with Thomastik strings yet still retains clarity. It started off a bit tight but has opened up a lot of the years. The treble response is more prominent than in similar Martin builds but they have a thickness to them that prevents them sounding sharp or bright. H&D make a very warm and sweet sounding 000 as well.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#19
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Looking at the seemingly conflicting suggestions in this thread, I do wonder if playing around with the string type and gauges, the saddle material and shape, the bridge pins, the type of pick or finger picks used, and the player's technique could make any 000 size guitar sound "warm".
Like I said earlier in this thread, I think that I get a warm, rounded tone from my 000. But that has more to do with my set up and playing style than the guitar itself.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#20
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Quote:
100% agree but people will continue to argue that say Collings for example are inherently ‘bright’. A heavy pick, Thomastik strings moving over the sound hole and you have a tone so warm you will need to open a window.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#21
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I second that emotion... regarding my Eastman E2OM-CD.
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#22
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Quote:
I’m loving the 000-28EC, but compared to the hog-based guitars I’ve been playing the past few years, I sure wouldn’t call it “warm”. It’s got that rosewood sound I recall from my old D-28, but that’s a lot more about overtones, “ringing out”, and sustain than warmth. The CEO-7 is a lot warmer to my ears, and 000-18s I’ve played and 000-15’s I’ve owned were warmer yet. I guess we all hear “warmth” differently, or have different ideas of what it means. Sounds like you’re drawn to the Clapton and I’d never try to talk you out of that - I’m loving mine. But you may want to play a few 18s or 15s as well before you make up your mind. I love the EC, but when I want that warm, dry, woody fundamental sound, I’ll be picking up the CEO-7 for sure. If you like the EC neck, you should try to find a CEO-7 (or CEO-9, warmer still) to play. Since we all have our own ideas of what warm means, I guess we each have to play a lot of guitars to zero in on the right version of warmth for our ears… Good luck, -Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench Last edited by raysachs; 06-24-2021 at 10:02 AM. |
#23
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This is exactly why I purchased my Lowden, Sinker Redwood/African Blackwood. But for the more budget minded a 000-28 would be a lovely choice.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#24
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thanks all
im only wedded to martin in the sense that i really like their mod v neck. tone is all very subjective for sure. take for example tone poems. all very different guitars however not entirely easy to make out the differentiating characteristics (wood, size) since obviously so much of the tone is tony less the guitar. ill check out the ceo’s. thanks as always. |
#25
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and i totally agree with the assesment that pick, strings, etc, playing style have a huge impact on tone. heck some days all things equal a guitar can sound different than the day before. temp, humidity...
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#26
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a year or so ago i had the opportunity to play my EC along with a newly restored 30's 000-28. We in the room were all amazed how similar they sounded and felt. But then that was the goal of the EC. So if you think you'd like the sound of a golden era Martin for $40-$50k less then the EC might be the guitar for you.
I would add that in shopping for an EC i played at least half a dozen and one did not wow me. The others all did. So play before you buy. Also, i bought used and paid $1600. A few blemishes but nothing that hurts. Added K&K which seems to work really well in it.
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Martins: 000-28EC, '37 00-17, '23 0-18k, TXK2 Gibson: '54 SJ Rainsong 12 fret parlor concert series E-guitars: Turner Model 1, Fender Strat Banjo: Gretsch ukes: TK1, Harmony Smeck, banjo-uke |
#27
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I string my EC with Ernie Ball Aluminum Bronze. To my ears they do all the good things that PBs and 80/20s do at the same time. And I second your recommendation on the EC. For me it's a lifetime keeper.
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Eastman E6OM-TC LTD Alpine Spruce Eastman AC308CE LTD Taylor GS Mini Rosewood Yamaha Pacifica 212VFM Flamed Maple |
#28
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Another guitar to consider is the Martin CEO-7. Adirondack over Mahogany, even warmer than the 000-28EC and incredibly comfortable to play. A thousand dollars less is easier on the wallet too.
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Eastman E6OM-TC LTD Alpine Spruce Eastman AC308CE LTD Taylor GS Mini Rosewood Yamaha Pacifica 212VFM Flamed Maple |
#29
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the 000-15sm is 12-fret body size even though its a 25.4" scale. Close enough?
Can't beat it for warm.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#30
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It's close enough for me, but I also play a 000-15 Streetmaster which is long scale. The OP was the one that specified he wanted a short scale.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |