#31
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Ive had a stomp for a few weeks now.
Im a tweaker, so this thing is alot of fun for me. In the band i play a fretless pbass,mandolin, and acoustic. ive purchased irs online cheap. and they sound really good. I find less is more so the wet/dry mix in the ir is beliw 50%. i went from a 2foot sq pedalboard to this stomp and an expression pedal. all fits in my bag. The amp modeling part of this is really made for electric guitar. You can get a really good acoustic sound with out any amp/cab blocks at all. just eq ,compression and effects. the ir loading(wav files) is easy and a bonus. ive bought some for each inst. I have an ir that is of some 17 century upright bass that i use with my pbass that sounds really good. All in all im impressed with the versatility of this hx stomp. |
#32
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Quote:
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#33
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Quote:
But your limited to six blocks so in order to get more efx in the preset i just build it with eq ,comp ,IR and whatever efx i want. Sometimes i use the kinky comp at the end for a lite saturated lead boost. Its really easy to work with and i have multiple presets set up for different rooms and songs. Its fun.. The jazz rivit 120 amp/cab model i think is better than the studio tube pre. If you buy it play around with the mic selection and distance from the cab. And it sounds pretty good. The possibilities of combinations with the stomp are endless.. adding additional footswitches and or exp pedal adds to the multitude exponentially. The expression pedal can alter multiple parameters at once. When i wanted a lead boost i found it attenuated the highs and lows (fletcher/munsen) when i raised the volume. so along with an increase in volume the exp pedal can lower the high and lows on the eq at the same time as well as increase the compression or anything else you wish to assign it to. This is the creative part of this thing i like so much. Last edited by varmonter; 03-20-2019 at 08:37 AM. |
#34
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Quote:
Most likely do we buy them just because they are cheap and that we can. Not because of a need. |
#35
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MFX UNITS
I'm very pleased with my T.C.Helicon Voice Live 3 Extreme . It's a triple threat system to be sure :
5 acoustic presets and all the FX you could possible want/need . Relative size is small on stage . Versatile employment of FX . You can use the vocal FX on the acoustic presets - like a doubler or any electric FX . For a soloist it's a hard unit to beat with your own mixer built in it to blend vocal/guitar volume - sound contour for either guitar or vocal . Aux in . The output control is extensive . Harmonizer ( 4 part ) triggered by Aux or guitar . Not a unit for everyone but those who do like it's abilities , well they love it . EZ : HR
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It started for me with Twinkle Twinkle Little Star in 54 on a Blues Harp and progressed , then life .....some death ....Evolving as I went like a small rock in a stream rounding out as I went with the flow as I go through the white waters and waterfalls of life . Life has always been interesting to me |
#36
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I have a TC Helicon Perform-VG effects unit, which is like a simpler Play Acoustic. Great for vocal harmonies and has echo, reverb and chorus for both guitar and voice. Very simple pedal to use and mounts on the mic stand which is nice. I also use a footswitch to turn harmonies on/off.
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#37
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Thread revival! What’s everyone’s favorite all in one acoustic pedal!
? Soulmate ? Boss AD10 ? Flyrig? Trace Elliot? |
#38
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Zoom A1Xfour
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Tags |
acoustic |
Thread Tools | |
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