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#1
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I stumbled across this little tidbit buried in a thread while I was reading through the forum last week, but someone was talking about moving the microphone part of the Anthem pickup. We've had several threads where we talk about not being able to mix in much of the mic signal because it gets really hot and trebly with too much mic in the mix. Well I saw in this thread that a couple of folks moved the mic from the front of the bridgeplate to the back of the bridgeplate. I think someone even moved it even farter to actually sit behind the bridgeplate. So yesterday when I changed strings I decided to try it and moved mine to the back edge of the bridgplate and holy Hannah it made a difference. Now I've got the mic set at just under 1/2 and it has a much richer and more acoustic amplified tone. I'm definitely happy with the change and wanted to share.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#2
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Cool discovery Mick. I'm not familiar with the installation of the Anthem mic. Is it glued, or double stick taped? If glued, how did you remove it? Thanks
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-joe |
#3
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It's standard 3M double sided foam tape. The tape from the factory is the white label with green writing. I usually use the red label stuff that has a higher sticky factor and hold a little better. The red label stuff is also pretty easy to peel off if you need to change something later. I buy it at Advance Auto.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#4
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Sometimes all you have to do is ask Baggs
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Martin 00-18V Goldplus + internal mic Martin D-18 (2012) Martin HD-28 (2014) Trance Audio Amulet M-V T+ DIY IR Eastman E6OM (2019) DIY Pickup v8 + internal mic Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#5
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Cuki I'm a guy, do you really expect me to read the instructions???
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#6
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I mentioned these positions and posted the link to this Baggs document in my first IR thread back in 2016
https://www.acousticguitarforum.com/....php?p=5107583
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Martin 00-18V Goldplus + internal mic Martin D-18 (2012) Martin HD-28 (2014) Trance Audio Amulet M-V T+ DIY IR Eastman E6OM (2019) DIY Pickup v8 + internal mic Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#7
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#8
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I always reference this thread:
https://forum.lrbaggs.com/forum/main...ts-audio-clips It shows how the three positions sound. I definitely prefer the alternate two to the one Baggs recommends. I often wish I had held on to the Anthem in order to try behind the bridge pins. |
#9
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#10
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There's a guitar played named Stephen Inglis who does an interesting thing with the Anthem/Lyric. He installs the Anthem SL in the correct tru-mic place and then has a second jack for the Lyric, which he installs along the treble bracing. He says it add some roundness to the treble strings. |
#11
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 '94 Taylor 710 '18 Martin 000-17E "Willie" ‘22 Martin CEO 7 '15 Martin 000X1AE '22 Enya Nova Go '12 Partscaster Telecaster Blueburst Gretsch Electromatic Jr. Fender Roadworn P-Bass "Big Al" '21 The Loar 310F Mandolin https://pandora.app.link/ysqc6ey22hb |
#12
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I played a solo show last week in a small bar .. Martin SC13 into Bose Pro 8. Small, appreciative crowd. So I was able to experiment and my friend helped dial in the Bose EQ while I played. Everything was perfect.. Best sound hands down I have ever heard from this guitar. (My first Anthem SL ). The photo below is the Martin SC13e and as you can see, it is a very narrow Bridgeplate. ![]() My set up ![]() |
#13
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Yes but Baggs never recommended further BEHIND the bridge
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Gear: Cole Clark Thinline 2, Martin SC13e, Martin GPC16E Special, Acoustic Flyrig, TCH Harmony GXT |
#14
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Gear: Cole Clark Thinline 2, Martin SC13e, Martin GPC16E Special, Acoustic Flyrig, TCH Harmony GXT |
#15
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![]() PHOTO ON LEFT IS NOT WHERE I PUT IT .. That photo shows there is NOT enough room to place it on the bridgeplate of the Martin SC13. PHOTO ON RIGHT IS MY EXACT PLACEMENT (totally behind the BP) I did speak to Caleb from Baggs and this is perfectly acceptable. Sounds Great with it back there.. allows me to crank up the true mic more ! |