#16
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#17
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I really appreciate creative solutions. When I mentioned this to my wife, she said, "I can make you one out of foam and cover it with black velvet (she's a creative quilter) so it would nearly disappear." I haven't run into feedback problems with my Bose S1 Pro or L1c.
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Some CF, some wood. |
#18
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Hope the football idea works - it's certainly affordable
I found that making one side a little taller (by slightly slanting the cut to the football) results in a better appearance/fit. So the taller side goes towards the player and the shorter side towards the neck. I too thought the brown would work well with the cocobolo, but using the marker to make it black somehow looked better to me - from a few feet it kind of disappears or basically looks black like the soundhole/carbon fiber. This morning, I cranked it up to stage volume with zero feedback. I walked right over to my 12" JBL monitor and nada. I'm declaring success and moving on to custom tonedexter wavemaps using my DAW's 8 band para-eq and a Shure SM81.
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Taylor 710CE Gibson Songwriter Deluxe Studio EC Emerald X20 Cocobolo Godin Multiac Steel HG Gretsch 6120DE |
#19
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In a pinch at a gig, some Feedback relief can be had with a layer of gaffer tape (do NOT use duct tape) - this works better with F-hole archtops, but can work with round or other shape sound holes. And it's UGLY.
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---- JoannMP ---- 1934 Gibson L-12 1937 Gibson L-12 Advanced 1943 Epiphone Broadway 1947 Grimshaw G.5 Revelation 2000 Tacoma AJF22CE5 Jazz King 2006 Eastman AR905-CE-BD 2023 Emerald Kestrel 2016 Gibson Hummingbird Artist 1964 Gibson B-25-12 McPherson CMG 4.5 Camrielle Emerald X20 McPherson Sable Rainsong BI- WS-1000 Cordoba Gypsy King Studio Negra ... (etc) |
#20
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