#31
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If you really like it without a guard, try it fora while and if it develops scratches, add one to cover the scratches. That's what I did on my octave mandolin that came with no pick guard and looked cool without one, but after a year or two of playing, it started getting some battle scars, so I cut a guard that covered the scratches.
It looks OK with the guard as well. My guitars have pick guards, but still have developed battle scars. This one has 57 years worth of battle scars.
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Jim _____________________ -1962 Martin D-21 -1950 Gibson LG1 -1958 Goya M-26 -Various banjos, mandolins, dulcimers, ukuleles, Autoharps, mouth harps. . . |
#32
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I go with the clear pickguard
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Proud member of OFC |
#33
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My brother Gary's Eastman dreadnought came with no guard. His is sunburst rather than the brown stain, and I think a pickguard like yours would look good on it.
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Jim _____________________ -1962 Martin D-21 -1950 Gibson LG1 -1958 Goya M-26 -Various banjos, mandolins, dulcimers, ukuleles, Autoharps, mouth harps. . . |
#34
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I'd rather see wood than plastic. And I would rather see finished wood than beat-up wood.
For me, no pickguard. I don't need it. I don't anchor a pinky or strum loose or hard and my guitars that have no pickguards are in the same condition as those which have them. For you - it depends. First, do you need one?
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#35
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I am not sure what the point of a pickguard is unless you are some kind of heavy rock strummer like Pete Townshend. I guess they can look pretty.
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#36
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Quote:
The worst incidents of that type have happened in bars, and I no longer play in bars. But it’s happened at church a time or two, and even friends of mine who’ve come to music parties have put some dings and scratches on my guitars too. I don’t care about a few scratches accidentally put there by my friends - my friendships are more important to me than keeping my instruments completely pristine. But for anyone who likes to hear his guitars played by other good musicians, having a pickguard on the guitar is about the least expensive yet most effective way to prevent needless accidental pick damage. If you aren’t comfortable having others play your instruments and don’t use a pick when you play, then it’s probably not an issue. But if your music-making is social as well as a matter of self-fulfillment, then to my mind it’s a good idea to have a pickguard even if you don’t really need one for your own playing. Hope that makes sense. Wade Hampton Miller |
#37
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I like the pickguard and particularly that one. It looks great.
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Taylor 512ce Urban Ironbark Fender Special Edition Stratocaster Eastman SB59 |
#38
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Given the reverse-belly bridge shape of your guitar, I think a J-45 shape pickguard in the same firestripe pattern would look better than the J-35/AJ shape you’ve got.
Also, I’d leave the stock pickguard on the Yamaha. |
#39
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I like the clear one on my Yamaha.
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______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |
#40
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That pickguard just takes away from a beautiful top; I'd leave it bare - or go with a clear pickguard if you're worried about scratches.
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Breedlove Masterclass Dread - Sitka/Koa Breedlove Masterclass Concert - Sitka/BRW Seagull Artist Deluxe CE Seagull Artist Element Furch G22CR-C Several other exceptional guitars, but these make me smile and keep me inspired! |
#41
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No pickguard or a clear one
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Current: Lowden F35, Sitka / Cocobolo. Maestro Victoria, Sitka / EIR. Maestro Singa, Adirondak / EIR. Maestro Singa, Sinker Redwood / Wenge (incoming) Gone but not forgotten: Martins, Gibsons, Taylors, sundry others. |
#42
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I don’t go for appearance as my first goal with an acoustic guitar.
Having plastic dead weight on an acoustic guitar top will certainly effect tone. That might tame a shrill guitar or dampen one that doesn’t benefit by the effect. I prefer a clear pickguard with virtually no mass that allows the top to vibrate at maximum efficiency. My wife leaves that up to me.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#43
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As do I.
This guitar has a pickguard... [IMG][/IMG] I have a larger, clearer image but it wasn't worth posting because it still doesn't show.
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Pray, Hope, and Don't Worry - Padre Pio |
#44
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Quote:
The stands I have include a little rubber strap that goes across the yoke at the top. It's there to help prevent accidentally knocking the guitar off the stand, but I imagine it could also slow down these grabby jerks long enough for you to chase them away. |
#45
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I've taken pickguards off guitars, swapped them and on some I've left the original ones alone. I like fire stripe (or tiger stripe) pickguards and think OPs Eastman looks better with than without... to me it complements and finishes off the top.
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