#31
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I like slot heads myself. I love the look and I don't find string change any more difficult.
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1981 Yari DY 74 (S EIR) (Rosie) 2006 Takamine EG 340 SC (SM) (Tak) 2013Recording King RP06 12 fret (SM) (Chapo) 2017 Washburn Revival 1939 Solo Deluxe reissue (S EIR sunburst) (Amber) Fishman Loudbox Mini 2008 S style (Blue) 2018 T style (Pearl) 2019 Fender Mustang II V2 Last edited by steve223; 02-16-2019 at 01:42 PM. |
#32
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I love the look of slotted. Paddles are much easier to restring. I have a slotted 14 fret dreadnought, which was that way when I bought it. Would have ordered a regular headstock if I were to order it from scratch.
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#33
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Im a fan of 12 fret slotheads ,so thats my vote !
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--------------------------------- Wood things with Strings ! |
#34
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Quote:
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#35
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I don't find slotted headstocks any harder to restring than paddleheads, and I like the way that they look. However, I have 2 12-fretters with slotheads, 3 with paddles. 'Cause that is what they came with.
With a custom order, that might be different. But if you are really enamored of the builder's work and sound, you might want to let them build what they think sounds the best. Or if not, find someone else. OMMV TW |
#36
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I don’t have real strong feelings about it either way. If I found a 12 fret I fell in love with, whether it was slot head or paddle would not be a deciding factor. However, if I was having a guitar commissioned, I would definitely find a builder who could do exactly what I wanted AND was comfortable/experienced with doing so. A BTO is a big deal, you shouldn’t settle for less than what you want.
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"Life is what happens when you're busy making other plans."-John Lennon 2015 Taylor 512ce 12 fret early 80's Ovation Ultra 1517 2011 Seagull Entourage Rustic 2011 Taylor Limited NS214ce 2010 Taylor 512c 2016 Ibanez AG75 2014 Taylor GS Mini Koa e 2018 Loar LH 301t 1998 Breedlove Fall Limited # 10 of 20 Redwood/Walnut |
#37
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Hi Daniel, vacillating slot head buyer here!,
Because I had to move to wider necks 20 years ago, I quickly became accustomed to slot-heads and developed my string changing technique. I also discovered the other advantages of having the tuning machines facing me when tuning (far less wrist mangling). Those who find string changing awkward on slot - heads simply haven't developed a methodology. and here , I'd like to offer mine : I also have two 12 fret slab heads - my Waterloo and my Santa Cruz "RS" both of which are modeled after Gibson designs. My slot heads are modeled after 12 fret Martin designs and so, to me it seems more logical to follow their designs with slots. I have read and heard people speaking of the sonic advantages of slotted headstocks and whilst I prefer them aesthetically and when in use, I don't really believe the supposed sonic benefits. btw - I know that Martin put some slab heads on 12 fret guitars from time to time. The real answer is - if you are paying for it - have what suits you.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#38
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If the builder will not build what you want find another that will. That said I have done both as a builder but as a player prefer to have the more precise tuners available on a paddle head stock but love the classic look of a slot head.
Fred |
#39
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I have 3, 12 fret slothead guitars and 1, 12 fret solid headstock guitar amongst my instruments. I think the slotheads particularly suit the body shapes of the three aforementioned guitars (2 parlour guitars and a 000) and likewise the solid headstock suits the body size of my H&D 12 fret Custom which is a smeck like design. So in my mind it is more about the type of guitar not merely whether it is a 12 fretter that determines suitable aesthetics.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#40
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Slotheads are more traditonal looking on a
12 fret. Also the break angle over the nut is more on a slothead. Well more acute i should say. I think the look cool. And string changes once you do them a few times arent that big a deal. really only a few min longer. Nothing to fret about . |
#41
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Quote:
I prefer a slot head, 12 fretter. I don't need the extra 2 frets on a guitar with a cut and bringing my left arm in that bit of distance does make a difference in relieving my fret hand wrist angle. |
#42
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If I get a 12 fret, it better have a slothead. I even had a Gallagher 14 fret dread with a slothead. After owning a bushel basket of slotheads, I've learned to change strings quickly, painlessly, and cleanly on a slothead. I just don't see the issue.
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#43
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Thank you. That means a lot.
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Gibsons: SJ-200, SJ-200 12-string, SJ-200 Parlor, Woody Guthrie Southern Jumbo, Hummingbird Taylors: K24ce, 517 Martin:0000-28 Ziricote Preston Thompson: O Koa |
#44
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SoCalSurf - I really like that torch as well.
Here's one from a Collings I once owned, just for fun. |
#45
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I own such a guitar, a Kinscherff High Noon. IMO, it looks fine. No, I am not going to post a picture of it.
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-Raf |