#166
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The Kraut feels like a big bold V12 while the Olson feels like a direct injection V8... The first thing Jim said is that he hopes I won't be putting those heavy strings on his guitar! LOL In fact, even Ray somewhat freaked out when I told him I had strung up his OM with 14-59s. That being said, I only use heavier strings in combination with alternate tunings -- and I always do my math before proceeding to make sure the new tension does not exceed the original tension when using standard tuning and the luthier's recommended gauge. Although the lower bout is only different by half an inch, the two guitars couldn't look more different. In terms of sound, the Kraut has a stronger note fundamental and a very husky voice. The Olson rather has what I would call a "crying voice". Play a chord, wave the neck a bit -- and hear the magic. I obviously enjoy both very much. Playability and setup are top notch on both guitars. When I played the Kraut for the first time, it was exactly what I was used to playing -- it came with mediums and felt like a "real" acoustic to me. Despite a medium action (Ray offered to lower it and I declined), intonation remained spot on all the way up. Impressive. Most people who would pick up my Kraut now would think I'm a bit of a masochist -- but I really love the way it sounds with the heavies, and above it all I really love how it feels. On the other hand, the Olson feels nimble and plays like total butter. I have never had a guitar that was setup like that and it will take a bit of time getting used to. I just played a few barre chords way up the neck with the kind of speed I haven't been able to achieve since my Ibanez days. The setup is as close to perfection as I have seen on any guitar. I hope it stays that way! My Olson SJ is also very lightweight -- but that is mostly because of the mahogany as Jim's rosewood guitars felt noticeably heavier. So that's it for now. I will post some audio/video as soon as I can capture something decent. Last edited by JoeCharter; 12-24-2012 at 12:42 AM. |
#167
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Congrats on the guitar...may it inspire you at no end.
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There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#168
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Incredible. Stunning photography work, too. This is just pure musical art. Hats off to Olson for this beauty and congrats to the happy owner!
JR |
#169
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Congrats Joe
That's a great Christmas gift, and I tell what you are right up there at the top of my favourite AGFers because you are a non cutaway man!! Happy guitar playing Best, Keyshore
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1991 Ovation 1719 Custom Legend 2005 Takamine EF400SC 12 string 2007 Bourgeois Vintage OM Madagascar with Bone LB6 |
#170
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Bern and J.R., thank you for your kind words.
I sat down to record a track but my middle finger has a messed up nail so I'll try again tomorrow. In the mean time: |
#171
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I'm indeed a non cutaway man. That being said, I wouldn't mind a cutaway SJ with a spruce top for next year... |
#172
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I nominate this for guitar picture of the year! Isn't it amazing how lighting makes such a big difference? Doesn't even look like the same guitar as in Jim's studio shots (though both look nice...it's just this closeup really highlights the fine detail and quality).
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#173
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Wow, if yours feels lighter than the RW ones, it must be like a feather. As you know, mine is cedar/EIR and it feels remarkably lighter than my Charis GC cedar/EIR which is a smaller guitar. Of course, the rosewood neck on the Charis explains some of the extra weight vs the mahogany neck on the Olson. The only thing I will likely do on mine is remove the LB6 pickup and install a plain bone saddle. I sort of regret not going that route in the first place, but then again the wider (front to back) saddle slot that was cut to accomodate the LB6 may actually enhance the tone when fitted with a bone saddle. I know Larry Jacobson (ljguitar) went through the same process on his Olson dreadnaught and liked the difference. We'll see. |
#174
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What a treat the photos have been, Mau. And what a gorgeous guitar! And what an experience you have just been through... You are going to need a little time to catch your breath.
- Glenn |
#175
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What a beauty! I bet it was worth the wait!
You are blessed! Merry Christmas ! Enjoy! |
#176
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Thanks so much for the supportive words, guys.
It will take me some time and practice to adapt my playing to the guitar as it is very sensitive. A slight variation in the attack changes the tone dramatically so it requires quite a bit of control to deliver a consistent performance. I had sworn to myself that this guitar would remain in standard tuning -- but after a day I gave in and tuned it in DADGAD. Here's my arrangement of Si Bheag Si Mhor played with the SJ, capo 2: https://soundcloud.com/syndicatedart...-mhor-turlough As always, your comments are welcome. |
#177
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Beautiful guitar and playing, Mau. Wonderful sounding instrument....thanks for sharing. Did you by chance ask Jim how many guitars he has built?
Merry Christmas to you and your family! |
#178
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Thanks for your feedback on my sound clip. I believe Jim built 39 guitars this year. He has built more guitars in the past but the 2012 batch was overall his most "upscale" edition so far. Some of the guitars he delivered would make my own SJ look very plain... |
#179
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Excellent playing and the guitar sounds fantastic. Thanks for taking the time to upload a clip once again. Merry Christmas!
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Matt |
#180
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Well, I realize I am prejudiced because I really like the Olson SJ sound, but I think that recording of your new Olson is just gorgeous. I listened to your other versions of the same song in comparison and I like the Olson best. All versions are really beautifully done, all sound wonderful, but my preference is the sound of your new Olson. WOW!!! - Glenn |