#1
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Setting to deal with low end overwhelming high end
Someone posted a great response to a thread recently re: pre-amp settings to eliminate or at least minimize low frequency distortion (?). It seemed to focus on mids. For the life of me, I cannot find that responce and I would REALLY love to read it again. So if anyone can post a link that would be great! Or if the person who gave the great answer could run it down again, that would be great. Thanks!!!
(FWIW, I do understand using an equalizer....so it's not that.) Gene |
#2
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Boy I would interested to read such a post also
Other then setting the gain relatively low then boosting in the DAW which could theoretically I suppose allow Fletcher Munson to highlight the mids (although I am somewhat skeptic it would do much in practical terms Beyond that ,I simply do not understand how a pre amp can do something that seems beyond the scope of its basic function and design ? And is in fact a function of EQ
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#3
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Low frequency distortion is a direct product of [a] how well the preamp handles the low frequency, which is in direct correlation to the preamp’s frequency response & power handling & [b] the input source & how well it is handling those same things.
There is also the possibility that low end is fine, but you’re playback system (which includes your room) is causing distortion. Mids should have nothing to do with distortion in the low end (coming from nearly 30 years experience of being a professional audio engineer).
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#4
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If you are having problems with the low end taking over a mix, it’s a problem of balance. And that’s just getting a better mix. Which come from experience.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#5
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Quote:
low end mud that may exist in the recording environment. Also some microphones have a high pass filter switch you can turn on or off. I don't use a preamp or mike high pass but do all equalization in the DAW.
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#6
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Quote:
There's no setting in any preamp that I'm aware of that lets you control "low end distortion" specifically so I'm guessing you're terminology is not accurate here. Many preamps and mics have high pass filters but those reduce low frequencies from being recorded and are not designed to reduce distortion. |
#7
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There are a lot of potential problems that could be causing your distortion problem. We need to do what's called "walking the signal chain."
We start at the DAW: Are the levels low enough that it isn't distorting at the DAW? If so, take a step back up the chain. Next the interface/preamp: Are the overload LEDs lighting? If so, back the record level down. Does that eliminate the distortion? Yes? We'll deal with the imbalance problem at the mic. No, go back up the signal chain. Microphone: There are ways to deal with the overload: Is your mic a cardioid mic? If so, if the mic is too close to the subject, the bottom end will rise up and overwhelm the rest of the spectrum. Also, if you point the mic at the sound hole of the guitar, the low-end will overwhelm the rest of the spectrum. Try moving the mic up the neck to the place where the neck joins the body and move it out to about ten inches. That will reduce the low-end and give you a more balanced sound. In the process, did it get rid of the distortion? Yes? Re-calibrate your levels and go back to recording. No? You may need to insert the high pass filter on the mic. Did that handle it? Yes? Re-calibrate your levels and go back to recording. No? Look for the mic's attenuator and switch it in. That will drop the level of the mic before it hits the mic's internal preamp. Did that handle it? Yes? Re-calibrate your levels and go back to recording. No? You could very well be looking at equipment malfunction and may need a technician's assistance. All the best, Bob
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