#16
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Taylor GT all Koa. A year and a half of daily play no change in tone. Hard gloss finish. The new all koa Taylor 7xxs use a very thin, 2mm, not pore filled satin finish for more top resonance. Excellent idea.
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#17
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Based on my somewhat limited experience with Koa tops, I agree with Wade. I've never been drawn to the tone of any newer koa topped guitar as they just sounded "tight" or like they were "holding back". Conversely, I have been quite impressed with a number of older Koa topped guitars I've played.
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#18
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Yes. But if people don’t build new koa topped guitars now, we won’t have wonderful ones to fight over years from now - I have 2 older SC koa topped guitars, an F and an H, and I wouldn’t mind being stuck with either as an only guitar - (but thankfully, I never will - )
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#19
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I think I'm going to go with the Koa top for visual appeal. Although this is only my second build, I've got a good number of other guitars with spruce tops and I'll build more after this one.
Any other opinions on shape? OM vs Dreadnought for best sound using all Koa? |
#20
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However, i suspect SCGC and the model H had much to do with it. Another all-koa that i had (Larrivee parlor) did not sound particularly good at all. My understanding is that a koa top is a crap shoot. Consequently, though i would consider buying another all-koa that i had played and liked, i would never risk several grand on having one built.
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#21
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#22
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Have you thought about asking a luthier who has a lot of experience with Koa about what characteristics a piece of Koa needs to have to make a good top? Or any other tips for making a good Koa guitar. Maybe the folks at Goodall or Pegasus Guitars. I'm not a luthier but seem to remember reading that Koa varies quite a bit in density and stiffness and not Koa is suitable for tops.
As for size perhaps a 12 fret 000. |
#23
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Any reason for the 12 fret 000 suggestion? Will that mellow it down? |
#24
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Well, I have an all solid Koa dread. Very nice and I do not believe it was played much, though it sounds sweet already. I am impressed with the tone and the looks are typical Tak….as close as you are going to get to perfect. I would certainly not be afraid of a Koa top (now that I know)
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#25
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I have a Martin 00028k 1921 authentic which is all Koa. It is very beautiful, very light and has a warm, soft tone. I also have an all mahogany Recording King guitar which I use for travel and gigging, and it has a much more punchy tone, so I don't agree that Koa sounds like mahogany.
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#26
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So, what else would you do with the koa wood that you do not use for making a top?
Have you considered making both a spruce and a koa top? I'm pretty certain that even with flattops there must be a way to make a (more or less) floating fingerboard that makes it easier to remove the top if it turns out you don't like the sound. Or ... make a double top with koa as the outer/top layer and spruce as the bottom layer? |
#27
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I have a 6 year old Taylor 12 string. It is all Koa, It is NOT a big voiced guitar. It is a wonderful sounding instrument but if I was going to share a stage ( which is not likely) with a Spruce top guitar I would have to "plug in ".
I also have a 7 year old SCGC OM "The Tree" Hog/ Italian Spruce and that guitar has a much larger voice than the Koa Taylor. I think those who suggest Spruce over Koa for a top wood are right on. But......Like most things in our guitar world, much of the final voice depends on the builder.
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HFox Life is a journey...not a guided tour... |
#28
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Taylor does Koa really well. I had a 2013 Taylor K24ce that sounded wonderful as being woody, warm, and full-toned. My goal is to one day get another all-Koa guitar, probably another Taylor K24ce. I got rid of the 2013 Taylor only because it had the Expression System ES1.3 magnetic-based pickup system, and the Expression System 2, a more acoustic-guitar sounding system, came out at the end of 2013 and that's the system I wanted.
I've also had a 2007 Gibson J-45 Honeyburst Koa Custom that had a Sitka Spruce Top and koa back-and-sides. Also, a 2008 Taylor GS LTD Fall Limited with a Spruce Top and Koa Back-and-Sides. Both of these guitars were tone monsters in having a great dynamic range along with great clarity and warmth of tone. Overall, I heard the all-Koa Taylor K24ce as sounding clear, and mellow, with a smooth playing attack whereas the Spruce-topped/Koa back-and-sides Taylor GS LTD Fall Limited and Gibson J-45 Honeyburst Koa Custom, had a strong and quick playing attack. 2013 Taylor K24ce 2007 Gibson J-45 Honeyburst Koa Custom 2008 Taylor GS LTD Fall Limited
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 Last edited by SpruceTop; 08-14-2022 at 07:52 AM. |
#29
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I have a small-ish solid koa Taylor GT. Great guitar. Between Koa’s even EQ response and the hard top’s natural compression giving even dynamics it is like playing a keyboard. Sometimes great sometimes not what I want but I do wonder what spruce or sinker redwood over Koa would be like. I also play an 814. About 50/50 which one I grab.
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#30
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