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Alvarez Masterworks MPA-70 Questions
Hoping to get feedback on this guitar. I know it won't have the low end of a D-28, but just overall opinions for strumming and fingerstyle.
If known, how would this compare to an Eastman E20P as this is my other choice. Thank you! |
#2
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Not sure which model you mean? If you're talking about the dreadnought Masterworks Alvarez, I've played a number of them and been VERY impressed...
Beautiful guitars; well-made and finished... but the sound is the most impressive aspect of them! Loud, articulate and very nice tone, across the spectrum. My first impressions were that one of these would stand up easily to any of the newer Martin D-18s I've played. Obviously built for more strumming and flatpicking, I believe that it's resonant and responsive enough for fingerstyle... At <$600 (with a REALLY nice hard shell case), it is insanely priced for an all-solid wood guitar! Open-back Waverly tuners, too!
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
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#4
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I have the MFA-70 which is a slightly large OM size and its a cannon. Loud, crisp and clear with good rosewood overtones. Not woody and lush like a Martin. Its a big, forward sounding guitar for it’s size. I don’t know if the parlor would be similar.
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Guilds: 69 F312 Braz, 89 Nightbird II, 91 Nightbird CU, 94 GV70, 96 A50 flattop, 06 CO1 Cedar, 11 F30CE, 13 CS F30R Reno Star, 14 GSR F30CE Coco, Orpheum OM RW, Orpheum SS Hog. SOLD: Guilds: 78 F40,79 F112,’87 GF60R,94 DV72,07 CS F47 Braz,11 DD6MCE,12 F30,12 F30R,18 F2512. Other: 70 Epi 5102,74 Ibanez LesPaul,90 Gibson ES347,15 Alvarez MFA70,15 Martin OM28VTS,15 Epi ES339Pro,16 Alvarez AF60 Last edited by HeyMikey; 10-07-2019 at 12:14 PM. |
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Thank you, good to know.
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#6
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For my fiftieth birthday I bought an Alvarez MD70CE.
I have a number of Alvarez guitars. I’ve only ever gotten rid of one of the nine I’ve owned, and don’t miss it. (That guitar hated me from the moment I Bought a Ovation). But I’ve given one to a grand child. And if I’d had more time to look, I’d probably have kept his RF26, and gotten him something different. The Masterworks don’t have to take a backseat to ANY similar guitar coating twice as much. And only a few that cost Three to four times as much. It is fortunate for the company that they are getting more of the recognition they deserve. But if you find you love them....buy now and buy often. If Yairi guitars are any indication...prices will start To reflect their reputation.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#7
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I have an MPA-70, and can highly recommend it. I paid $800 for mine, but I would easily compare it to guitars costing much more. Including the Eastman E20P which I did consider and played. I got the MPA-70, so that will tell you something about which I prefer, though I'll admit the price was part of the decision. I got the Alvarez used, the Eastman I looked at was new and retail was $1,200.
I didn't get to play the two side by side, so I can't really tell you the exact difference in sound. But they are very similar guitars. I really don't think you can go wrong with either one. For picking, the MPA-70 really shines. I don't play it with a pick, I have other guitars for that, but I have tried it and it holds up well to strumming. Since it doesn't have a pickguard, I don't care to strum it. I got it specifically for finger picking, and it sings. Has a bright tone, but solid bass response too. A lot of depth to the sound. This isn't a small parlor guitar, though it's smaller than an OM. It's really similar in size to an OO guitar. The finish on it is excellent, the pearl inlay around the sound hole and around the top is a high grade, and gives it a high $ look. The gloss finish is superb. The only defect I've found is a very small bump in the back of the neck behind the first fret. It's ever so small, and I've never felt it while playing, not that it would likely bother me if I did. Other than this insignificant imperfection, I can find nothing wrong with it. I don't think this guitar is made anymore, so if you can find one used in good shape, it's worth picking up. (They do make the MPA66, all Mahogany, and maybe a MPA60 model still?) Mine is a few years old I think, maybe a 2015 model? I think it's a real bargain at anything under $1,000, which is what it should sell for if you can find one. I've seen them as low as $700, but not sure of the condition at that price. If you want a new parlor with spruce top & rosewood b&s all solid, you'll have to get an Eastman E20P, which at $1,200 is still a good guitar buy. You would be getting a warranty with that at least. But as long as you can either check out the guitar before hand, or have a return option, I can see no reason not to try a used Alvarez. |
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I believe that the Alvarez Masterworks likely provide some of the best values in their price categories. $600 and under for acoustics, $700 and under with pick-up.
Their all mahogany models really are remarkable. I've had extensive experience with the Dreadnought and the Grand Auditorium versions. Consider the $600 MDA66SHB - an all mahogany dreadnought. Remarkable shimmery, reverby, round tonality. A pleasure to fingerstyle on and properly projective. Wonderful tone. AND you get: 1. An elegantly beautiful cream with tan trimming arched hardshell case that sells for $150. No desire to upgrade the case. This effectively makes the guitar a $450 net cost instrument. 2. All solid wood mahogany. 3. Forward shifted scalloped bracing that is the same with their top end Yairi that are multiple thousands of dollars. That's one thing I respect about Alvarez - they give you the best bracing pattern that they like without forcing you to pay thousands to get a particular type of bracing position and scalloping. The production cost doesn't change whether the X brace is forward shifted or not so Alvarez just gives it to you. This is a very different approach from the major brand that we all know of. I REALLY respect Alvarez for this. 4. Bone nut and saddle. Both examples I spent a lot of time with had very high saddles too. So no upgrades to be done. 5. Sunburst gloss finish. Nicely done though the finish is not of the caliber of the high end American companies. 6. Nice action out of the box - most never have to have a set up done out of the box. So no set up charges. 7. Abalone rosette. 8. Abalone trim around the top binding. (seriously?) 9. Gold plated tuners with real EBONY buttons. (seriously?) 10. Ebony buttons w. abalone inlay. 11. D'Addario EXP16 strings. I like these. About the only cost cutting feature is the rosewood fretboard and bridge. Again, all these are pointless IF the tone is not wonderful. They are. BUT you do need to break the guitars in and it can really improve dramatically. I think I may have just helped Alvarez market their Masterworks instruments. Really, you get one and the only thing you may want to change is the strings to your preference. Hope this helps. Last edited by PTL; 10-08-2019 at 02:31 AM. |
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I would second the opinion that the MPA66 is worth looking at if you find one of those. I have the Yairi FYM66HD and it's superb. The reason I got the MPA70 instead of the MPA66 was because I already had the Yairi and wanted something with a different tone. But if I had to only keep one, it would be the Yairi...which is a nicer guitar, but cost over $2k. |
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#14
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Alvarez is harder to find. If the Eastman deal isn't too good price wise to pass on, get the Alvarez, assuming you can return it if there is a problem. If there is, you can probably still find an E20p somewhere.
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#15
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Robert, sent you a pm.
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