#31
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A used Level 1 Cole Clark. In your price range. Best sounding plugged in acoustic guitars I've ever owned. Takamine and Maton are your other choices for outstanding plugged in sound.
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#32
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I think it's important to get a guitar that you like the sound of even if nobody else pays attention. If I am not hearing a sound from my guitar that I like it will distract me.
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#33
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The level 1 Coles don't have the wonderful 3 way system though.
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#34
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The newer ones do. I'm the proud owner on an FL1 which does indeed have the 3 way pickup system in it.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#35
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Level 1 Cole Clarks after December 2017 have the exact same 3-way pickup system as their Level 2 & 3 models.
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#36
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No love for Ovation here AGF??? They were part of starting the game too, with those proprietary pickups. Sure it is not the “my guitar but louder” 2021 tech, but it is a really nice electric and the signal is hot, cutting through the mix. Onboard EQ...etc. It is no wonder why entertainers have been using them for ages.
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#37
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Good to know!
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#38
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If it's a band mix with electric guitar, bass & drums, an acoustic with any kind of pickup can often be drowned out at some stage of the volume wars.
I have a Gibson Chet Atkins CEC, a solid body nylon strung guitar which can be turned up until the drummer's ears bleed with no feedback at any time. Because it's solid, the action is very good all the way up the neck and stays that way. It even has individual volume control for each string. They don't make them any more but the Gibson Chet Atkins series includes 6 string nylon conventional classical width neck (CEC), narrower neck (CE) and 6 and 12 steel string models (SST). Worth considering if you're in a loud band and want to be heard.
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95 Ditson 56 Gibson LG1 72 Guild D25 77 Gurian JM 78 Yamaha FG375S 79 Guild F512 92 Dobro 33H 96 Guild JF55 00 Fender Tele 01 Gibson Chet Atkins CEC 03 Taylor BB 04 Gibson ES137 05 Washburn Uke 06 Martin DC Aura 06 Gibson LP Std 07 Martin BP 11 Höfner Bs 15 Gibson LP Jr 18 Gibson SJ200 19 Danelectro 12 19 Gretsch G2420T 20 Epiphone Casino I work for Peterson Strobe Tuners |
#39
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Quote:
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#40
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#41
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Quote:
I have never regretted no longer owning or playing one. It looks like they make the bowl in different depths from super-shallow to deep from looking at Sweetwater's inventory of new instruments. |
#42
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I'd consider looking at one if I needed something new for playing out. If a guitarist is looking for pure my-wood-guitar-but-louder amplification, it's the wrong choice. |
#43
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Quote:
This is where the Anthem and the ES2 shine. Buy the time you are that loud, a UST becomes an asset, or a magnetic with a mic in it. Solo, not so much. If I needed a gig instrument, it would be a Cole Clark.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#44
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I would look into the new Yamaha fgx series with the atmosfeel pickup. As plug and play as it gets. Just finished nine gigs with mine and it has performed flawlessly.
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#45
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Quote:
Thanks Tad Cheers Gerry C |