#1
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FeedBack
So, having issues with my Taylor 110 plugged in creating a large amount of vibration and feedback when plugged into the PA.
I do not have ES pickups on this, I have some Passive K&K ( not really sure what they are) I have the Guitar equipped with a Sound Hole cover, it's also plugged into an L.R.Bragg DI/Pre-am ( The Para- DI) with notch filter and all but it's still causing an issue. I was thinking that perhaps upgrading the pickups with something that's Active and comes with a pre-amp. I think that would be a good idea and might help solve my problem. Does anyone think the same thing? should I upgrade my pickups? and second. What are decent pickups for acoustic, to use in a Live environment with a very loud rock band. I play in a very LOUD rock band that plays pretty big shows with full PA's and monitors (and we don't have a sound guy). I am trying to keep up with an acoustic guitar while everyone else is on electrics. So. that's my problem and I am trying to fix it without spending a Crap ton on a new Taylor 814ce guitar.
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Taylor 814ce 2010 Taylor K14ce 2006 Taylor T3/B Honey Burst 2009 Taylor 110 2004 (Made in America) Taylor NS32ce 2010 Fender American Standard Strat tobacco sunburst 2010 Fender American Deluxe Telecaster cherry sunburst 2010 "The" Gibson F2 Mandolin 1914 |
#2
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Quote:
It is all a trade-off between natural tone and feedback fighting. Steve
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Still crazy after all these years. |
#3
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I had the same problem. Pull the K&K and put in a DTAR Wavelength.
Remember that no pickup is feedback proof, but SBT's are more trouble than UST's.
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“Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all.” ― G.K. Chesterton |
#4
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Don't stand in front of stage monitors when playing the acoustic guitar. Or don't have your acoustic guitar going through the monitors in the first place. Or put some distance between you and your acoustic guitar amp.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |
#5
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Thanks for the info.
I will take the trade off on the sound to reduce the feedback. can I get more info on the ?DTAR Wavelength? I have never heard of these
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Taylor 814ce 2010 Taylor K14ce 2006 Taylor T3/B Honey Burst 2009 Taylor 110 2004 (Made in America) Taylor NS32ce 2010 Fender American Standard Strat tobacco sunburst 2010 Fender American Deluxe Telecaster cherry sunburst 2010 "The" Gibson F2 Mandolin 1914 |
#6
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The D-TAR Wavelength, to the best of my knowledge, uses the same UST as the Baggs Element. However, it has a higher headroom preamp that results in much less (almost no) quack and better dynamic response. I replaced an Element in one of my guitars with the Wavelength and the difference was dramatic.
I ordered mine from Shoreline, along with the VT Module (soundhole mountable volume and tone controls). Here's a link: http://www.shorelinemusic.com/amplification/dtar.shtml |
#7
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Is your feedback mostly low frequency? The LR Baggs DI has a very high input impedance, which isn't necessarily a good match for your K&K pickup. Before buying a new pickup you may want to grab an electric guitar stompbox (a Boss tuner or something) that DOESN'T have true bypass. Put it in between the K&K and the DI, but don't turn on the effect. The effect pedal should have an input impedance of around 1 megaohm, which is a decent match for the K&K pickup. This will roll off some of the lower frequencies and may help with your feedback problem. Also, using an acoustic amp placed behind you rather than a floor monitor to hear your guitar should help a lot.
If you still have feedback issues and want to try another pickup, you may want to look into a magnetic soundhole pickup. This should be the most feedback-resistant option and would be easy to install. Check out some sound clips of the Wavelength as well as some magnetic pickups and see which sound you prefer. |
#8
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Another possibility. If someone in the band owns a headphone amp (maybe you?) split your guitar signal between a DI to FOH and the headphone amp to a set of wired earbuds. Do not put your acoustic into the monitors, at least not at it's current level. Now you'll be able to hear your guitar and the sound guy will send it out front. |
#9
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Some additional tips before compromising your tone:
Seeing as you are one element of a rock band any frequencies below 150 hz are going to be in the way so a high pass filter set between 150 - 200 hz will reduce low-mid feedback as well as help you cut through the mix. A notch filter on the eq to the monitor to identify and filter out the worst remaining offenders is useful - the filter on your preamp is affecting the tone going into the mix whereas you really want to be able to notch the monitor eq. finally if there is a polarity/phase reverse on the monitor feed or on the monitor itself if it is active using it can work wonders.
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Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
Last edited by pieterh; 09-10-2011 at 01:32 AM. Reason: added detail re notch filters |
#10
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thank you
You guys are awesome!!!! thanks! all this is great info!!!
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Taylor 814ce 2010 Taylor K14ce 2006 Taylor T3/B Honey Burst 2009 Taylor 110 2004 (Made in America) Taylor NS32ce 2010 Fender American Standard Strat tobacco sunburst 2010 Fender American Deluxe Telecaster cherry sunburst 2010 "The" Gibson F2 Mandolin 1914 |