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Okay, so kind of like Paul Reed Smith and Paul Reed Smith SE offshore models?
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Mike |
#17
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#18
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#19
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#20
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This interview from Fretboard Journal also has information about the Bourgeois/Eastman collaboration.
https://www.fretboardjournal.com/fea...es-of-guitars/ I also admit to being confused about the distinction between Bourgeois and Touchstone guitars. Is the only difference that, while Bourgeois supplies Eastman with some parts (like tapped tops), Touchstones are assembled in China? Any other structural differences (like bracing) between the two? |
#21
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I’ll never forge when at a Guild event some ten years ago, I asked the Fender execs what their rationale was behind having their GAD line (Chinese) which was almost identical with the guitars being made in New Hartford. (Of course, the Chinese guitar was half the cost). Their thinking was the GAD would be an ‘entry level drug’ and create brand loyalty. Later on, they expected that the purchaser would want the higher level guitar. Did it work? Who knows. Many manufacturers have that same business model, so empirically I have to conclude that it does work. IMO, the company that got this right was Iris guitar. An all-American build that sounds great, but costs less and is unique. It does not compete with itself - it is similar to the custom guitars that Dale Fairbanks (Fairbanks Guitars) and Adam Buchwald (Circle Strings) make, but in no way could be mistaken for one of their guitars. They’ve created a lot of buzz and many satisfied customers. Similarly, Collings did this with the Waterloo line. As far as the Touchstone line of Bourgeois Guitars, I think it’s too similar and will cut into their high end sales. But maybe the numbers will work. I’m sure that the finest accountants and marketers that could be found have justified the project and have created an extensive rationale of why it will be a smashing success. Who knows? I’ll let you know in five years. Rick
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”Lorem ipsum dolor sit amet” Last edited by srick; 08-17-2022 at 06:25 PM. |
#22
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Seems the price point falls right between a Reimagined D-18 and D-28 for either the OM or Dread. Same specs...just two different size guitars.
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Jim Dogs Welcome......People Tolerated! |
#23
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Bourgeois guitars cost a lot more than a standard series martin. Eastman guitars cost less. This is in the middle. Martin standard series sell well at this price point, so obviously there are plenty of guitar buyers to sell them to. I can't afford a bourgeois but I can afford more than an eastman. I might buy a standard martin, or this. If this is a bougeois top and the rest is eastman, I'd imagine it would rival a standard series martin.
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#24
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And it might even sound better than a standard series Martin. Hey, and the binding might even stay on the guitar. Thats always a plus. That OM in the video sounds great. I can only imagine what it would sound like in person.
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Eastman E10ss Eastman E20D-tc Eastman E20om Last edited by baw3; 08-17-2022 at 09:25 PM. |
#25
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#26
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Or maybe there will be too much overlap in the things that count. I have a Bourgeois that would still be a great guitar even if it had a little less Maine magic. I'm looking forward to a chance to A/B these two lines. |
#27
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Think of it this way, as the Road series is to Martin, the Touchstone line is for Bourgeois, except these Bourgeois guitars are assembled in SEA vs Martin who produces the Road in Mexico. I'm sure there are other differences, however in terms of the market, this is likely what they are going for.
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#28
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#29
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With all due respect I think you are missing the point. Of course, we are not talking exact price point here. Simply the general concept of hitting a different market price point, as it pertains to having the guitar built elsewhere while retaining the logo on the headstock.
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#30
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