#16
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Wow! What a beautiful instrument. Very distinctive! I really like the tuners. It gives the guitar a wonderful, old-fashioned look without sacrificing functionality. I'd love it even more if it was a 640 or 645 scale! 650 or 25.5 is just a tad too long for me especially in a classical, even if it is a crossover.
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Gibson J-45 Custom Gibson Memphis ES-275 Gibson J-45 Studio G.V. Rubio Estudio Rainsong Shorty |
#17
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Quote:
The scale lengths, as well as the nut width and saddle string spacing, are all typically client's choice. I guess you could say that's part of what makes a custom guitar. Thanks for your comments! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 07-16-2012 at 04:39 AM. |
#18
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A work of fine art, Mark, congratulations on your talent.
I'm ignorant with regard to ' crossover ' guitars. Is it simply a matter of neck radius and nut width ?
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' Lend me your ears ' |
#19
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I don't think there is a set definition of a crossover guitar other than it's somewhere in between. As the steel string guitar and the techniques of those playing them evolve, I believe, so does the appreciation for what the classic guitar and players have been doing for hundreds of years. In this design I'm hoping to capture some of the sound qualities of a nylon stringed guitar in an instrument that is accessable to someone raised on steel strings. Thanks Again, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 07-16-2012 at 02:39 PM. |
#20
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No, thank you . Can crossovers take either nylon or steel strings ? Can they have a truss rod ?
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' Lend me your ears ' |
#21
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The steel strings also have much more tension and would be overbuilt for nylon strings. A responsive nylon string guitar would likely collapse with steel strings. A truss rod can be used on a nylon crossover, but it's weight needs to be accomodated in the design. Thanks Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#22
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Just stunning. I really like a non traditional looking decoration around the soundhole. The headstock is divine, and your choice of woods is extraordinary.
Mark, congrats.
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Lisa Phoenix Guitar Co. Custom Classical Guitar Rainsong Shorty FLE Pre Peavey Cargo |
#23
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I was fortunate to come across this Koa board. This is the first guitar I've made from it and it has yielded backs and sides for 5 more. I have high expectations for the sound quality of this combined with the Swiss Spruce top. Thanks Again, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#24
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What a stunning guitar. I'll echo the general appreciation of the headstock. I love the look. It really balances both a modern look with the "old world" feel.
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Best regards, Matt |
#25
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Thank-you msr13,
Your making it easy for me to come up with things to say when I put this version of Penelope up on my website! Thanks Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#26
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Finished Penelope
Hello,
I finished this Penelope crossover and will be shipping it out this week. I'm hoping to get Danny Combs to play it for us. Thank-you for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#27
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now i know what GAS means
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#28
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It arrives tomorrow! I can't wait
Kindly, Danny |
#29
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One of the most beautiful guitars I have ever seen.
FACT! Damian |
#30
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Excellance in design and finish. I am really hoping to hear how she sounds.
Nicely done Mark!
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RonSenf 2023 Taylor AD22e 2001 Guild F47RCE Certified Fretting Technician - Galloup School of Luthiery 2005 Guitar Builder/Tech |