#16
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Look at it again... "Just recorded a CD. What is the best way to sell or get it noticed." No one is disputing that there are other avenues available today that weren't available 40 years ago. Your claim about finances is where you've lost people. Income from sales of cds is down. There's no disputing that. Yes, there are online streaming services that can generate some income but it's paltry compared to what it was years ago. We've seen lawsuits come from that problem as artists have sought a more equitable arrangement with the streaming companies. That's not borne of greed on the artists' part, but rather is the reaction to the greed of the streaming services who are keeping the lion's share of the profits made off the intellectual property of others.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#17
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Sorry the information I shared bothers you.
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http://acousticcountryblues.com/ |
#18
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Thanks for the info. I guess I'm just a old guy that enjoys writing songs to be creative, and I like the process. Don't need the money but people seem to like my songs because I don't copy or steal some else work. But it would be nice to be acknowledged for what I do and break even for my work.
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#19
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Good info John W. I will have to get right will the digital world
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#20
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My own CD sales are all but forgotten. I may have the occasional person at a gig ask for one, but generally I don’t offer it as an option. If I have one I’ll sell it to you. It’s been three years or so that streaming has taken the lead in sales. Session work is always lucrative, but as John points out, it’s much more lucrative to get a handle on how music is marketed and sold in the present day and learn to use it to your best advantage. I also find gigs low on my list for generating income from original music. There are a multitude of streaming and social media sites that will reach a potentially larger and more “targeted” audience, who is more likely to spend money on original music. Don’t misunderstand me-you still need to gig. But it’s not going to be a major generator of income relative to the other avenues mentioned. It’s my opinion that physical media is all but dead. It’s not coming back. Mark
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Guitars; Esteban -"Tribute to Paula Abdul L.E." Arturo Fuente- Cigar Box"Hand Made" First Act-"Diamond Bling" Main Street- "Flaming Acoustic" Silvertone-"Paul Stanley Dark Star" Daisy Rock- "Purple Daze" |
#21
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You can still put together a collection of tunes for a site like CDBaby but just have your music available as digital downloads. Have catchy (perhaps provocative) art work for the "cover" and a good name for the "CD". Videos get more attention then just the sound recordings. Same goes for youtube though there you probably won't be able to monetize it as at the minimum you have to have at least 1,000 subscribers and at least 4,000 hours of watch time within the past 12 months. On youtube instructional videos of some aspect of how to play guitar often get quite a few views - a way to get your youtube channel noticed more.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 11-01-2019 at 03:53 PM. |
#22
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“Just one Avenue”? CD sales is just one avenue. It has uses but is mostly dead.
if you re-read my initial post you’ll see I covered more distribution methods than song library and licensing. Streaming is not the same as song library and licensing. I also described easy ways to have an online presence. I honestly have no idea how to get a CD noticed without using the all these new-fangled internet tools.
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http://acousticcountryblues.com/ Last edited by Kerbie; 11-05-2019 at 07:46 PM. Reason: Quote removed |
#23
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I have no experience/knowledge in this area.
But regardless of the original focus on CD sales, I welcome different points of view. It's always beneficial to have knowledgeable, experienced folks (Jim, Mike, John, Derek, all others) discuss/debate an interesting topic, in this case "marketing music." |
#24
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I know next to nothing about the music industry.
But from the perspective of a customer - I used to spend a fortune on CD albums which might contain two or three good songs(not necessarily the hit ones) and the rest might be dross. Now I download MP3 tracks from Amazon at a a pound or a dollar a track - so I am still spending a lot of money. I don't trust the pirate websites because I don't want viruses on my equipment. Personally the songs that get my attention are either the ones that are played on the radio or that are played in cafes/coffeeshops etc( thats prerecorded not live). So if I was in your position i would recogonise that getting mainstream radio play is probably very difficult.when you are starting out. But I would perhaps try to convince shops/cafes other public venues to play my CD over their PA's as background music on the basis that that they could do this free of charge. That way you might be able to tap into a significant captive audience. I don't know what the average daily footfall of a coffeeshop is, but I suspect it is larger than most live gigs. |
#25
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If "selling" is what you're truly after, not recognition or radio play or any of those other fantasy/bucket list things, most of the real selling these days is in licensing. Getting your music placed in TV shows and movies and such. Your target is music supervisors -- they're the "A&R Men" of now. And they get bombarded with submissions from seasoned pros. So the trick isn't making great music, it's getting it in front of them. That, and at least for TV shows, they tend to want songs that are very very very "universal." Or, as I've heard it put more than once, "seemingly about nothing." Like "Whiter Shade of Pale" or "99 Luftballons."
I hope this doesn't come off as totally cynical. |
#26
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There seems to be a probably small market for licensing niche music too. I’ve only been pursuing the sync side of things for a year but have had a little success with very short clips of the country blues stuff. Bumper music in podcasts, short commercial breaks, etc.
I think Toby Walker made a post here a while back where he was having success with that sort of thing too. Since this forum is largely acoustic guitars the OP’s new CD might contain a bit of acoustic music. I think there is some demand for that in the sync world. The country blues stuff way out-streams the other music I have out too so it might be that my other stuff is just crap.
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http://acousticcountryblues.com/ |
#27
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Selling a CD? Forget it, unless your market is older Gen X'ers and Baby Boomers. Even still, Baby Boomers have gotten much more tech savvy (because they have the time to), so they'll just stream your music if you have electronic distribution. I'd sell CD's for $5 these days or do them as giveaways if I was selling t-shirts. Buy a shirt, get a free CD. Vinyl is the only physical platform doing anything special in terms of sales right now, but pressing vinyl is so expensive. Get it noticed? Play gigs, and play a lot. Remember you are selling yourself, not just your product. |
#28
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#29
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#30
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Did I miss anyone address Streaming services? Apple, etc?
I’ve looked at the process. Has anyone had success with it? |