#1
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know why I-IV-V progression is so popular?
I've been learning some interesting theory in my guitar lessons...(the teacher has yet to pick up a guitar after 6 lessons so far....he used to teach harmony at Berkley).
Anyway, the reason why the I-IV-V chord progression is so popular is: together the three chords (each having 3 notes) contain all 7 notes that are in the I chord key. So this opens up all kinds of possibilities for melodies. (Now, I suppose someone out there is going to prove me wrong on this.)
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-Roy '00 310kce '01 355ce '01 Fender Strat Deluxe '90 Alvarez 5040 '76 Yamaha FG300 How hard can music be? There's only 12 notes. |
#2
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Oh, the learning just keeps on going today! That's really cool. I had never thought of that. Being a self-taught, theory-challenged guitarist, I love little tidbits like that. Thanks, Roy!
--jam |
#3
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Yeah it allows for a lot of different things. For instance, pentatonic scales (major and minor) are perhaps the most common scales used (and perhaps dorian also). A pentatonic minor fits perfectly in a I-IV-V sequence. No matter what note you play, it fits. So perhaps that has something to do with it.
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#4
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I don't know WHAT you're talking about! Maybe I do it and I don't even realize it. I just play (rhythm and lead). But I admit I'd like to know.
Tom |
#5
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Quote:
If you have a keyboard or piano, play the C chord (C, E, G) on a piano. They are all white keys, right? All the other white keys also belong in that key as well (note that a piano key is different from a music key). The notes that "belong" in the key of C (or any other key) are laid out (going up) by adding 1 root 2 whole step 3 whole step 4 half step 5 whole step 6 whole step 7 whole step 8 half step (1 octave above the root) My teacher is trying to get me to think in terms of which tones in a key are "home base", then which add some color (or tension), and which add even more tension. The more tension, the less time you can spend on a note before the listener wants it to be resolved back to "home base". Play a diminished chord...it is full of tension...it begs to be resolved. This is the subject of a recent post by MapleTrees, called (I think) "soloing".
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-Roy '00 310kce '01 355ce '01 Fender Strat Deluxe '90 Alvarez 5040 '76 Yamaha FG300 How hard can music be? There's only 12 notes. |
#6
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Do you feel learning all of this theory stuff has made you a better player? I am at a "plateau" at the moment and have kicked the theory idea around as a possible new direction.
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To the world you may be one person, but to one person you may be the world. |
#7
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Yes.....particularly in playing leads and in finding new sounds while "noodling"....opens up a new vista (thank you, Mapletrees!!).
PS (Posted by Tbondo....it isn't bad enough she takes all my money, now she puts her name on my computer)
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Becki ;-) 2000 Taylor JKSM |
#8
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510,
I'm at a similar plateau and I'm going down the theory route. I need a better platform to build on. Good Luck.
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cheers PRoy ___________________________ |
#9
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Quote:
The Fretboard Logic (Vol. II) book goes into this stuff...I recommend it if you want to learn some theory for guitar.
__________________
-Roy '00 310kce '01 355ce '01 Fender Strat Deluxe '90 Alvarez 5040 '76 Yamaha FG300 How hard can music be? There's only 12 notes. |