#16
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I'm one of those that actually prefers the tone of my unplugged X7 to the tone of my unplugged X20. But I also play out and so I want the X7 to sound great plugged in as well. I'm thinking seriously of pulling the K&K and trying an active Schatten system. |
#17
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Anyways I'm hoping to get it soon and I'll be doing a review of the system and posting it in the amplification section of the forum if you wanted to hold off for my thoughts and opinions on it. I will be adding a UST as a 2nd source and only as a backup in case I'm ever in a scenario where the SBT feeds back. As I'm primarily a strummer I'm not a fan of UST tone but they have their uses. |
#18
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Can anyone recommend a source for the bone saddle ?
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John |
#19
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#20
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This is the one I ordered. It's the closet in spec to the stock Emerald saddles and it's still from MacNichol guitars just through Amazon:
https://www.amazon.com/Unbleached-Sa...ll-spons&psc=1 |
#21
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Yes I had my X30 come with the full Anthem system and besides all the other negative things with the Anthem, tonally, the Schatten HFN is miles ahead IMO.
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#22
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Another data point, based on a sample size of 1...when I removed the Baggs Element from my X20, the unplugged tone seemed to improve. My theory is that the wires and preamp dials attached to the soundboard had a dampening effect. Removing the transducer from under the bridge also lowered the action, and I just left it there. So while this perceived improvement may be the result of wishful thinking, it sounds good to me.
I installed a K&K and did need a preamp to clean up the signal, but now I am happy with the tone, acoustic and amplified.
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Angie |
#23
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I think Emerald is dumping/selling a lot of poor builds they do as well as their good stuff. They "can" make an absolutely outstanding guitar, but they also sell every poor guitar they make too. Guitars, that should NEVER be put out for sale the way they sound. Even Custom ones for several thousand dollars. There, I said it, and it's absolutely true. New buyers, don't hesitate to send one of these back. If it doesn't WOW you, you've got one.
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2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's Last edited by Kerbie; 04-23-2019 at 07:01 PM. Reason: Bashing |
#24
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Puerto;
Its apparent that some has been escaping from the emerald Isle. I think we're seeing the results of success and enhanced levels of production--the more you make the likelihood of error increases. It also seems clear that Emerald makes good on its errors, but can only do so when a buyer makes the call. Last edited by Kerbie; 04-23-2019 at 06:55 PM. Reason: Removed reference |
#25
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Maybe a little off topic? But another concern of my X7 is that I like to play it outside often, if the sun is out, it goes out of tune badly, not the same on all strings and as much as half a step on the fret board. None of my other CF guitars come even close to this. Now I am talking full sun hitting the guitar face, 70 degrees last time, and the big shift occurs when I go back in the house and the guitar cools down. All I can think of is to make sure the truss rod is tight, but after a setup, I assume it was adjusted. Maybe not. Or is it just the nature of the beast?
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John |
#26
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I don't know what would be different between our guitars, strings maybe but would that be enough I really don't know. Hopefully others can chime in with their experiences. I bought CF for a reason and so far they held up to the test. It does get extremely hot here in the summer so I will update if the 35 deg C days have an impact on the tuning. On those days it will probably be more like 50 deg C inside my truck so I will have been through both ends of temperature extremes by then. |
#27
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It's not what you're paying or paid for either. They're played at the factory and it doesn't take much playing to know a dud. Does anybody know of anybody who's ordered a Custom that was told, "hey, this guitar just doesn't sound the way it should, we're building you another one"??? Yea, me neither. That ain't right or possible.
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2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's Last edited by Kerbie; 04-23-2019 at 06:55 PM. Reason: Edited |
#28
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I don't recall anyone here referring to their guitar as poor. Also, given the numbers that Emerald is shipping these days, what gets talked about here is just a small percentage of their production. Quote:
Do you have some personal experience to share?
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo Last edited by Kerbie; 04-23-2019 at 07:03 PM. Reason: Edited quote; Adjusted accordingly |
#29
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A lot seems to be made of "never having to tune" a carbon fiber guitar - I tune any of my guitars before I start a session. Granted, the carbon fiber guitars need less tuning attention than my wood guitars... but why would anyone not check the tuning before each session? No downside to checking/tuning.
That said, a carbon fiber guitar is more stable than wood, but the same metal strings go on both, and those are affected by temperature and humidity. I've noticed on my CF guitars (RainSong and Emerald), that any big change in temp results in a "nearly equal" change in the strings - i.e. they may all be a few cents sharp or flat. If one does not check the tuning, your ear would tell you it is "relatively" in tune. Tune it with another instrument, and it may need some minor adjustment. As far as what Emerald is producing: I have 3 Emeralds. All three have been excellent workmanship. The first one I bought (former generation X7) had higher action than what I prefer, and at the first string change, I sanded down the saddle, made an oh-so-minor tweak on the truss rod, and have made no changes since that time, even though I have tried a variety of strings. It isn't like I'm new at this, since I've been playing for over 50 years, but every Emerald I've come in contact with has been an excellent instrument. I don't understand the bashing of any brand. In the past decade, most of my wood guitars have been Taylors... never understood that bashing as well. I have no problem if someone doesn't like a particular brand, but with any carbon fiber guitar brand, it isn't like you can go to the local guitar shop and try 'em out, like you can with Taylors or Martins. (For full disclosure, I have never found a Martin that made me want to take it home, but I still respect the brand.) The odds that any player has had the opportunity to play a bunch of Emeralds (Kramster excluded), making their bashing of the entire brand a bit suspect for motive; well, to me. "dumping and selling a lot of poor builds..."?? Hasn't been my experience. Last edited by Kerbie; 04-23-2019 at 06:57 PM. Reason: Edited quote |
#30
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