#1
|
|||
|
|||
How low is too low for action?
I just got a Bourgeois OM VV model and it has 6/64E - 5/64e action which is actually really nice but I prefer 5/64 and 4/64. But Im at the point where I am a little worried about going too low, its easier to go down than up. Am I one of the few that like 5/64 action on the low E or is this normal around here? I can also just get another saddle and fit it to the lower specs and have both.
Are these saddles glued in at all or no? I doubt it. And what material are they stock? Bone? |
#2
|
||||
|
||||
Quote:
__________________
Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#3
|
|||
|
|||
Quote:
No. Often, yes. |
#4
|
|||
|
|||
Its too low when you have constant fret buzz when played.
I can go much lower than you- 4/64 low E and 2/64 high E, so its personal taste. You will not be able to get that action and have a good saddle height however. The way most guitars. The only way I can see it feasible is by changing the shims on a Taylor, or if you specify the required string height to the builder beforehand, and he sets the neck geometry accordingly. Ive only been able to achieve 3/64 on the high E before the string basically has no break angle.
__________________
The past: Yamaha AC3R (2016) Rose, Eastman AC822ce-FF (2018) The present:Taylor 614-ce (2018) Clara, Washburn Dread (2012) The future:Furch Rainbow GC-CR (2020)Renata? |
#5
|
|||
|
|||
If it came setup at 3/32" and 2.5/32" I leave that along and get a second saddle and sand it a little lower. You might find the one you have now is perfect in more humid summer months depending on where you reside.
__________________
Jim Dogs Welcome......People Tolerated! |
#6
|
|||
|
|||
Also to add, it seems the saddle runs out of room at the Low E for compensation when the string height is lowered. You may notice the Low E is slightly sharp as you move up the fretboard.
It makes sense because you are basically shortening the string length when lowering string height, and it makes a difference even when the length is miniscule. Either that, or the saddle slot was placed incorrectly.
__________________
The past: Yamaha AC3R (2016) Rose, Eastman AC822ce-FF (2018) The present:Taylor 614-ce (2018) Clara, Washburn Dread (2012) The future:Furch Rainbow GC-CR (2020)Renata? |
#7
|
|||
|
|||
Measurements and numbers mean absolutely nothing, it's all about the players touch. No matter how high the action on a guitar, if you hit it hard enough it'll buzz. If it sounds good and buzz free for your touch, then the action is fine.
|
#8
|
||||
|
||||
5/64E and 4/64e has always been my sweet spot...and I’m a pretty heavy strummer/picker. No buzz. No problem.
__________________
Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#9
|
|||
|
|||
Quote:
My approach is to forget numbers and get a guitar to where it is comfortable, THEN measure and record the heights and put a card in the case compartment with the data. String height should be an effect of your style, not something to strive for. No doubt that higher action gives you better sound but you still have to be able to play it! I don’t know why setup cards are not a thing. A shop’s advert could be on one side, and setup data on the other.
__________________
90s Martin D-28 (Algae guitar) 1979 Alvarez CY 115, #226 of 600 1977 Giannini Craviola 12 String 1997 Martin CEO-1R 1970s C.F. Mountain OOO-18 1968 Standel/Harptone E6-N 1969-70 Harptone Maple Lark L6-NC (Katrina guitar) Supreme A-12 Voyage-Air VAOM-06 Esteban Antonio Brown Model |
#10
|
|||
|
|||
You'll also want 'no-buzz' on alternate tunings - if you use any. And for light-to-medium strings - if you plan on varying your strings in the future. And for variations in humidity. Which means a bit extra margin on the action to handle these effects.
Last edited by lar; 12-12-2018 at 12:19 AM. |