#16
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Here's a picture of what I use!
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Harley Gibson C5 Classical (Spruce/Brazilian): Open "D" Tuning Breedlove Retro D/SMe: Standard "E" Tuning Gibson Keb Mo Bluesmaster: Open "D" Tuning Alabama Irish Tenor Banjo (4 String): Double "C" Tuning Bart Reiter OB Banjo (5 String): Double "C" Tuning "Every Breath You Take" (Police) Solo in Open "G" Tuning "Wild Horses" (Stones) Demo in Open "G" Tuning |
#17
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I just had a giggle there. Never saw those before but seems like it would be a ruff scratchy sound when played or do you smooth them out?
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#18
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These are all individually hand made, cut to size (not molded), and my camera work has not been retouched. These are new and people seem to like them... no returns or complaints.
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Harley Gibson C5 Classical (Spruce/Brazilian): Open "D" Tuning Breedlove Retro D/SMe: Standard "E" Tuning Gibson Keb Mo Bluesmaster: Open "D" Tuning Alabama Irish Tenor Banjo (4 String): Double "C" Tuning Bart Reiter OB Banjo (5 String): Double "C" Tuning "Every Breath You Take" (Police) Solo in Open "G" Tuning "Wild Horses" (Stones) Demo in Open "G" Tuning |
#19
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serious? Id like to see/hear a sound sample of these if possible..
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Chad Fengel itunes My YouTube "Only by becoming acquainted with your own self, can you gain the composure to write original music" Michael Hedges ♫ |
#20
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And these do have good tone.. Watch, I dare you http://www.youtube.com/watch?v=wQyBYkJCtbk
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Chad Fengel itunes My YouTube "Only by becoming acquainted with your own self, can you gain the composure to write original music" Michael Hedges ♫ Last edited by Fngrstyl; 04-30-2013 at 06:20 AM. |
#21
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http://www.youtube.com/watch?v=ZLhcm...ature=youtu.be Hard to see but Ii'm strummin up and down. These will not snag like other picks. They are made for d/u/d/u picking! These are a very old design and I incorporated them in plastic, it to suit my guitar fingerpicking style (lots and lots of down strokes & up), very fast alternate picking. These picks do not fly off your fingers like most others. That's why this design is so good. They work great on both steel string and nylon strung instruments. I use them especially when I have a damaged nail. They're great for my banjo, my guild & breedlove steel strung guitars, and my classical nylon guitar as well. I use heavy gauge strings on my washburn lap steel and these picks save serious wear & tear to my nails. My plastic thimble picks are really that great!
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Harley Gibson C5 Classical (Spruce/Brazilian): Open "D" Tuning Breedlove Retro D/SMe: Standard "E" Tuning Gibson Keb Mo Bluesmaster: Open "D" Tuning Alabama Irish Tenor Banjo (4 String): Double "C" Tuning Bart Reiter OB Banjo (5 String): Double "C" Tuning "Every Breath You Take" (Police) Solo in Open "G" Tuning "Wild Horses" (Stones) Demo in Open "G" Tuning Last edited by HarleySpirit; 04-30-2013 at 08:13 AM. |
#22
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My plastic thimble fingerpicks would suit her rigorous fingerpicking and strumming as well. That's exactly what my fingerpicks are designed for, as well as more gentle playing. Tone is a major factor in my design!
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Harley Gibson C5 Classical (Spruce/Brazilian): Open "D" Tuning Breedlove Retro D/SMe: Standard "E" Tuning Gibson Keb Mo Bluesmaster: Open "D" Tuning Alabama Irish Tenor Banjo (4 String): Double "C" Tuning Bart Reiter OB Banjo (5 String): Double "C" Tuning "Every Breath You Take" (Police) Solo in Open "G" Tuning "Wild Horses" (Stones) Demo in Open "G" Tuning |
#23
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Sample sounded good through my phone... Never would have guessed
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Chad Fengel itunes My YouTube "Only by becoming acquainted with your own self, can you gain the composure to write original music" Michael Hedges ♫ |
#24
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My transition to fingerpicks...
When I first met Brownie McGhee I asked him how he got that thumping bass. He reached into his pocket and pulled out a set of fingerpicks, a National plastic thumb pick and two National nickel-silver fingerpicks. I bought a set the next day. I had the same trouble as our thread starter, I couldn't get the hang of them. Finally I said to myself, "I won't pick up my guitar without using these ****ed things!" A week later all was well! I could play blues with damped bass as well as ragtime alternating bass stuff.
One thing I've found which seems counter intuitive...plastic fingerpicks give a harder edged sound than metal fingerpicks which give a soft "ching" rather than the "clang" of the plastic ones. I like Zookies plastic thumbpicks which come in different attack angles, I use 20. Your thumb may be different. I'm using Dunlop brass fingerpicks but I haven't been able to tell a difference in sound from the Dunlop nickel-silver ones. I find the Dunlops more comfortable.
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Mike "The business ain't nothin' but the blues!" - Rahsaan Roland Kirk" mike-wilhelm.com |
#25
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Nails are really an extension of bare fingers. I'm much, much more accurate with them than any finger picks I've ever tried. Once I decided to grow my nails out and give it an honest try a few years ago, I have never even thought about going back. I have much more dynamic range with nails than I did with bear fingers. They are not that much trouble to maintain either -- at least not for me -- i'm not very particular about it; I just file and go.
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Alvarez: DY61 Huss and Dalton: DS Crossroads, 00-SP Kenny Hill: Heritage, Performance Larrivee: CS09 Matt Thomas Limited Taylor: 314ce, 356e, Baritone 8 Timberline: T60HGc |
#26
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Although I do use a thumbpick depending on the tune.
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Chad Fengel itunes My YouTube "Only by becoming acquainted with your own self, can you gain the composure to write original music" Michael Hedges ♫ |
#27
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Quote:
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Harley Gibson C5 Classical (Spruce/Brazilian): Open "D" Tuning Breedlove Retro D/SMe: Standard "E" Tuning Gibson Keb Mo Bluesmaster: Open "D" Tuning Alabama Irish Tenor Banjo (4 String): Double "C" Tuning Bart Reiter OB Banjo (5 String): Double "C" Tuning "Every Breath You Take" (Police) Solo in Open "G" Tuning "Wild Horses" (Stones) Demo in Open "G" Tuning Last edited by HarleySpirit; 03-10-2014 at 04:53 PM. |
#28
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They sound good (assuming you like picks in general) and are where you "expect" your fingernail to be. Much less learning curve getting used to them, as compared to most other fingerpicks. |
#29
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#30
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Thanks clintj. I aprreciate your reply.
I must say, however, that recently after I posted the question I bought a set (3) of those Alaska Piks just for testing. I was really impressed and within a few days I placed an order for a whole bunch in different sizes with the idea to find the best fit and also to experiment on shaping them. I was indeed over-the-moon... my natural nails are very thin and weak and I constantly worry about breaking them, which happened (until recently, I'll explain later) on a regular basis. For that I have been using Propiks for over 30 years but they are no good for gentle picking, or jazz or classical. So, AlaskaPiks finally gave me the possibility to play as loud or as quiet as I wanted withouth worrying about nails breakage with the added plus that I could use them with all my guitars (6, 12 strings, jazz, classical, dobro) and still get a much rounder and fuller tone than I ever did with my own nails. All well, then? Well, not quite. After a few weeks of honeymoon I started to find some downsides to using them... 3 downsides, in fact. First one: the "large" size was really too small for my fingers, even after moulding them with hot water and the xtralarge size was too big, even after moulding them with hot water (done several times).. so playing with the large size risulted in discomfort after prolonged playing and using the xtralarge size resulted in the picks actually coming off my fingers onn first signs of sweat. Second: the pick, after being shaped, resemble own nails and in that they are great BUT only if they stay precisely on your fingers as planned. In my case theyt would slightly move sideways (in circle around finger, I mean) so that eventually the pick's tip would not be centred anymore, changing the tone and sound produced. Third: the picks were also difficult (for me) to keep "on" (or "in" if you like) at the right length. Place them a millimeter too deep into the finger or too "out" of it and the whole tone changes. This led me to endless adjustments and frustration. 1 day everything sounded gread next day it did not.... Gradually I found myself using the old Propiks more and more until... I entered a Nails Saloon and had my nails done with acrilic gel. I thought "why not? Worth a try.. only cost me 20 euros and if it does not work I'll go back to my usual Propiks". It is now several months since then.. am I happy? Very. Very very, in fact. Nails never EVER break... sound warmer than my untreated nails (because they are thicker), I can play as loud or as quiet as I like and once every 10 days or so I file them to shape. The gel treatment lasts for about 4 weeks after which time it needs re-doing. I had been battling with my nails since I started playing guitar 40 years ago and now I have finally found a permanent, safe and great sounding solution. If you (or anyone else) wants to know more about the gel treatment I'll be happy to write my own experience in details.. with pics too ciao Picking Moose
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L. Maggi 6 strings Custom Guild G-37B B. Dinsdale Custom Ibanez Ragtime 460 Daion L999 Kinkade 12Strings Custom L. Maggi 12Strings Custom P. Bernabe E8 H. Godvinez Fender Dobro HB Resonator Baton Rouge Tricone Ovation Celebrity Cort L900 Parlour Epiphone Emperor Epiphone Sheraton 2 Fender Tele |