#16
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Edited....
Last edited by jgottsman11; 04-04-2020 at 03:26 PM. |
#17
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This thread is good news for my skill level.
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Eastman: AC630 Super Jumbo (2019) Gibson: Eric Church Hummingbird Dark (2016), J-45 Standard (2013), Gibson L-00 (1930s) Guild: D-55 (1998) Martin: D-41 Reimagined (2019), 000-15SM (2018), OM-28 VTS Custom (2016), D-18 Golden Era (2014) Taylor: K24ce Builder’s Edition (2020), K14c Cedar (1999) Yamaha: CSF3M Parlor (2019) |
#18
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A few years back I visited Goodall Guitars with friends. Got to meet the Goodalls - a really nice and welcoming family - who gave us a tour of the shop. Afterwards I played a few of their available guitars, did nothing special beyond basic chords and simple picking, with no vocals. Later they complimented me on how great I sounded, and how surprised they were at my skill level, having never heard me play guitar before.
One thing I think it’s sometimes hard to remember, is that to people who don’t play guitar, being able to play simple melodies and chord changes is impressive. Add in how great Goodall guitars sound anyway, and it’s a winning combination. At times we can be our own worst critics, and not appreciate how far we’ve come. Personally, I’m practicing way more than ever now, and am at a place where I’m very satisfied with the result. Wish I had discovered the value of enough practice time years ago. I would get frustrated if I couldn’t do something the first few tries, and give up. For me, it’s like exercising. I like to run, especially on trails, but if there’s been a break in running, maybe because of being sick, overly busy with work, or a minor injury, it can be hard to get back in a routine. I’ve discovered that even when in good shape and training regularly, the first 3/4 mile is always the hardest. If I was just to go by how I felt then, I’d stop every time. But once I get past 3/4 miles, everything shifts, and for the rest of the run it feels great.
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1950 Martin 00-18 RainSong Concert Hybrid Orchestra Model 12 Fret Eastman E20OOSS. Strandberg Boden Original 6 Eastman T185MX G&L ASAT Classic USA Butterscotch Blonde Rickenbacher Lap Steel Voyage-Air VAD-2 Martin SW00-DB Machiche 1968 Guild F-112 Taylor 322e 12 Fret V Class |
#19
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Play 3-4 bars of Vincent/Starry Starry Night -- single notes -- and watch the reaction. |
#20
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Because the vast majority of listeners, and especially the ones...most folks...who are not music in general, or guitar aficionado's/nerds in specific...just want to hear simple, easy to listen to very melodic playing. They like music, but they are not in deep fascination about all the theory and complexity and minutia, and whatever personal challenge you the player find exciting in playing a difficult complex piece. They "get" the easy, simple stuff. They can follow along, make some sense, whatever sense, of it that is relevant for them. They can tune in and tune out as they might want, to eat, or drink or talk, or just think. It's just like the scene in the movie "High Fidelity" where Rob and Dick are listening to some nice easy soft music in the morning as they get ready to open the shop, and Barry blasts in like a tornado and turns off there music and puts on his loud high octane mix tape and goes crazy and Rob shuts it off, and in the ensuing argument yells at Barry "I just want something I can ignore". Most folks live with music mostly on the "surface" of their lives...it doesn't run deep into them quite like it does for a very serious music enthusiast or a musician. Always keep that in mind when you play for folks, and try to know your audience, or find out who/what your audience is before you play and choose your material accordingly. If your intention is to play for their pleasure...not yours per se' Take YOUR pleasure from using your talent to please your audience... duff Be A Player...Not A Polisher |
#21
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#22
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Long time no see. I can totally relate to your statement above, and I'm very much ok with that situation. I play solo fingerstyle arrangements for my hobby, and for my own enjoyment. I have no desire to be an entertainer. However, I do enjoy it when players with similar interests interact; listening to each other, sharing what we enjoy, checking out the guitars. I miss the Twin Cities AGF Get-Togethers we used to have.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#23
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I have had many experiences where I have played all kinds of music -- and I'm a singer -- and people have enjoyed it. But then I play something fairly "Mickey Mouse" that for whatever reason they relate to, and suddenly they are telling me what a great musician I am.
For most people, they can only connect to what they already know. Instrumental music is even harder for folks to connect to. When people say stuff like that, I don't take it seriously. I understand that they like what they like, and what they like is usually something that was pounded into their heads many years ago by repetition on the TV or the radio. Once on a camp-out 45 years ago I had my guitar with me and I was playing stuff really for myself as I was relaxing. One of the guys with us said that what I was playing didn't even sound like a guitar. (I am predominantly a finger picker.) So I grabbed a flat pick and started playing "On Top of Old Smokey" in 3/4 time, and then he looked smug and said, "Yes, that's what a guitar is supposed to sound like." Most people live their lives in a tunnel where they see or understand very little of the world around them. Very few people are curious enough to open their eyes and ears and absorb more than what's right in front of their faces. - Glenn
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#24
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I just would be interested in what people think is "complex" music as opposed to simple music. There seems to be a fair amount of patronization in this thread. Saying that most non musician people want music they don't have to think about is really an overgeneralization that is not necessarily true. Sometimes something that sounds simple but resonates with people may be deceptively complex in other ways. As an example, one of the producers of The Rolling Stones album Exile on Main Street said that Tumbling Dice was the hardest song to get right live. Turns out the languid timing with the bass and the chords wasn't as easy as it sounded.
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2017 Martin HD 28 VTS 2018 Gibson Southern Jumbo 1993 Guild JF 30 Gibson Nick Lucas L 100 Maple Quantity and quality of my guitars should not be seen as indicative of the quality of my playing ability |
#25
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For the sake of discussion, I've often referred to it as the dilemma of "art music vs folk music."
Many times I've failed in performing classical and flamenco gtr. I'd say, roughly half of the time (or more) casual listeners are indifferent, or worse, to this music. They can't relate to flamenco form, or Bach. I saw the writing on the wall 30 years ago when my best friend asked, "Do you sing?" ten seconds into Page's Black Mountain Side. (I subsequently learned to sing, and Jansch's material! ) *I actually picked up fiddle and accordion playing - for its crowd-pleasing capacities. Last edited by catt; 04-04-2020 at 11:59 AM. |
#26
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Why not just play simple pleasant stuff for folks if you are around and the moment seems right? Do you find something wrong with just making folks happy with simple music? Last year my wife had to have a lot of invasive/surgical dental work done, and even though they have cable music TV in each treatment suite at our dentist's office, she asked me to bring a guitar a play for her, as she found that much more relaxing. She is not fond of dental work...like many. So at four different visits, each lasting 1 1/2 to 2 hours each, I sat in a chair in the corner of the room and played softly for her. I played songs with lyrics, but just the guitar part, instrumentals that I know, and even just simple, pleasant, major key and chord melodic sequences, just riffing on the go. I just played fingerstyle, not flatpicking/strumming, just to keep it soft and easy to listen to. I played softly, trying not to intrude on the other patients, as the suites are not walled off...but after the first visit, I got a lot of complements from the staff and they asked if I would be coming back for the other appointments, which I did. The staff even said that a number of the patients around our room enjoyed the music even though I tried to play quietly. Now, whenever I go to the dentist with my wife, they ask me if I brought my guitar to play...sometimes is jest, but sometimes in earnest. What could feel better than that...knowing your playing made someone happy...besides the intended person. duff Be A Player...Not A Polisher |
#27
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Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#28
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...and here I thought I was just out of the loop on those gatherings. It would be fun to have those continue after the virus is done virusing us. It has been quite a while back now that I figured out what was going on, and learned to just play for my own enjoyment. That decision made it all fun again because even if playing for others, that attitude is much more relaxing. Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#29
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Quote:
Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#30
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Congratulations. You've just discovered the folk tradition. (You may also be discovering that cowboy chords and the fullest-sounding chords you can play.)
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