#16
|
|||
|
|||
Quote:
Does the '95 912c sound significantly better? thanks! Dennis |
#17
|
|||
|
|||
Quote:
Even the high end Ryan, Froggy Bottom etc don't have that... |
#18
|
|||
|
|||
Here is a shoot out I did with a 1996 against a 2011 model
Listen and let me know which you prefer http://youtu.be/okjRQKrqGeE Cheers Jarvis |
#19
|
|||
|
|||
912c
It might be interesting to post this over on the UTGF and see what kind of replies you get.
|
#20
|
|||
|
|||
Quote:
The NT is a significant improvement over traditional neck designs. Here is an old article explaining the NT technology: http://www.frets.com/FretsPages/Luth...t/99joint.html Last edited by Herb Hunter; 07-20-2019 at 01:16 PM. Reason: Added missing, w. |
#21
|
|||
|
|||
I played a couple of 914 in the past and one a few months back at a Taylor Road Show that was amazing. That 914 played very well, I almost bought it. I kinda kick myself for not doing it but the time was not good. I have a 2010 910 that sounds and plays wonderful to my ears. I still want one but I must wait a while. I did play a used 314 at a pawn shop that was pretty impressive and one of the best Taylors I ever played. It was road hard and put up wet kinda thing. My friend boght it and it looks like 50 of playin on that thing. I offer to buy it everytime we do some picking. Never played an older high end Taylor, but I would buy one if I had the loot. Go for it. I wonder if Taylor can convert an old one to the new neck style.
__________________
D28A 41 VTS |
#22
|
|||
|
|||
I owned three 90's Taylor dreads & one newer NT one and to me the NT neck was a serious 'downer' = I do not like the NT profile or feel.
Just my take & my hand & I am talking dreads, not 14- series. But I'd take a mid-90s Taylor over any NT example of the same persuasion. |
#23
|
|||
|
|||
anymore advice?
anymore advice?
|
#24
|
|||
|
|||
If it aged well I'd say the 1997 would sound the best! This guy explains the diffrences etc. And I don't believe the 2012's would age as well as the golden age 90's taylors. IMO Hope it helps cheers!
http://www.youtube.com/watch?v=okjRQKrqGeE |
#25
|
|||
|
|||
Quote:
Depending on how old some of your guitars are, they may have been hand sanded which may have resulted in slight variations in the thickness of the neck. Taylor offers a slim-carve NT neck intended to match those necks that after hand sanding, ended up slimmer than the profile the sander was trying to achieve. |
#26
|
|||
|
|||
Quote:
A very significant difference between the two 914 guitars in the video, which ultimately makes them incomparable, is that one had a sitka spruce top and the other has an Engelmann spruce top. Also, I feel compelled to point out that the 1996 914 in the video, technically speaking, had a neck made from three pieces of wood also, there being two pieces of wood added to the headstock to make it sufficiently wide. Last edited by Herb Hunter; 01-14-2013 at 02:39 PM. Reason: Edited to add second sentence to second paragraph |
#27
|
|||
|
|||
Quote:
thanks! Dennis |
#28
|
|||
|
|||
Interesting comparison of 914 models ten years apart in production here :
http://www.youtube.com/watch?v=okjRQKrqGeE
__________________
Anthony at Guitar Strings and Beyond |
#29
|
|||
|
|||
I am a firm believer in the statement that the 1995 - 1999, or maybe 2000 model Taylors are their golden age. In addition to the points that have already been made about Taylor's cheapening of their entire line of guitars to keep profits up and guitars affordable, the 1990s ones are made from woods that I see as being consistently higher quality than the current woods used. In the past 15 years the quality of tonewoods available to Taylor from the international wood market has declined as the best trees get cut and lesser quality ones are all that are left. The current woods are still excellent, but the woods that used to be available were even better. Also, while it does not affect the sound, the 1990s Taylors were better protected with 5-ply cases that were actually made by Taylor at their El Cajon factory where they made their guitars. NT necks are another difference. Some people buy into the notion that they are better, but I am not sure I am ready to drink that Kool-Aid. Yes, they are easier to reset, but the original Taylor design was also bolt on and is not much more difficult to reset if it needs it, and I have three Taylors from the 1990s and none of them is showing any signs of ever needing a reset. So, the NTs can be reset in 5 minutes, while the original Taylor design takes something like 20 minutes. I don't see the hugeness of an improvement. What I do see is that as part of the NT design, Taylor stopped carving their necks out of a single block of high quality mahogany and switched to glueing together three pieces of mahogany - head, neck, and heel, to save money by getting more necks out of the same amount of wood. Yes it works well, but with those extra glue joints you have a more inexpensive guitar, visible joints, and less ability to vibrate because of the extra glue in the wood. YMMV, but for me I see the original Taylor design of the 1990s as the higher quality guitar.
__________________
Member #12 Acoustics: 1995 Taylor 510 1997 Taylor Custom Shop 14 size 1998 Taylor K-65 12 string 1998 Larrivee C-10E with Mucha Lady IR/Sitka Electrics: 1999 PRS Custom 22 Artist Package - Whale Blue/Ebony 1995 Fender Custom Shop 1960 Strat - Dakota/Maple 1997 Fender California Series Fat Strat - CAR/Maple 1968 Teisco e-110 Sunburst/Maple |
#30
|
|||
|
|||
Quote:
Any structural engineer will immediately appreciate the improvement that the NT design affords without consuming any flavored drink mixes. The notion that the added glue used to assemble an NT neck adversely affects tone is just that, an unsubstantiated notion. We have you claiming the glue is a detriment to tone and we have the contradictory claim made by the others that the glue of a dove tail neck enhances tone. |