#1
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Anybody else have a guitar that they wake up and like all of a sudden?
I bought a Manuel Rodriguez solid top guitar on a SDOTD last year for around $50. I was hoping to find a "beater"; a low cost guitar that I didn't care much for and could leave sitting around on the stand instead of babying like I do all my guitars. After years, problem solved! This guitar didn't cost anything and when I got it I didn't like it's tone much. It has only visited a case a few times when I just needed to move it out of the way. I picked it up yesterday and started noodling like I always do and WOW! It is bright and loud and all of a sudden i like it's tone. What happened? Anybody else ever have this happen to them?
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Martin-Taylor-L'arrivee-Halcyon-Guild-Bedell-Manuel Rodriguez-D'Angelico-Ibanez-Fender |
#2
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Perhaps some shift in the humidity content of the woods... hard to say. I would just enjoy it and play the heck out of it!
As for me... each and every day, I look at my guitars and realize what an incredible blessing they are for me and how much I treasure having music in my life!
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#3
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I also think our ears change over the years. Are you playing it in the same room as you used to? That can make a difference as well. Just take your guitar into the bathroom and then compare the tone to playing in your living room. |
#4
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Well said. I will definitely be playing the guitar in different places to see if/how that affects the sound. I also cannot help wonder if I just got used to hearing it because it's always out and gets played so much. I am a believer in the phenomenon of guitars settling and then opening up as they are played. I just never had or thought that I would have a guitar whose tone that I did not like initially blossom into one that I do like no matter how much it "opens" up.
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Martin-Taylor-L'arrivee-Halcyon-Guild-Bedell-Manuel Rodriguez-D'Angelico-Ibanez-Fender |
#5
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Yes -- and I don't think it has anything to do with how the guitar might have changed; I think the change came from within.
My National sat in its case for the first several months I owned it. The V neck was big and unwieldy and the action seemed high, so I just dabbled with it occasionally and then put it aside in favor of my others. I can't tell you what happened or how it happened, but in January something clicked, and I suddenly "got" it. Now I can't go a day without spending at least an hour with it, often playing nothing else for a week or more. I think that sometimes, for whatever reason, we're just not ready for a guitar at that given moment. And if there's a lesson in all this, it's to be very cautious about getting rid of a guitar you're not bonding with. They can sneak up on you! |
#6
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I hope you understand my bad English. Excuse me |
#7
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Hey Scatcat, your English is fine and we understand what you're saying. That's another possibility.
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#8
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This just happened to me. I bought a used Martin last fall and it just didn't click with me. I took it out of the case this past Sunday for the first time in months as I was about to post it for sale and it's like a different guitar. I've played it at least two hours each of the last couple of days. Climate, taste, I have no idea. I do know it's not going anywhere!
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#9
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Yup, I understand perfectly and to your point the guitar is always out where I am so retentive that I put my other guitars back in the case the minute that I finish with them.
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Martin-Taylor-L'arrivee-Halcyon-Guild-Bedell-Manuel Rodriguez-D'Angelico-Ibanez-Fender |
#10
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This happens all the time to me...
I have a 1962 Gretsch Tennessean in very clean original condition. I've always loved the way it looks, but have always found it kind of hard to play, even after a proper set-up. I've recently experimented with different strings - I went from D'Addario Chromes (flatwounds) to D'Addario roundwounds to Thomastik-Infield Jazz Swing (flatwounds), all in the .011 gauge. Of the three, the round-core TI's were by the far the best in terms of feel and tone. I also spent some time fine-tuning the height of the individual pole pieces on the pickups, and besides improving its tone, this seems to have also affected how I perceive the feel of the guitar. The end result is it went from a dud of a guitar (but a pretty one) to a guitar that I absolutely love playing.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#11
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But I have no idea what makes the difference. Maybe the brand of morning coffee? |