#31
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I’ve never been a “Taylor guy,” but I’ve played a handful of Grand Pacific models in the past two months and have to say I’ve been very favorably impressed by them. In two different stores in two different states I’ve played both mahogany 517 models and rosewood 717 models.
Both times I’ve preferred the 517’s over the 717’s, but with large body guitars I tend to prefer mahogany over rosewood, so that preference is hardly a surprise. But it’s been consistent each time, with three different 517’s, so it isn’t an instance where one exceptionally good 517 skewed the data. Anyway, I was impressed enough that I’ve been mulling over whether I can justify buying one. That’s definitely a change for me, because I’ve always been very Martin-oriented in terms of acoustic guitar tone. Wade Hampton Miller |
#32
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BTW, did ya notice this thread is from last February?
It was hot for a couple days nearly 6 months ago, then sat stagnant until a few posts ago. No big deal, the question is pertinent now as well. I just notice such things. |
#33
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Quote:
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#34
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I am a Dreadnought NUT. Usually 30 or so at any given time.
I have several Taylor guitars but none of them are dreads The GP's released thus far lack dynamic range compared to much of my current stable so I am holding out for the 817 and 917. Tone is subjective, dynamic range is not |
#35
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Yeah...I did. I used the search function to bring up Grand Pacific threads. I think this pertinent now as well. Thanks for noticing.
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#36
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Everybody's got a different opinion
...which, really, is the way it should be.
Mine: I have a Martin, a Gibson and 3 Taylor guitars. I love 'em all. I don't require that my guitars sound a certain way. Each has their sound and I appreciate each for that sound. You don't have to be a Taylor guy. Or a Martin gal. Or a Gibson whatever. It's perfectly fine to pick up each and appreciate its unique qualities.
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2014 Gibson J-29 Rosewood 2018 Taylor GS Mini 2012 Taylor 314ce 2015 Martin GPCPA5 2016 Taylor 214ce-Nylon 2015 Ventura VWDONAT |
#37
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I'm also a big fan of the newish Martin MLO neck profile with the PA taper...but I also liked the profile of the 717e neck. It was certainly more "full" than the Martin shape, and I had to adjust...but it was extremely comfortable. Has Taylor had this neck shape all along, and I have just forgotten...or is a new shape?
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#38
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Quote:
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#39
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So ideally one walks into their Taylor AD and asks to try the 517/717 but wants to try them with a set of __________ strings in lieu of the Elixirs which come on the guitar from Taylor?
The reason I pose this question is I want to try these two guitars at some point and don't want the factory strings getting in the way of what I might hear otherwise. There's no doubt these guitars are beautiful and well built. For me it's all about how they sound. Are they a radical departure from the Taylor voicing that's been referred to previously in this thread? I want to find out for myself...but until then?
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Jim Dogs Welcome......People Tolerated! |
#40
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Quote:
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Gibsons: SJ-200, SJ-200 12-string, SJ-200 Parlor, Woody Guthrie Southern Jumbo, Hummingbird Taylors: K24ce, 517 Martin:0000-28 Ziricote Preston Thompson: O Koa |
#41
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Quote:
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#42
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I've been gushing about my 717 lately, so I'll freely give you my experience!
I think all Taylor guitars sound good, but they just aren't my thing. I've owned a 110e, 214ce, 414ce, and an 814ce. I think that the 814ce was the most clear and bell-like guitar I've ever owned. But, I like a more mid-honky tone with some thickness to the individual notes. The 717 does exactly that, and is noticeably louder than my D-18. The crazy thing, is that it seems to deliver in low end the more I play it. I've never had a guitar that opened up this much so quickly. It's fantastic. The GPs feel like a D-28 under the hood. What I mean by that is that they feel like the bracing is stiffer, perhaps more like a straight braced D-28. Sustain is great, and they are PUNCHY. To everyone saying that the low end is lacking in these guitars, I would tell you to let it open up for a few weeks. Mine is really coming alive. I think that the low end is comparable to a straight braced D-28, which has less low end to me than an HD-28 or D-18 anyways. Powerful, but not as boomy. Regardless of what any of us think. Try one. Unless you judge a guitar by the low end, you will be surprised. |
#43
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Okay...I just called my local AD and he has both the 517 and 717 in stock. So I'll go play them first of the week. I may be putting the cart before the horse but just out of curiosity...what is the street price on each please? Many thanks...
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Jim Dogs Welcome......People Tolerated! |
#44
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Let us know what happens Llew. They look really nice and sound good in videos. I haven't spotted any by me yet, maybe Sam Ash.......
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#45
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I’m reviving this thread because I’m curious as to how Llew felt about the GP’s after playing them as planned.
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