#31
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can you build 2? i think ebony/maple strips would be great, and look great, although i think the plastic bowl would sound pretty good as well (which was the original intent).
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#32
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Patch...there is more to the story and "Ovation bashing!"...sometime in the late 80s me wife asked me what I wanted for Christmas and I said an Ovation Classical Guitar - she went to the guitar shop and they said, you don't want a (spit, spit) Ovation, you want a good classical guitar and they proceeded to sell her (and she gave me) a (spit, spit) Takamine Classical...which, while an adequate classical guitar wasn't the Ovation I wanted...so years later, we have this project...getting even with my wife listening to guitar store types!
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#33
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For the..."Ryan wants to make an eniterly new bowl out of ebony and maple strips, somewhat like a lute."...let's save the original rosette to use on that one! Hee hee...
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#34
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Quote:
when i was younger, i longed for an ovation classical. seemed like the perfect guitar. i eventually wound up with a takamine hirade classical, which i still have, and is a very fine guitar which i appreciate more as i experience more guitars. i also used to have a ovation seel string which i liked for years but eventually gave away for a number of reasons. if you had an ovation classical it might put your desires to rest... |
#35
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Great idea, but take care.... You see where these ideas tend to go. Steve |
#36
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Actually, Ken... "just could not think of someone who played the classical model"
...Glen DID play a classical model on occasion (e.g. http://www.youtube.com/watch?v=PC8by...eature=related http://www.youtube.com/watch?v=PbmLI...=related)...he, in fact, is the reason I wanted an Ovation classical to begin with...watching him play one ... and the fact I'm into oxymorons and figure an Ovation Classical is the ultimate guitar oxymoron!!
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#37
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whoa! that rosette is amazing!
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#38
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i love the fish one
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Martin "2012" OM-21 Custom 'Hog Dread SIG Sauer 1911 Colt "1991" 1911 GSG 1911-22 Custom AR-15 |
#39
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Sounds like you live in a little bit of paradise. Steve P.S. thanks again all for your encouraging remarks. |
#40
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MC "when i was younger, i longed for an ovation classical. seemed like the perfect guitar." Hey, maybe all of this will make Steve and Ryan THINK they actually LIKE changing tops on Ovation classicals...and you, too, can have one! You'll just have to keep the (now) tradition of over-the-top rosettes going!
Steve hasn't yet mentioned the important thing...what IS the top? Port Orford Cedar!
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#41
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Yeah, yeah, top shmop.
Everyone knows the sound is in the back/sides. Steve |
#42
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Steve, have not tried the velcro (anti-slip for bowl) but then again i have not had trouble with the bowl. I don't have too much of a gut that would make it more difficult and i play mostly standing up. And even when i play sitting, i kind of tilt the guitar towards me (my version of a 'bevel') - comfortable. YMMV
TuckerRE, i did not know Glen played a classical Ovation. All images (TV and print) i had seen of him were him with a Baladeer. But then again back then (before YouTube, Internet, and laptops) i lived overseas so what i saw was very limited. For me, it was Jim Croce that got me interested in Ovations - first time i saw an acoustic with built in pickups. Steve, as to binding ... it depends. If you kept the Lyrachord bowl (black) then a nice contrast might be maple. But if the bowl is made of strips of maple or other woods then another type of wood binding might be better. For bindings i like the wood look. But in some instances a ivoriod binding might be the best - IMO. I guess i am no help . Ken |
#43
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Quote:
Steve |
#44
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The curly maple thing is all Ryan's fault! But yeah, I am in a bit of a rut...but do love 'em! We're not going with Paua around the body right?! Hee hee...
__________________
Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#45
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Quote:
Steve |