#1
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50s vs 60s/modern wiring?
Thoughts on the two? Specifically this is in regard to Gibson/Epiphone instruments but could be related to others as well. Do you have a preference?
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https://www.mcmakinmusic.com |
#2
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I'm guessing that my Gibsons all have modern (60s) wiring but I would like to try 50s wiring to gain the benefits of rolling back the volume knob and retaining the highs. I had to Google the differences... at one point I had known the difference.
How about you, Todd? |
#3
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https://www.mcmakinmusic.com |
#4
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50s if you fiddle with volume and tone knobs.
If you set and forget, modern. My Les Paul has 50s and I’m constantly moving the v & t
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Gibson J-45 Martin D18 |
#5
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https://guitarelectronics.com/cts-50...more%20rows%20 I have a LP Standard that I installed one in. Works great.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) Last edited by rmp; 06-10-2021 at 05:27 AM. |
#6
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I prefer 50s style. Keeps treble when the volume is down, and the tone knob pulls out a little volume, and they're rather more interactive. I'd like to redo my ES-335, but pulling and replacing the harness is more ambition than I have most days.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#7
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#8
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hey Dru, yea, for sure... see if you can do it. I think they work really good.
I have a 2002 LP standard w/Burstbuckers (stock), I did not like them. I dropped a pair of Duncans in there, but in doing so, immediately noticed the stock pots had a very fast roll off on volume, (like 7, was 2) and the high end went kaputz as soon as I dialed back either volume The Gibson stock pots just for what ever reason, were not a good match for the Duncans. I dropped two of these in place of those stock pots, and Viola! Volume control right down to "1" worked again, and with the variable bleed circuit, I could dial in the amount of highs I wanted to retain. Took some tweaking but once I got it set, I've not touched it since.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |