#16
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The scary part is, as you alluded, the sound is only as good as your computer speakers!
Their seems to be a constant demand for Froggys, and I've heard very few bad things about them. I think I've done all the work I can in advance, and now I just have to wait and see. |
#17
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Deacon, I think you'll love the P12. I've had three Froggy's, and my current H12 won't be going anywhere, probably for life. They are that good.
Do post and let us know your impressions! |
#18
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I did essentially the same thing on a Froggy P12 (mine is EIR B/S) a few months ago. Bought it used but in "excellent" condition (or was it "close to mint"? I don't remember) from a respected AGF Seller (Charles Hughes, Capital Guitars). Sight unseen, but lots of high quality pictures and what seemed to me to be a quality sound sample from Capital.
I can truthfully say that given the same circumstance (lusting for a Froggy P12, not able to see one in person) I would have made the same decision, at the same price, with the same guitar shop. As fine a guitar as I've ever seen or played. Everything you've read is true. Thomastik Infeld AC110's on mine. Enjoy it you will. Steve_arino Kinnaird OM42 Froggy Bottom P12 Waterloo WL12 mh McPherson Carbon Touring |
#19
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RIGHT ON!!!!!
You are going to be in for a treat! Michael Millard + team makes AMAZING guitars. My P12 reset the bar of what I should expect in a boutique guitar. The sound coming from these little beasts is inspiring! We want a detailed report when you get it! Congrats again on the incoming awesomeness!!!!!!! |
#20
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Rarely and I mean rarely have I ever heard a negative comment on a Froggy. Can’t wait to hear your impressions...
__________________
Martin 00018 |
#21
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Okay, picked it up at FedEx at 9 a.m..
Took it home, unpacked it inspected it for any issues at all - damage during shipping, abuse, etc. Nothing. It was 'as new', and it was built in 2014. Whoever the caretaker was prior to me obviously didn't play it. Not a pick scratch, any markings showing string changes at the slotted head stock - nothing. Brought it up to tune, played some bare finger style. Took a pick to it. Played it for close to an hour, listening to the tone, listening for any rattle or loose brace, etc. Absolutely zero issues. I then took it to the local 2 guitar repair people. One is a builder and a tech, the other a strait tech. Both have impressive backgrounds. Had both of them inspect it, play it, comment on it. Their finding agreed with my opinion - the guitar looks as if it hadn't been played at all. And the tonal quality and volume blew them away. They also spoke at great length about the build quality, pointing out things to me. They - and I - were very impressed. Now the tone and playability. For a nut width a bit larger than I am typically used to, it played like a dream. The C profile neck wasn't boxy or 'in the way'. Very, very lightweight. I was not expecting the tone I heard. I was prepared to hear something 'neat and clean', I guess. Instead I heard a tone that could be silky, biting, flowing - pretty much what ever I wanted to get out of it. It is difficult to describe tone, and it is certainly incredibly subjective, but this took me by surprise. All I could think of was that it sounded like a 'complete' guitar, which doesn't really make sense, I guess. And the volume for a small guitar was immense. It 'sits well' in the lap too. I spent time talking to the guitar guys about the volume and tone, and they pointed out the Adi top, the type of walnut, front and back bracing,etc. What ever part or sum of the parts contributes really made it fill the room. They launched into a discussion about the different types of walnut, typical responsiveness, etc. All great guitar tech stuff. Interesting, but my focus is not the tech stuff, but all the other stuff. For me, looks are important, volume is important, but the guitar is there to emit tones that I like, typically in spite of my playing ability. And this did it in a big way. For years I've been hearing about Froggy's, and on occasion have seen or played one (never a P12, by the way). They were all impressive, as was this one. I remember thinking after about 20 minutes of noodling with it that "Ah, so THIS is what all the fuss is about!" I guess I finally understood. Bottom line - more than happy with the guitar. Glad the 'pro's' gave it the once over and were impressed by it. Ecstatic the tone was for me, and there were literally know cosmetic or structural issues, and that it played smoothly. And quite honestly, all the videos and reviews, despite the poor quality of some and my poor speakers, didn't lie. Judging from mine, I'd snatch another one up in a heartbeat if I had the cash. One thing I can't decipher is the writing on the label. I can make out Michael's signature, but there appear to be others. At a later time I'll grab a pen light and try and decipher. The instrument is simply a delight. In all aspects. |
#22
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i would suspect the other 2 signatures to be:
andy mueller eric goodenough
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Jaybo |
#23
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I'm sure you're correct, but it isn't that clear to these aging eyes!
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#24
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Not much "luck" involved in froggies, particularly with an approval period. Congrats!
__________________
Goodall, Martin, Wingert |
#25
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Quote:
__________________
Martin D-18 Custom Mahogany 🍒 Burst Adirondack (2017) "Buck" Martin Custom J-40 (2023) "Mr. Slick" Santa Cruz OM Adirondack over Wild Grain EIR (2021) "Flaxsie Ranahan" |
#26
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Quote:
Enjoy! |
#27
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One of the finest small guitars I have owned, but these days I tend to strum more and lean toward Marti Dreads.
__________________
at 4. No more for awhile. Moving soon. Less is better until I settle. |
#28
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omg that sounded huuuuuuuugeeeeaaahhhhhhhhhh congrats Im getting my new baby on friday!!! fantastic
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#29
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Congrats on the Froggy! Hard to imagine it was never played at all, but your gain!
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#30
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Not much of a photographer or a video guy.
Here's the video from the site: https://www.youtube.com/watch?v=pQhiZqBYxG8 |