#16
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Larry Martin OM-28 Authentic 1931 Taylor Cocobolo GCce 2008 Fall Limited Edition Paragon Cocobolo/cedar GOM Cervantes Signature Rodriguez Eastman Cabaret JB Tacoma JM1612C |
#17
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#18
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People wanted him to stay the guitar god blues master. When he outgrew that and wanted to become a pop crooner, people were mostly confused (I dont think he's that good a singer). Other guitar gods came and took his place. some people are never satisfied. I saw him in concert twice in the 80s and mostly he was phoning in the old stuff like Layla.
The History of Eric Clapton (an import compilation) was the first serious album I owned (1971) and I listened to that a lot - it included some alternate D&D songs and Bonnie & Delaney material. It was great stuff, but time moves on. |
#19
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A fun video to watch. A surprisingly decent quality video for the times. I seem to recall that Dave Mason also played with the band in their very early days, maybe for only a concert or two.
I think I'll put on some of their music today.
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Barry 1969 Martin D-35 (Brazilian Rosewood/Sitka Spruce) 2002 Taylor 355 12-string (Sapele/Sitka Spruce) 2014 Taylor 914ce (Indian Rosewood/Sitka Spruce) 2016 Breedlove Oregon Concert (Myrtlewood) 2018 Taylor GS Mini (Walnut/Spruce) 2021 Taylor 326ce (Urban Ash/Mahogany) 2021 Kevin Ryan Paradiso (The Tree/Sinker Redwood) 2022 KaAloha KTM-10RP Ukulele (Koa) |
#20
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....just watched that entire show last night....Also on the the show was Ramblin Jack Elliot with Norman Blake on guitar...they did Muleskinner Blues....I’ve been recording the series...last week I watched an episode with Stevie Wonder and Bill Monroe....
.....as much as I dig the guest performers Johnny Cash is amazing on that show....he’s at the peak of his abilities and delivers great renditions and does a lot of social commentary with Hank Williams/ Luke the Drifter style spoken word stuff... ....i was sixteen when the show was originally airing and wasn’t watching TV much so I never saw it until recently... |
#21
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Taylor814, thanks for the posting the video link. I enjoyed that a lot.
Brooklyn Bob, that link ended up being a bottomless pit. Amazing how many links popped up with that! Always liked Johnny Cash and Carl Perkins, so it was fun to see them play with Derek and the Dominos. Don .
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#22
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A rather nice D-41S...it appears...slung off of Mr. Cash's neck. He owned some amazing guitars through the years, both Martin, Gibson, and Larson...and goodness knows who and what else. But that D-41S is a beauty.
Any of you fellas get nervous looking at how Johnny had it slung Bandito style over his back, headstock down...wondering if the strap would pull off of the end pin?...hmmmm?...be honest now {;-). My friend, luthier John Greven, once saw Johnny slide a brazilian D-35, on it's back, across about 30 feet of the Grand Old Opry stage to a stage hand. A few years later, one of Johnny's managers ordered a guitar from John for Mr. Cash. John made it out of Indian Rosewood, and I asked him, why not brazilian? John said after seeing Johnny slide that guitar across the stage on it's back, he didn't want to use brazilian...just in case... duff Be A Player...Not A Polisher |
#23
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Great!!!!!!
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#24
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I had a late friend whose wheelhouse for guitarists he liked was more at the experimentalists. Sonny Sharrock, David Torn, Robert Fripp, Frank Zappa, Vernon Reid, and even more obscure artists than those. He was still a huge Cream fan (as I was, and am) and always appreciated Clapton. It's all in the phrasing and tasty choices, as well as some very nice timbral choices that were influential in their time: that Beano turn a Marshall up with a Les Paul tone, the bass-roll-off "woman tone", the clean to crunchy Straty tones (such as are on display in the clips here), even the popularization of 000/OM body styles for rock players in the "unplugged" era. By the end of The Sixties, being the "Greatest Guitarist" or "Greatest Rock Guitarist" was a millstone and most people can't handle that kind of situation, and Clapton was one of those "most." And it makes you the guy that the musical newcomers, up and comers, and hipsters love to take down a peg. And in the end, as you point out, when you change how people play, sound and approach the instrument, a likely result as time moves on is for people to hear you and say "well, yeah, everyone does that--what's so special..." when someone like Clapton and the success he had is the very reason "everyone does that." The hipster/contraian/complicarian in me can point out he wasn't the only one reframing the electric guitar, that he "stole" a lot of his licks and reframed them in a different white/exotic swinging London/long-hair/he-knows-the-Beatles (and their wives) way and that he could overplay his limited vocabulary in the Live Cream* era. But as Wade points out, that's all beside the point. Massively, obtusely, beside the point. *Something Clapton himself seemed to feel, and an era of his playing that I still listen to with pleasure from time to time, because I real hear three good musicians hanging on for dear life with everything turned up too loud in a time when monitors and controlling stage volume might as well be warp-drive spaceships. But listen, I can prove I'm a hipster. I actually like some of his later pop records.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... Last edited by FrankHudson; 07-20-2020 at 12:06 PM. Reason: typo |
#25
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I have seen that many times. I also like the live performances that Clapton, Dave Edmunds, Ringo and George Harrison did with Carl Perkins.
Perkins strikes me as having a blast with these British guys playing his music. Kind of like they were all his rock and roll god children. There was some of that with Muddy Waters and the younger white artists too, but it was more complicated, of course. |
#26
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Yeah, I do that a lot. In seventh grade I did a report for my music class on a new band called "Lead Zeppelin". The first thing my teacher did was point out I misspelled their name.
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#27
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#28
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(1) You state your opinion about Clapton as if it was the only acceptable one. It is not. (2) You seem to suggest that only people who make gold/platinum albums have a right to express an opinion about Clapton. If that is true, then you presumably have no right to express an opinion about Clapton either. |
#29
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I had seen and recorded cash shows with Roy Orbison, hank Williams jr, Waylon, Kristopherson, Linda ronstadt, the monkees, mother May belle on her autoharp, Joni Mitchell.That show was happening here WAY before it’s time..
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#30
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So cool. I played bass for six years in a tribute band, maybe cheekily called Eric and the Dominos. We loved that era...
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